||1:Ms Faithfull , with whom he worked on putting music to the work of Gregory Corso, the last of the great Beat poets, described as him a “curator of souls, hipster, producer of miraculous albums”.||2:He never became an industry giant, but he gained a cult following, the Los Angeles Times said, “revered by a small but passionate confederacy of aficionados, critics and musicians”.||3:Like so many who had grown up in the shadow of the second world war, though, he knew that the difference between being ok and not ok was paper thin.

||1:费瑟弗女士曾与维尔纳合作，将音乐融入到格里高利·科索的作品中，科索是最后一位伟大的垮掉一代的诗人，她称他为“灵魂策展人，潮人，令人惊叹的专辑的制作人”。||2:他从来不是行业的巨人，但是他获得了一众狂热粉丝，《洛杉矶时报》表示，“他受到一小部分狂热爱好者、评论家和音乐家的推崇”。||3:但是，就像很多在二战的阴影中长大的人来说，他知道好与不好的关系就像纸一样薄。

||1:Lucinda Williams, a luscious American country singer, crooning Irish shanties like “Bonnie Portmore” or Marianne Faithfull , the chanteuse with the coal-tar voice—perfect for the music of underground Weimar Berlin—reimagining “The Ballad of the Soldier’s Wife” by Kurt Weill.||2:In 1980 he became the music coordinator for the sketches of “Saturday Night Live” (snl), which allowed him to mine his musical memory and gave him a regular income while he worked on one-off projects like marrying up Scarlett Johansson, Courtney Love and the emcee from “Cabaret”, Joel Gray, for a charity evening at Carnegie Hall to raise funds for aids victims in Africa.

||1:有想象力的音乐家和乐器的组合，音乐与音乐流派之间壁垒的打破：露辛达·威廉姆斯，一位性感的美国乡村歌手，低声吟唱着像《邦妮·波特摩尔》或《玛丽安·费瑟福》这样的船夫曲，她的煤焦油般的嗓音-用来诠释地下威玛文化的音乐再合适不过了-重新塑造了库尔特·威尔创造的《士兵之妻的歌谣》。||2:1980年，他成为《周六夜现场》整体音乐的统筹人，这让他能够挖掘自己的音乐记忆，并在他从事一次性项目时获得一份固定收入，比如斯嘉丽·约翰逊的结婚，科特妮·洛芙和《歌厅》中的司仪约尔·格雷在卡耐基音乐厅举办慈善晚会，为非洲的艾滋病患者筹集资金。

Right faithfull true he was in deede and word,

他忠诚正直，言行一致，