||1:But they also see the childhood traumas that drove the Kid into the gang —such as the dark room into which his father’s boss at a coffee plantation disappeared with his 15-year-old sister— and the disillusion that made him try to leave it.||2:His choice to become a government witness confined him to a precarious safe house, where the Martinez brothers interviewed him repeatedly.||3:Behind-the-scenes details—the Kid’s tenderness toward his infant daughter, his openness, the permanent cloud of marijuana smoke—help humanise him.||4:His life unspools through flashbacks and vivid prose that succeeds where Mr Dudley’s writing occasionally falls short.||5:“Why do you want to tell my story?” the sicario asks.||6:“Because we believe that your story, unfortunately, is more important than your life,” the authors answer sheepishly.||7:When, predictably, the Kid was murdered by his own gang, they started writing.

||1:但读者们也看到了主人公孩童时期就被带进黑帮的童年创伤，比如他父亲在咖啡种植园的老板和他15岁的姐姐一起消失在一间黑暗的房间里，以及自己试图脱离黑帮的幻想破灭。||2:他选择成为一名政府证人，官方将他监禁在一个岌岌可危的安全屋里，马丁内斯兄弟多次在那里采访他。||3:幕后的许多细节使主人公更加人性化，比如他对小女儿的温柔，他的开放，还有大麻烟一直燃烧产生的烟雾。||4:他的生活通过倒叙描写和生动的散文跃然纸上，相比达德利的作品偶尔出现的不足之处要更胜一筹。||5:“你为什么要讲我的故事？“西卡里奥问道。||6:“很遗憾，因为我们相信你的故事比你的生命更重要，”作者们窘迫地回答。||7:不出所料，主人公遭到了自己帮派的谋杀，而同时作者们开始了创作。

||In an essay in his popular magazine, Household Words, Charles Dickens issued a challenge to economists to humanise their discipline.|| “Political economy is a mere skeleton unless it has a little human covering and filling out,” he wrote in the inaugural issue in 1854. “A little human bloom upon it, and a little human warmth in it.”

||查尔斯·狄更斯曾经办了一本颇受欢迎的杂志，叫《家常话》，1854年，在创刊号上，他给经济学家提出了一项挑战，即要让经济学更人性化，他说，“没有一点人性为其蔽体、充实其血肉，政治经济学就是一具骷髅。||要有一点人性才能让它开花，让它有温度。”

While chaos engulfs Venezuela’s cities, his social-media team has been seeking to humanise the dictator with video vignettes that emphasise his homespun origins and simple wisdom.

当委内瑞拉的城市陷入混乱局面时，Nicolas Maduro的社交媒体团队一直在寻求美化其独裁者形象的方法，这个方法就是将那些强调总统出身朴素，拥有的小智慧的视频上传到脸书网上。

Her perspective inside the hospital was unique. But a series Mr Montgomery did at the Farenga Brothers Funeral Home in the Bronx involved even thornier ethical challenges.|| His images of the dead and their grieving relatives are meant to humanise the fact of mortality. They also restore the individuality of some of the pandemic’s many victims.||

||坎宁安从医院内部拍摄的视角是独特的。但蒙哥马利在位于布朗克斯的法伦加兄弟殡仪馆拍摄的影像引发了更为棘手的伦理问题。他拍摄的关于死者及其悲痛的亲属的作品意在使死亡的事实更加人性化。这些作品同时也复原了疫情的死难者的个性。||

Mr Sen wants to humanise canons of “maximising” rationality; behavioural economists, much in fashion, aim to ditch them altogether.

桑希望给最高合理性准则添些人情味，而行为经济学家们，他们观点颇符合时下潮流，却宁可把它们一股脑儿地丢掉。