例句
||1: However, in emphasising this side of Williams Mr Leibowitz skates over the less palatable aspects of his subject's character. ||2: A serial philanderer who publicly described his wife as “no Venus de Milo”, his poetry is occasionally voyeuristic and antagonistic towards women: “What I got out of women/was difficult/to assess.” ||3: Bitter from his lack of success in America or abroad, and obsessed with what he saw as the “European virus” in poetry, the Williams of this biography is not easy company. ||4: His poems, composed of short lines like “be a song—made of/particulars”, often resist Mr Leibowitz's lengthy analysis. ||5: Just as he preferred the quiet meadowlands around Rutherford to the glamour of literary New York, so too Williams manages to evade his biographer's gaze. ||6: Like a figure in one of his poems, he remains on the sidelines, looking in.
||1:然而,莱博维茨在着重描写威廉姆斯上述方面的同时,一笔略过了他的主角品格中不太值得称道的方面。||2:公然比喻自己妻子是“米罗的维纳斯”却到处寻花问柳,他的诗歌偶尔透露出对女性的窥私欲和轻视:“我从女人中得到的/很难/评价”。||3:苦于他在美国或国外都缺乏成功,并且执迷于诗歌中他所谓的“欧洲病毒”,该传记中的威廉姆斯并不是惬意的阅读伴侣。||4:他的诗歌由像这样的短句组成:“一首歌——到处是/细节”,常常与莱博维茨冗长的分析矛盾。||5:就如同他喜爱卢瑟福镇周边的安静草地甚于纽约文坛的魅力,威廉姆斯同样也设法避开其传记作者的注视。||6:就如同他诗歌中的一位人物一般,他在局外逗留,旁观。
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