A Golden Wedding

The land dropped abruptly down from the gate, and a thick, shrubby growth of young apple orchard almost hid the little weather-grey house from the road. This was why the young man who opened the sagging gate could not see that it was boarded up, and did not cease his cheerful whistling until he had pressed through the crowding trees and found himself almost on the sunken stone doorstep over which in olden days honeysuckle had been wont to arch. Now only a few straggling, uncared-for vines clung forlornly to the shingles, and the windows were, as has been said, all boarded up.

The whistle died on the young man's lips and an expression of blank astonishment and dismay settled down on his face—a good, kindly, honest face it was, although perhaps it did not betoken any pronounced mental gifts on the part of its owner.

"What can have happened?" he said to himself. "Uncle Tom and Aunt Sally can't be dead—I'd have seen their deaths in the paper if they was. And I'd a-thought if they'd moved away it'd been printed too. They can't have been gone long—that flower-bed must have been made up last spring. Well, this is a kind of setback for a fellow. Here I've been tramping all the way from the station, a-thinking how good it would be to see Aunt Sally's sweet old face again, and hear Uncle Tom's laugh, and all I find is a boarded-up house going to seed. S'pose I might as well toddle over to Stetsons' and inquire if they haven't disappeared, too."

He went through the old firs back of the lot and across the field to a rather shabby house beyond. A cheery-faced woman answered his knock and looked at him in a puzzled fashion. "Have you forgot me, Mrs. Stetson? Don't you remember Lovell Stevens and how you used to give him plum tarts when he'd bring your turkeys home?"

Mrs. Stetson caught both his hands in a hearty clasp.

"I guess I haven't forgotten!" she declared. "Well, well, and you're Lovell! I think I ought to know your face, though you've changed a lot. Fifteen years have made a big difference in you. Come right in. Pa, this is Lovell—you mind Lovell, the boy Aunt Sally and Uncle Tom had for years?"

"Reckon I do," drawled Jonah Stetson with a friendly grin. "Ain't likely to forget some of the capers you used to be cutting up. You've filled out considerable. Where have you been for the last ten years? Aunt Sally fretted a lot over you, thinking you was dead or gone to the bad."

Lovell's face clouded.

"I know I ought to have written," he said repentantly, "but you know I'm a terrible poor scholar, and I'd do most anything than try to write a letter. But where's Uncle Tom and Aunt Sally gone? Surely they ain't dead?"

"No," said Jonah Stetson slowly, "no—but I guess they'd rather be. They're in the poorhouse."

"The poorhouse! Aunt Sally in the poorhouse!" exclaimed Lovell.

"Yes, and it's a burning shame," declared Mrs. Stetson. "Aunt Sally's just breaking her heart from the disgrace of it. But it didn't seem as if it could be helped. Uncle Tom got so crippled with rheumatism he couldn't work and Aunt Sally was too frail to do anything. They hadn't any relations and there was a mortgage on the house."

"There wasn't any when I went away."

"No; they had to borrow money six years ago when Uncle Tom had his first spell of rheumatic fever. This spring it was clear that there was nothing for them but the poorhouse. They went three months ago and terrible hard they took it, especially Aunt Sally, I felt awful about it myself. Jonah and I would have took them if we could, but we just couldn't—we've nothing but Jonah's wages and we have eight children and not a bit of spare room. I go over to see Aunt Sally as often as I can and take her some little thing, but I dunno's she wouldn't rather not see anybody than see them in the poorhouse."

Lovell weighed his hat in his hands and frowned over it reflectively.

"Who owns the house now?"

"Peter Townley. He held the mortgage. And all the old furniture was sold too, and that most killed Aunt Sally. But do you know what she's fretting over most of all? She and Uncle Tom will have been married fifty years in a fortnight's time and Aunt Sally thinks it's awful to have to spend their golden wedding anniversary in the poorhouse. She talks about it all the time. You're not going, Lovell"—for Lovell had risen—"you must stop with us, since your old home is closed up. We'll scare you up a shakedown to sleep on and you're welcome as welcome. I haven't forgot the time you caught Mary Ellen just as she was tumbling into the well."

"Thank you, I'll stay to tea," said Lovell, sitting down again, "but I guess I'll make my headquarters up at the station hotel as long as I stay round here. It's kind of more central."

"Got on pretty well out west, hey?" queried Jonah.

"Pretty well for a fellow who had nothing but his two hands to depend on when he went out," said Lovell cautiously. "I've only been a labouring man, of course, but I've saved up enough to start a little store when I go back. That's why I came east for a trip now—before I'd be tied down to business. I was hankering to see Aunt Sally and Uncle Tom once more. I'll never forget how kind and good they was to me. There I was, when Dad died, a little sinner of eleven, just heading for destruction. They give me a home and all the schooling I ever had and all the love I ever got. It was Aunt Sally's teachings made as much a man of me as I am. I never forgot 'em and I've tried to live up to 'em."

After tea Lovell said he thought he'd stroll up the road and pay Peter Townley a call. Jonah Stetson and his wife looked at each other when he had gone.

"Got something in his eye," nodded Jonah. "Him and Peter weren't never much of friends."

"Maybe Aunt Sally's bread is coming back to her after all," said his wife. "People used to be hard on Lovell. But I always liked him and I'm real glad he's turned out so well."

Lovell came back to the Stetsons' the next evening. In the interval he had seen Aunt Sally and Uncle Tom. The meeting had been both glad and sad. Lovell had also seen other people.

"I've bought Uncle Tom's old house from Peter Townley," he said quietly, "and I want you folks to help me out with my plans. Uncle Tom and Aunt Sally ain't going to spend their golden wedding in the poorhouse—no, sir. They'll spend it in their own home with their old friends about them. But they're not to know anything about it till the very night. Do you s'pose any of the old furniture could be got back?"

"I believe every stick of it could," said Mrs. Stetson excitedly. "Most of it was bought by folks living handy and I don't believe one of them would refuse to sell it back. Uncle Tom's old chair is here to begin with—Aunt Sally give me that herself. She said she couldn't bear to have it sold. Mrs. Isaac Appleby at the station bought the set of pink-sprigged china and James Parker bought the grandfather's clock and the whatnot is at the Stanton Grays'."

For the next fortnight Lovell and Mrs. Stetson did so much travelling round together that Jonah said genially he might as well be a bachelor as far as meals and buttons went. They visited every house where a bit of Aunt Sally's belongings could be found. Very successful they were too, and at the end of their jaunting the interior of the little house behind the apple trees looked very much as it had looked when Aunt Sally and Uncle Tom lived there.

Meanwhile, Mrs. Stetson had been revolving a design in her mind, and one afternoon she did some canvassing on her own account. The next time she saw Lovell she said:

"We ain't going to let you do it all. The women folks around here are going to furnish the refreshments for the golden wedding and the girls are going to decorate the house with golden rod."

The evening of the wedding anniversary came. Everybody in Blair was in the plot, including the matron of the poorhouse. That night Aunt Sally watched the sunset over the hills through bitter tears.

"I never thought I'd be celebrating my golden wedding in the poorhouse," she sobbed. Uncle Tom put his twisted hand on her shaking old shoulder, but before he could utter any words of comfort Lovell Stevens stood before them.

"Just get your bonnet on, Aunt Sally," he cried jovially, "and both of you come along with me. I've got a buggy here for you ... and you might as well say goodbye to this place, for you're not coming back to it any more."

"Lovell, oh, what do you mean?" said Aunt Sally tremulously.

"I'll explain what I mean as we drive along. Hurry up—the folks are waiting."

When they reached the little old house, it was all aglow with light. Aunt Sally gave a cry as she entered it. All her old household goods were back in their places. There were some new ones too, for Lovell had supplied all that was lacking. The house was full of their old friends and neighbours. Mrs. Stetson welcomed them home again.

"Oh, Tom," whispered Aunt Sally, tears of happiness streaming down her old face, "oh, Tom, isn't God good?"

They had a right royal celebration, and a supper such as the Blair housewives could produce. There were speeches and songs and tales. Lovell kept himself in the background and helped Mrs. Stetson cut cake in the pantry all the evening. But when the guests had gone, he went to Aunt Sally and Uncle Tom, who were sitting by the fire.

"Here's a little golden wedding present for you," he said awkwardly, putting a purse into Aunt Sally's hand. "I reckon there's enough there to keep you from ever having to go to the poorhouse again and if not, there'll be more where that comes from when it's done."

There were twenty-five bright twenty-dollar gold pieces in the purse.

"We can't take it, Lovell," protested Aunt Sally. "You can't afford it."

"Don't you worry about that," laughed Lovell. "Out west men don't think much of a little wad like that. I owe you far more than can be paid in cash, Aunt Sally. You must take it—I want to know there's a little home here for me and two kind hearts in it, no matter where I roam."

"God bless you, Lovell," said Uncle Tom huskily. "You don't know what you've done for Sally and me."

That night, when Lovell went to the little bedroom off the parlour—for Aunt Sally, rejoicing in the fact that she was again mistress of a spare room, would not hear of his going to the station hotel—he gazed at his reflection in the gilt-framed mirror soberly.

"You've just got enough left to pay your passage back west, old fellow," he said, "and then it's begin all over again just where you begun before. But Aunt Sally's face was worth it all—yes, sir. And you've got your two hands still and an old couple's prayers and blessings. Not such a bad capital, Lovell, not such a bad capital."

A Redeeming Sacrifice

The dance at Byron Lyall's was in full swing. Toff Leclerc, the best fiddler in three counties, was enthroned on the kitchen table and from the glossy brown violin, which his grandfather brought from Grand Pré, was conjuring music which made even stiff old Aunt Phemy want to show her steps. Around the kitchen sat a row of young men and women, and the open sitting-room doorway was crowded with the faces of non-dancing guests who wanted to watch the sets.

An eight-hand reel had just been danced and the girls, giddy from the much swinging of the final figure, had been led back to their seats. Mattie Lyall came out with a dipper of water and sprinkled the floor, from which a fine dust was rising. Toff's violin purred under his hands as he waited for the next set to form. The dancers were slow about it. There was not the rush for the floor that there had been earlier in the evening, for the supper table was now spread in the dining-room and most of the guests were hungry.

"Fill up dere, boys," shouted the fiddler impatiently. "Bring out your gals for de nex' set."

After a moment Paul King led out Joan Shelley from the shadowy corner where they had been sitting. They had already danced several sets together; Joan had not danced with anybody else that evening. As they stood together under the light from the lamp on the shelf above them, many curious and disapproving eyes watched them. Connor Mitchell, who had been standing in the open outer doorway with the moonlight behind him, turned abruptly on his heel and went out.

Paul King leaned his head against the wall and watched the watchers with a smiling, defiant face as they waited for the set to form. He was a handsome fellow, with the easy, winning ways that women love. His hair curled in bronze masses about his head; his dark eyes were long and drowsy and laughing; there was a swarthy bloom on his round cheeks; and his lips were as red and beguiling as a girl's. A bad egg was Paul King, with a bad past and a bad future. He was shiftless and drunken; ugly tales were told of him. Not a man in Lyall's house that night but grudged him the privilege of standing up with Joan Shelley.

Joan was a slight, blossom-like girl in white, looking much like the pale, sweet-scented house rose she wore in her dark hair. Her face was colourless and young, very pure and softly curved. She had wonderfully sweet, dark blue eyes, generally dropped down, with notably long black lashes. There were many showier girls in the groups around her, but none half so lovely. She made all the rosy-cheeked beauties seem coarse and over-blown.

She left in Paul's clasp the hand by which he had led her out on the floor. Now and then he shifted his gaze from the faces before him to hers. When he did, she always looked up and they exchanged glances as if they had been utterly alone. Three other couples gradually took the floor and the reel began. Joan drifted through the figures with the grace of a wind-blown leaf. Paul danced with rollicking abandon, seldom taking his eyes from Joan's face. When the last mad whirl was over, Joan's brother came up and told her in an angry tone to go into the next room and dance no more, since she would dance with only one man. Joan looked at Paul. That look meant that she would do as he, and none other, told her. Paul nodded easily—he did not want any fuss just then—and the girl went obediently into the room. As she turned from him, Paul coolly reached out his hand and took the rose from her hair; then, with a triumphant glance around the room, he went out.

The autumn night was very clear and chill, with a faint, moaning wind blowing up from the northwest over the sea that lay shimmering before the door. Out beyond the cove the boats were nodding and curtsying on the swell, and over the shore fields the great red star of the lighthouse flared out against the silvery sky. Paul, with a whistle, sauntered down the sandy lane, thinking of Joan. How mightily he loved her—he, Paul King, who had made a mock of so many women and had never loved before! Ah, and she loved him. She had never said so in words, but eyes and tones had said it—she, Joan Shelley, the pick and pride of the Harbour girls, whom so many men had wooed, winning their trouble for their pains. He had won her; she was his and his only, for the asking. His heart was seething with pride and triumph and passion as he strode down to the shore and flung himself on the cold sand in the black shadow of Michael Brown's beached boat.

Byron Lyall, a grizzled, elderly man, half farmer, half fisherman, and Maxwell Holmes, the Prospect schoolteacher, came up to the boat presently. Paul lay softly and listened to what they were saying. He was not troubled by any sense of dishonour. Honour was something Paul King could not lose since it was something he had never possessed. They were talking of him and Joan.

"What a shame that a girl like Joan Shelley should throw herself away on a man like that," Holmes said.

Byron Lyall removed the pipe he was smoking and spat reflectively at his shadow.

"Darned shame," he agreed. "That girl's life will be ruined if she marries him, plum' ruined, and marry him she will. He's bewitched her—darned if I can understand it. A dozen better men have wanted her—Connor Mitchell for one. And he's a honest, steady fellow with a good home to offer her. If King had left her alone, she'd have taken Connor. She used to like him well enough. But that's all over. She's infatuated with King, the worthless scamp. She'll marry him and be sorry for it to her last day. He's bad clear through and always will be. Why, look you, Teacher, most men pull up a bit when they're courting a girl, no matter how wild they've been and will be again. Paul hasn't. It hasn't made any difference. He was dead drunk night afore last at the Harbour head, and he hasn't done a stroke of work for a month. And yet Joan Shelley'll take him."

"What are her people thinking of to let her go with him?" asked Holmes.

"She hasn't any but her brother. He's against Paul, of course, but it won't matter. The girl's fancy's caught and she'll go her own gait to ruin. Ruin, I tell ye. If she marries that handsome ne'er-do-well, she'll be a wretched woman all her days and none to pity her."

The two moved away then, and Paul lay motionless, face downward on the sand, his lips pressed against Joan's sweet, crushed rose. He felt no anger over Byron Lyall's unsparing condemnation. He knew it was true, every word of it. He was a worthless scamp and always would be. He knew that perfectly well. It was in his blood. None of his race had ever been respectable and he was worse than them all. He had no intention of trying to reform because he could not and because he did not even want to. He was not fit to touch Joan's hand. Yet he had meant to marry her!

But to spoil her life! Would it do that? Yes, it surely would. And if he were out of the way, taking his baleful charm out of her life, Connor Mitchell might and doubtless would win her yet and give her all he could not.

The man suddenly felt his eyes wet with tears. He had never shed a tear in his daredevil life before, but they came hot and stinging now. Something he had never known or thought of before entered into his passion and purified it. He loved Joan. Did he love her well enough to stand aside and let another take the sweetness and grace that was now his own? Did he love her well enough to save her from the poverty-stricken, shamed life she must lead with him? Did he love her better than himself?

"I ain't fit to think of her," he groaned. "I never did a decent thing in my life, as they say. But how can I give her up—God, how can I?"

He lay still a long time after that, until the moonlight crept around the boat and drove away the shadow. Then he got up and went slowly down to the water's edge with Joan's rose, all wet with his unaccustomed tears, in his hands. Slowly and reverently he plucked off the petals and scattered them on the ripples, where they drifted lightly off like fairy shallops on moonshine. When the last one had fluttered from his fingers, he went back to the house and hunted up Captain Alec Matheson, who was smoking his pipe in a corner of the verandah and watching the young folks dancing through the open door. The two men talked together for some time.

When the dance broke up and the guests straggled homeward, Paul sought Joan. Rob Shelley had his own girl to see home and relinquished the guardianship of his sister with a scowl. Paul strode out of the kitchen and down the steps at the side of Joan, smiling with his usual daredeviltry. He whistled noisily all the way up the lane.

"Great little dance," he said. "My last in Prospect for a spell, I guess."

"Why?" asked Joan wonderingly.

"Oh, I'm going to take a run down to South America in Matheson's schooner. Lord knows when I'll come back. This old place has got too deadly dull to suit me. I'm going to look for something livelier."

Joan's lips turned ashen under the fringes of her white fascinator. She trembled violently and put one of her small brown hands up to her throat. "You—you are not coming back?" she said faintly.

"Not likely. I'm pretty well tired of Prospect and I haven't got anything to hold me here. Things'll be livelier down south."

Joan said nothing more. They walked along the spruce-fringed roads where the moonbeams laughed down through the thick, softly swaying boughs. Paul whistled one rollicking tune after another. The girl bit her lips and clenched her hands. He cared nothing for her—he had been making a mock of her as of others. Hurt pride and wounded love fought each other in her soul. Pride conquered. She would not let him, or anyone, see that she cared. She would not care!

At her gate Paul held out his hand.

"Well, good-bye, Joan. I'm sailing tomorrow so I won't see you again—not for years likely. You will be some sober old married woman when I come back to Prospect, if I ever do."

"Good-bye," said Joan steadily. She gave him her cold hand and looked calmly into his face without quailing. She had loved him with all her heart, but now a fatal scorn of him was already mingling with her love. He was what they said he was, a scamp without principle or honour.

Paul whistled himself out of the Shelley lane and over the hill. Then he flung himself down under the spruces, crushed his face into the spicy frosted ferns, and had his black hour alone.

But when Captain Alec's schooner sailed out of the harbour the next day, Paul King was on board of her, the wildest and most hilarious of a wild and hilarious crew. Prospect people nodded their satisfaction.

"Good riddance," they said. "Paul King is black to the core. He never did a decent thing in his life."

A Soul That Was Not at Home]

There was a very fine sunset on the night Paul and Miss Trevor first met, and she had lingered on the headland beyond Noel's Cove to delight in it. The west was splendid in daffodil and rose; away to the north there was a mackerel sky of little fiery golden clouds; and across the water straight from Miss Trevor's feet ran a sparkling path of light to the sun, whose rim had just touched the throbbing edge of the purple sea. Off to the left were softly swelling violet hills and beyond the sandshore, where little waves were crisping and silvering, there was a harbour where scores of slender masts were nodding against the gracious horizon.

Miss Trevor sighed with sheer happiness in all the wonderful, fleeting, elusive loveliness of sky and sea. Then she turned to look back at Noel's Cove, dim and shadowy in the gloom of the tall headlands, and she saw Paul.

It did not occur to her that he could be a shore boy—she knew the shore type too well. She thought his coming mysterious, for she was sure he had not come along the sand, and the tide was too high for him to have come past the other headland. Yet there he was, sitting on a red sandstone boulder, with his bare, bronzed, shapely little legs crossed in front of him and his hands clasped around his knee. He was not looking at Miss Trevor but at the sunset—or, rather, it seemed as if he were looking through the sunset to still grander and more radiant splendours beyond, of which the things seen were only the pale reflections, not worthy of attention from those who had the gift of further sight.

Miss Trevor looked him over carefully with eyes that had seen a good many people in many parts of the world for more years than she found it altogether pleasant to acknowledge, and she concluded that he was quite the handsomest lad she had ever seen. He had a lithe, supple body, with sloping shoulders and a brown, satin throat. His hair was thick and wavy, of a fine reddish chestnut; his brows were very straight and much darker than his hair; and his eyes were large and grey and meditative. The modelling of chin and jaw was perfect and his mouth was delicious, being full without pouting, the crimson lips just softly touching, and curving into finely finished little corners that narrowly escaped being dimpled.

His attire was a blue cotton shirt and a pair of scanty corduroy knickerbockers, but he wore it with such an unconscious air of purple and fine linen that Miss Trevor was tricked into believing him much better dressed than he really was.

Presently he smiled dreamily, and the smile completed her subjugation. It was not merely an affair of lip and eye, as are most smiles; it seemed an illumination of his whole body, as if some lamp had suddenly burst into flame inside of him, irradiating him from his chestnut crown to the tips of his unspoiled toes. Best of all, it was involuntary, born of no external effort or motive, but simply the outflashing of some wild, delicious thought that was as untrammelled and freakish as the wind of the sea.

Miss Trevor made up her mind that she must find out all about him, and she stepped out from the shadows of the rocks into the vivid, eerie light that was glowing all along the shore. The boy turned his head and looked at her, first with surprise, then with inquiry, then with admiration. Miss Trevor, in a white dress with a lace scarf on her dark, stately head, was well worth admiring. She smiled at him and Paul smiled back. It was not quite up to his first smile, having more of the effect of being put on from the outside, but at least it conveyed the subtly flattering impression that it had been put on solely for her, and they were as good friends from that moment as if they had known each other for a hundred years. Miss Trevor had enough discrimination to realize this and know that she need not waste time in becoming acquainted.

"I want to know your name and where you live and what you were looking at beyond the sunset," she said.

"My name is Paul Hubert. I live over there. And I can't tell just what I saw in the sunset, but when I go home I'm going to write it all in my foolscap book."

In her surprise over the second clause of his answer, Miss Trevor forgot, at first, to appreciate the last. "Over there," according to his gesture, was up at the head of Noel's Cove, where there was a little grey house perched on the rocks and looking like a large seashell cast up by the tide. The house had a stovepipe coming out of its roof in lieu of a chimney, and two of its window panes were replaced by shingles. Could this boy, who looked as young princes should—and seldom do—live there? Then he was a shore boy after all.

"Who lives there with you?" she asked. "You see"—plaintively—"I must ask questions about you. I know we like each other, and that is all that really matters. But there are some tiresome items which it would be convenient to know. For example, have you a father—a mother? Are there any more of you? How long have you been yourself?"

Paul did not reply immediately. He clasped his hands behind him and looked at her affectionately.

"I like the way you talk," he said. "I never knew anybody did talk like that except folks in books and my rock people."

"Your rock people?"

"I'm eleven years old. I haven't any father or mother, they're dead. I live over there with Stephen Kane. Stephen is splendid. He plays the violin and takes me fishing in his boat. When I get bigger he's going shares with me. I love him, and I love my rock people too."

"What do you mean by your rock people?" asked Miss Trevor, enjoying herself hugely. This was the only child she had ever met who talked as she wanted children to talk and who understood her remarks without having to have them translated.

"Nora is one of them," said Paul, "the best one of them. I love her better than all the others because she came first. She lives around that point and she has black eyes and black hair and she knows all about the mermaids and water kelpies. You ought to hear the stories she can tell. Then there are the Twin Sailors. They don't live anywhere—they sail all the time, but they often come ashore to talk to me. They are a pair of jolly tars and they have seen everything in the world—and more than what's in the world, if you only knew it. Do you know what happened to the Youngest Twin Sailor once? He was sailing and he sailed right into a moonglade. A moonglade is the track the full moon makes on the water when it is rising from the sea, you know. Well, the Youngest Twin Sailor sailed along the moonglade till he came right up to the moon, and there was a little golden door in the moon and he opened it and sailed right through. He had some wonderful adventures inside the moon—I've got them all written down in my foolscap book. Then there is the Golden Lady of the Cave. One day I found a big cave down the shore and I went in and in and in—and after a while I found the Golden Lady. She has golden hair right down to her feet, and her dress is all glittering and glistening like gold that is alive. And she has a golden harp and she plays all day long on it—you might hear the music if you'd listen carefully, but prob'bly you'd think it was only the wind among the rocks. I've never told Nora about the Golden Lady, because I think it would hurt her feelings. It even hurts her feelings when I talk too long with the Twin Sailors. And I hate to hurt Nora's feelings, because I do love her best of all my rock people."

"Paul! How much of this is true?" gasped Miss Trevor.

"Why, none of it!" said Paul, opening his eyes widely and reproachfully. "I thought you would know that. If I'd s'posed you wouldn't I'd have warned you there wasn't any of it true. I thought you were one of the kind that would know."

"I am. Oh, I am!" said Miss Trevor eagerly. "I really would have known if I had stopped to think. Well, it's getting late now. I must go back, although I don't want to. But I'm coming to see you again. Will you be here tomorrow afternoon?"

Paul nodded.

"Yes. I promised to meet the Youngest Twin Sailor down at the striped rocks tomorrow afternoon, but the day after will do just as well. That is the beauty of the rock people, you know. You can always depend on them to be there just when you want them. The Youngest Twin Sailor won't mind—he's very good-tempered. If it was the Oldest Twin I dare say he'd be cross. I have my suspicions about that Oldest Twin sometimes. I b'lieve he'd be a pirate if he dared. You don't know how fierce he can look at times. There's really something very mysterious about him."

On her way back to the hotel Miss Trevor remembered the foolscap book.

"I must get him to show it to me," she mused, smiling. "Why, the boy is a born genius—and to think he should be a shore boy! I can't understand it. And here I am loving him already. Well, a woman has to love something—and you don't have to know people for years before you can love them."

Paul was waiting on the Noel's Cove rocks for Miss Trevor the next afternoon. He was not alone; a tall man, with a lined, strong-featured face and a grey beard, was with him. The man was clad in a rough suit and looked what he was, a 'longshore fisherman. But he had deep-set, kindly eyes, and Miss Trevor liked his face. He moved off to one side when she came and stood there for a little, apparently gazing out to sea, while Paul and Miss Trevor talked. Then he walked away up the cove and disappeared in his little grey house.

"Stephen came down to see if you were a suitable person for me to talk to," said Paul gravely.

"I hope he thinks I am," said Miss Trevor, amused.

"Oh, he does! He wouldn't have gone away and left us alone if he didn't. Stephen is very particular who he lets me 'sociate with. Why, even the rock people now—I had to promise I'd never let the Twin Sailors swear before he'd allow me to be friends with them. Sometimes I know by the look of the Oldest Twin that he's just dying to swear, but I never let him, because I promised Stephen. I'd do anything for Stephen. He's awful good to me. Stephen's bringing me up, you know, and he's bound to do it well. We're just perfectly happy here, only I wish I'd more books to read. We go fishing, and when we come home at night I help Stephen clean the fish and then we sit outside the door and he plays the violin for me. We sit there for hours sometimes. We never talk much—Stephen isn't much of a hand for talking—but we just sit and think. There's not many men like Stephen, I can tell you."

Miss Trevor did not get a glimpse of the foolscap book that day, nor for many days after. Paul blushed all over his beautiful face whenever she mentioned it.

"Oh, I couldn't show you that," he said uncomfortably. "Why, I've never even showed it to Stephen—or Nora. Let me tell you something else instead, something that happened to me once long ago. You'll find it more interesting than the foolscap book, only you must remember it isn't true! You won't forget that, will you?"

"I'll try to remember," Miss Trevor agreed.

"Well, I was sitting here one evening just like I was last night, and the sun was setting. And an enchanted boat came sailing over the sea and I got into her. The boat was all pearly like the inside of the mussel shells, and her sail was like moonshine. Well, I sailed right across to the sunset. Think of that—I've been in the sunset! And what do you suppose it is? The sunset is a land all flowers, like a great garden, and the clouds are beds of flowers. We sailed into a great big harbour, a thousand times bigger than the harbour over there at your hotel, and I stepped out of the boat on a 'normous meadow all roses. I stayed there for ever so long. It seemed almost a year, but the Youngest Twin Sailor says I was only away a few hours or so. You see, in Sunset Land the time is ever so much longer than it is here. But I was glad to come back too. I'm always glad to come back to the cove and Stephen. Now, you know this never really happened."

Miss Trevor would not give up the foolscap book so easily, but for a long time Paul refused to show it to her. She came to the cove every day, and every day Paul seemed more delightful to her. He was so quaint, so clever, so spontaneous. Yet there was nothing premature or unnatural about him. He was wholly boy, fond of fun and frolic, not too good for little spurts of quick temper now and again, though, as he was careful to explain to Miss Trevor, he never showed them to a lady.

"I get real mad with the Twin Sailors sometimes, and even with Stephen, for all he's so good to me. But I couldn't be mad with you or Nora or the Golden Lady. It would never do."

Every day he had some new story to tell of a wonderful adventure on rock or sea, always taking the precaution of assuring her beforehand that it wasn't true. The boy's fancy was like a prism, separating every ray that fell upon it into rainbows. He was passionately fond of the shore and water. The only world for him beyond Noel's Cove was the world of his imagination. He had no companions except Stephen and the "rock people."

"And now you," he told Miss Trevor. "I love you too, but I know you'll be going away before long, so I don't let myself love you as much—quite—as Stephen and the rock people."

"But you could, couldn't you?" pleaded Miss Trevor. "If you and I were to go on being together every day, you could love me just as well as you love them, couldn't you?"

Paul considered in a charming way he had.

"Of course I could love you better than the Twin Sailors and the Golden Lady," he announced finally. "And I think perhaps I could love you as much as I love Stephen. But not as much as Nora—oh, no, I wouldn't love you quite as much as Nora. She was first, you see; she's always been there. I feel sure I couldn't ever love anybody as much as Nora."

One day when Stephen was out to the mackerel grounds, Paul took Miss Trevor into the little grey house and showed her his treasures. They climbed the ladder in one corner to the loft where Paul slept. The window of it, small and square-paned, looked seaward, and the moan of the sea and the pipe of the wind sounded there night and day. Paul had many rare shells and seaweeds, curious flotsam and jetsam of shore storms, and he had a small shelf full of books.

"They're splendid," he said enthusiastically. "Stephen brought me them all. Every time Stephen goes to town to ship his mackerel he brings me home a new book."

"Were you ever in town yourself?" asked Miss Trevor.

"Oh, yes, twice. Stephen took me. It was a wonderful place. I tell you, when I next met the Twin Sailors it was me did the talking then. I had to tell them about all I saw and all that had happened. And Nora was ever so interested too. The Golden Lady wasn't, though—she didn't hardly listen. Golden people are like that."

"Would you like," said Miss Trevor, watching him closely, "to live always in a town and have all the books you wanted and play with real girls and boys—and visit those strange lands your twin sailors tell you of?"

Paul looked startled.

"I—don't—know," he said doubtfully. "I don't think I'd like it very well if Stephen and Nora weren't there too."

But the new thought remained in his mind. It came back to him at intervals, seeming less new and startling every time.

"And why not?" Miss Trevor asked herself. "The boy should have a chance. I shall never have a son of my own—he shall be to me in the place of one."

The day came when Paul at last showed her the foolscap book. He brought it to her as she sat on the rocks of the headland.

"I'm going to run around and talk to Nora while you read it," he said. "I'm afraid I've been neglecting her lately—and I think she feels it."

Miss Trevor took the foolscap book. It was made of several sheets of paper sewed together and encased in an oilcloth cover. It was nearly filled with writing in a round childish hand and it was very neat, although the orthography was rather wild and the punctuation capricious. Miss Trevor read it through in no very long time. It was a curious medley of quaint thoughts and fancies. Conversations with the Twin Sailors filled many of the pages; accounts of Paul's "adventures" occupied others. Sometimes it seemed impossible that a child of eleven should have written them, then would come an expression so boyish and naive that Miss Trevor laughed delightedly over it. When she finished the book and closed it she found Stephen Kane at her elbow. He removed his pipe and nodded at the foolscap book.

"What do you think of it?" he said.

"I think it is wonderful. Paul is a very clever child."

"I've often thought so," said Stephen laconically. He thrust his hands into his pockets and gazed moodily out to sea. Miss Trevor had never before had an opportunity to talk to him in Paul's absence and she determined to make the most of it.

"I want to know something about Paul," she said, "all about him. Is he any relation to you?"

"No. I expected to marry his mother once, though," said Stephen unemotionally. His hand in his pocket was clutching his pipe fiercely, but Miss Trevor could not know that. "She was a shore girl and very pretty. Well, she fell in love with a young fellow that came teaching up t' the harbour school and he with her. They got married and she went away with him. He was a good enough sort of chap. I know that now, though once I wasn't disposed to think much good of him. But 'twas a mistake all the same; Rachel couldn't live away from the shore. She fretted and pined and broke her heart for it away there in his world. Finally her husband died and she came back—but it was too late for her. She only lived a month—and there was Paul, a baby of two. I took him. There was nobody else. Rachel had no relatives nor her husband either. I've done what I could for him—not that it's been much, perhaps."

"I am sure you have done a great deal for him," said Miss Trevor rather patronizingly. "But I think he should have more than you can give him now. He should be sent to school."

Stephen nodded.

"Maybe. He never went to school. The harbour school was too far away. I taught him to read and write and bought him all the books I could afford. But I can't do any more for him."

"But I can," said Miss Trevor, "and I want to. Will you give Paul to me, Mr. Kane? I love him dearly and he shall have every advantage. I'm rich—I can do a great deal for him."

Stephen continued to gaze out to sea with an expressionless face. Finally he said: "I've been expecting to hear you say something of the sort. I don't know. If you took Paul away, he'd grow to be a cleverer man and a richer man maybe, but would he be any better—or happier? He's his mother's son—he loves the sea and its ways. There's nothing of his father in him except his hankering after books. But I won't choose for him—he can go if he likes—he can go if he likes."

In the end Paul "liked," since Stephen refused to influence him by so much as a word. Paul thought Stephen didn't seem to care much whether he went or stayed, and he was dazzled by Miss Trevor's charm and the lure of books and knowledge she held out to him.

"I'll go, I guess," he said, with a long sigh.

Miss Trevor clasped him close to her and kissed him maternally. Paul kissed her cheek shyly in return. He thought it very wonderful that he was to live with her always. He felt happy and excited—so happy and excited that the parting when it came slipped over him lightly. Miss Trevor even thought he took it too easily and had a vague wish that he had shown more sorrow. Stephen said farewell to the boy he loved better than life with no visible emotion.

"Good-bye, Paul. Be a good boy and learn all you can." He hesitated a moment and then said slowly, "If you don't like it, come back."

"Did you bid good-bye to your rock people?" Miss Trevor asked him with a smile as they drove away.

"No. I—couldn't—I—I—didn't even tell them I was going away. Nora would break her heart. I'd rather not talk of them anymore, if you please. Maybe I won't want them when I've plenty of books and lots of other boys and girls—real ones—to play with."

They drove the ten miles to the town where they were to take the train the next day. Paul enjoyed the drive and the sights of the busy streets at its end. He was all excitement and animation. After they had had tea at the house of the friend where Miss Trevor meant to spend the night, they went for a walk in the park. Paul was tired and very quiet when they came back. He was put away to sleep in a bedroom whose splendours frightened him, and left alone.

At first Paul lay very still on his luxurious perfumed pillows. It was the first night he had ever spent away from the little seaward-looking loft where he could touch the rafters with his hands. He thought of it now and a lump came into his throat and a strange, new, bitter longing came into his heart. He missed the sea plashing on the rocks below him—he could not sleep without that old lullaby. He turned his face into the pillow, and the longing and loneliness grew worse and hurt him until he moaned. Oh, he wanted to be back home! Surely he had not left it—he could never have meant to leave it. Out there the stars would be shining over the harbour. Stephen would be sitting at the door, all alone, with his violin. But he would not be playing it—all at once Paul knew he would not be playing it. He would be sitting there with his head bowed and the loneliness in his heart calling to the loneliness in Paul's heart over all the miles between them. Oh, he could never have really meant to leave Stephen.

And Nora? Nora would be down on the rocks waiting for him—for him, Paul, who would never come to her more. He could see her elfin little face peering around the point, watching for him wistfully.

Paul sat up in bed, choking with tears. Oh, what were books and strange countries?—what was even Miss Trevor, the friend of a month?—to the call of the sea and Stephen's kind, deep eyes and his dear rock people? He could not stay away from them—never—never.

He slipped out of bed very softly and dressed in the dark. Then he lighted the lamp timidly and opened the little brown chest Stephen had given him. It held his books and his treasures, but he took out only a pencil, a bit of paper and the foolscap book. With a hand shaking in his eagerness, he wrote:

dear miss Trever

Im going back home, dont be fritened about me because I know the way. Ive got to go. something is calling me. dont be cross. I love you, but I cant stay. Im leaving my foolscap book for you, you can keep it always but I must go back to Stephen and nora

Paul

He put the note on the foolscap book and laid them on the table. Then he blew out the light, took his cap and went softly out. The house was very still. Holding his breath, he tiptoed downstairs and opened the front door. Before it ran the street which went, he knew, straight out to the country road that led home. Paul closed the door and stole down the steps, his heart beating painfully, but when he reached the sidewalk he broke into a frantic run under the limes. It was late and no one was out on that quiet street. He ran until his breath gave out, then walked miserably until he recovered it, and then ran again. He dared not stop running until he was out of that horrible town, which seemed like a prison closing around him, where the houses shut out the stars and the wind could only creep in a narrow space like a fettered, cringing thing, instead of sweeping grandly over great salt wastes of sea.

At last the houses grew few and scattered, and finally he left them behind. He drew a long breath; this was better—rather smothering yet, of course, with nothing but hills and fields and dark woods all about him, but at least his own sky was above him, looking just the same as it looked out home at Noel's Cove. He recognized the stars as friends; how often Stephen had pointed them out to him as they sat at night by the door of the little house.

He was not at all frightened now. He knew the way home and the kind night was before him. Every step was bringing him nearer to Stephen and Nora and the Twin Sailors. He whistled as he walked sturdily along.

The dawn was just breaking when he reached Noel's Cove. The eastern sky was all pale rose and silver, and the sea was mottled over with dear grey ripples. In the west over the harbour the sky was a very fine ethereal blue and the wind blew from there, salt and bracing. Paul was tired, but he ran lightly down the shelving rocks to the cove. Stephen was getting ready to launch his boat. When he saw Paul he started and a strange, vivid, exultant expression flashed across his face.

Paul felt a sudden chill—the upspringing fountain of his gladness was checked in mid-leap. He had known no doubt on the way home—all that long, weary walk he had known no doubt—but now?

"Stephen," he cried. "I've come back! I had to! Stephen, are you glad—are you glad?"

Stephen's face was as emotionless as ever. The burst of feeling which had frightened Paul by its unaccustomedness had passed like a fleeting outbreak of sunshine between dull clouds.

"I reckon I am," he said. "Yes, I reckon I am. I kind of—hoped—you would come back. You'd better go in and get some breakfast."

Paul's eyes were as radiant as the deepening dawn. He knew Stephen was glad and he knew there was nothing more to be said about it. They were back just where they were before Miss Trevor came—back in their perfect, unmarred, sufficient comradeship.

"I must just run around and see Nora first," said Paul.

Abel and His Great Adventure

"Come out of doors, master—come out of doors. I can't talk or think right with walls around me—never could. Let's go out to the garden." These were almost the first words I ever heard Abel Armstrong say. He was a member of the board of school trustees in Stillwater, and I had not met him before this late May evening, when I had gone down to confer with him upon some small matter of business. For I was "the new schoolmaster" in Stillwater, having taken the school for the summer term.

It was a rather lonely country district—a fact of which I was glad, for life had been going somewhat awry with me and my heart was sore and rebellious over many things that have nothing to do with this narration. Stillwater offered time and opportunity for healing and counsel. Yet, looking back, I doubt if I should have found either had it not been for Abel and his beloved garden.

Abel Armstrong (he was always called "Old Abel", though he was barely sixty) lived in a quaint, gray house close by the harbour shore. I heard a good deal about him before I saw him. He was called "queer", but Stillwater folks seemed to be very fond of him. He and his sister, Tamzine, lived together; she, so my garrulous landlady informed me, had not been sound of mind at times for many years; but she was all right now, only odd and quiet. Abel had gone to college for a year when he was young, but had given it up when Tamzine "went crazy". There was no one else to look after her. Abel had settled down to it with apparent content: at least he had never complained.

"Always took things easy, Abel did," said Mrs. Campbell. "Never seemed to worry over disappointments and trials as most folks do. Seems to me that as long as Abel Armstrong can stride up and down in that garden of his, reciting poetry and speeches, or talking to that yaller cat of his as if it was a human, he doesn't care much how the world wags on. He never had much git-up-and-git. His father was a hustler, but the family didn't take after him. They all favoured the mother's people—sorter shiftless and dreamy. 'Taint the way to git on in this world."

No, good and worthy Mrs. Campbell. It was not the way to get on in your world; but there are other worlds where getting on is estimated by different standards, and Abel Armstrong lived in one of these—a world far beyond the ken of the thrifty Stillwater farmers and fishers. Something of this I had sensed, even before I saw him; and that night in his garden, under a sky of smoky red, blossoming into stars above the harbour, I found a friend whose personality and philosophy were to calm and harmonize and enrich my whole existence. This sketch is my grateful tribute to one of the rarest and finest souls God ever clothed with clay.

He was a tall man, somewhat ungainly of figure and homely of face. But his large, deep eyes of velvety nut-brown were very beautiful and marvellously bright and clear for a man of his age. He wore a little pointed, well-cared-for beard, innocent of gray; but his hair was grizzled, and altogether he had the appearance of a man who had passed through many sorrows which had marked his body as well as his soul. Looking at him, I doubted Mrs. Campbell's conclusion that he had not "minded" giving up college. This man had given up much and felt it deeply; but he had outlived the pain and the blessing of sacrifice had come to him. His voice was very melodious and beautiful, and the brown hand he held out to me was peculiarly long and shapely and flexible.

We went out to the garden in the scented moist air of a maritime spring evening. Behind the garden was a cloudy pine wood; the house closed it in on the left, while in front and on the right a row of tall Lombardy poplars stood out in stately purple silhouette against the sunset sky.

"Always liked Lombardies," said Abel, waving a long arm at them. "They are the trees of princesses. When I was a boy they were fashionable. Anyone who had any pretensions to gentility had a row of Lombardies at the foot of his lawn or up his lane, or at any rate one on either side of his front door. They're out of fashion now. Folks complain they die at the top and get ragged-looking. So they do—so they do, if you don't risk your neck every spring climbing up a light ladder to trim them out as I do. My neck isn't worth much to anyone, which, I suppose, is why I've never broken it; and my Lombardies never look out-at-elbows. My mother was especially fond of them. She liked their dignity and their stand-offishness. They don't hobnob with every Tom, Dick and Harry. If it's pines for company, master, it's Lombardies for society."

We stepped from the front doorstone into the garden. There was another entrance—a sagging gate flanked by two branching white lilacs. From it a little dappled path led to a huge apple-tree in the centre, a great swelling cone of rosy blossom with a mossy circular seat around its trunk. But Abel's favourite seat, so he told me, was lower down the slope, under a little trellis overhung with the delicate emerald of young hop-vines. He led me to it and pointed proudly to the fine view of the harbour visible from it. The early sunset glow of rose and flame had faded out of the sky; the water was silvery and mirror-like; dim sails drifted along by the darkening shore. A bell was ringing in a small Catholic chapel across the harbour. Mellowly and dreamily sweet the chime floated through the dusk, blent with the moan of the sea. The great revolving light at the channel trembled and flashed against the opal sky, and far out, beyond the golden sand-dunes of the bar, was the crinkled gray ribbon of a passing steamer's smoke.

"There, isn't that view worth looking at?" said old Abel, with a loving, proprietary pride. "You don't have to pay anything for it, either. All that sea and sky free—'without money and without price'. Let's sit down here in the hop-vine arbour, master. There'll be a moonrise presently. I'm never tired of finding out what a moonrise sheen can be like over that sea. There's a surprise in it every time. Now, master, you're getting your mouth in the proper shape to talk business—but don't you do it. Nobody should talk business when he's expecting a moonrise. Not that I like talking business at any time."

"Unfortunately it has to be talked of sometimes, Mr. Armstrong," I said.

"Yes, it seems to be a necessary evil, master," he acknowledged. "But I know what business you've come upon, and we can settle it in five minutes after the moon's well up. I'll just agree to everything you and the other two trustees want. Lord knows why they ever put me on the school board. Maybe it's because I'm so ornamental. They wanted one good-looking man, I reckon."

His low chuckle, so full of mirth and so free from malice, was infectious. I laughed also, as I sat down in the hop-vine arbour.

"Now, you needn't talk if you don't want to," he said. "And I won't. We'll just sit here, sociable like, and if we think of anything worth while to say we'll say it. Otherwise, not. If you can sit in silence with a person for half an hour and feel comfortable, you and that person can be friends. If you can't, friends you'll never be, and you needn't waste time in trying."

Abel and I passed successfully the test of silence that evening in the hop-vine arbour. I was strangely content to sit and think—something I had not cared to do lately. A peace, long unknown to my stormy soul, seemed hovering near it. The garden was steeped in it; old Abel's personality radiated it. I looked about me and wondered whence came the charm of that tangled, unworldly spot.

"Nice and far from the market-place isn't it?" asked Abel suddenly, as if he had heard my unasked question. "No buying and selling and getting gain here. Nothing was ever sold out of this garden. Tamzine has her vegetable plot over yonder, but what we don't eat we give away. Geordie Marr down the harbour has a big garden like this and he sells heaps of flowers and fruit and vegetables to the hotel folks. He thinks I'm an awful fool because I won't do the same. Well, he gets money out of his garden and I get happiness out of mine. That's the difference. S'posing I could make more money—what then? I'd only be taking it from people that needed it more. There's enough for Tamzine and me. As for Geordie Marr, there isn't a more unhappy creature on God's earth—he's always stewing in a broth of trouble, poor man. O' course, he brews up most of it for himself, but I reckon that doesn't make it any easier to bear. Ever sit in a hop-vine arbour before, master?"

I was to grow used to Abel's abrupt change of subject. I answered that I never had.

"Great place for dreaming," said Abel complacently. "Being young, no doubt, you dream a-plenty."

I answered hotly and bitterly that I had done with dreams.

"No, you haven't," said Abel meditatively. "You may think you have. What then? First thing you know you'll be dreaming again—thank the Lord for it. I ain't going to ask you what's soured you on dreaming just now. After awhile you'll begin again, especially if you come to this garden as much as I hope you will. It's chockful of dreams—any kind of dreams. You take your choice. Now, I favour dreams of adventures, if you'll believe it. I'm sixty-one and I never do anything rasher than go out cod-fishing on a fine day, but I still lust after adventures. Then I dream I'm an awful fellow—blood-thirsty."

I burst out laughing. Perhaps laughter was somewhat rare in that old garden. Tamzine, who was weeding at the far end, lifted her head in a startled fashion and walked past us into the house. She did not look at us or speak to us. She was reputed to be abnormally shy. She was very stout and wore a dress of bright red-and-white striped material. Her face was round and blank, but her reddish hair was abundant and beautiful. A huge, orange-coloured cat was at her heels; as she passed us he bounded over to the arbour and sprang up on Abel's knee. He was a gorgeous brute, with vivid green eyes, and immense white double paws.

"Captain Kidd, Mr. Woodley." He introduced us as seriously as if the cat had been a human being. Neither Captain Kidd nor I responded very enthusiastically.

"You don't like cats, I reckon, master," said Abel, stroking the Captain's velvet back. "I don't blame you. I was never fond of them myself until I found the Captain. I saved his life and when you've saved a creature's life you're bound to love it. It's next thing to giving it life. There are some terrible thoughtless people in the world, master. Some of those city folks who have summer homes down the harbour are so thoughtless that they're cruel. It's the worst kind of cruelty, I think—the thoughtless kind. You can't cope with it. They keep cats there in the summer and feed them and pet them and doll them up with ribbons and collars; and then in the fall they go off and leave them to starve or freeze. It makes my blood boil, master."

"One day last winter I found a poor old mother cat dead on the shore, lying against the skin and bone bodies of her three little kittens. She had died trying to shelter them. She had her poor stiff claws around them. Master, I cried. Then I swore. Then I carried those poor little kittens home and fed 'hem up and found good homes for them. I know the woman who left the cat. When she comes back this summer I'm going to go down and tell her my opinion of her. It'll be rank meddling, but, lord, how I love meddling in a good cause."

"Was Captain Kidd one of the forsaken?" I asked.

"Yes. I found him one bitter cold day in winter caught in the branches of a tree by his darn-fool ribbon collar. He was almost starving. Lord, if you could have seen his eyes! He was nothing but a kitten, and he'd got his living somehow since he'd been left till he got hung up. When I loosed him he gave my hand a pitiful swipe with his little red tongue. He wasn't the prosperous free-booter you behold now. He was meek as Moses. That was nine years ago. His life has been long in the land for a cat. He's a good old pal, the Captain is."

"I should have expected you to have a dog," I said.

Abel shook his head.

"I had a dog once. I cared so much for him that when he died I couldn't bear the thought of ever getting another in his place. He was a friend—you understand? The Captain's only a pal. I'm fond of the Captain—all the fonder because of the spice of deviltry there is in all cats. But I loved my dog. There isn't any devil in a good dog. That's why they're more lovable than cats—but I'm darned if they're as interesting."

I laughed as I rose regretfully.

"Must you go, master? And we haven't talked any business after all. I reckon it's that stove matter you've come about. It's like those two fool trustees to start up a stove sputter in spring. It's a wonder they didn't leave it till dog-days and begin then."

"They merely wished me to ask you if you approved of putting in a new stove."

"Tell them to put in a new stove—any kind of a new stove—and be hanged to them," rejoined Abel. "As for you, master, you're welcome to this garden any time. If you're tired or lonely, or too ambitious or angry, come here and sit awhile, master. Do you think any man could keep mad if he sat and looked into the heart of a pansy for ten minutes? When you feel like talking, I'll talk, and when you feel like thinking, I'll let you. I'm a great hand to leave folks alone."

"I think I'll come often," I said, "perhaps too often."

"Not likely, master—not likely—not after we've watched a moonrise contentedly together. It's as good a test of compatibility as any I know. You're young and I'm old, but our souls are about the same age, I reckon, and we'll find lots to say to each other. Are you going straight home from here?"

"Yes."

"Then I'm going to bother you to stop for a moment at Mary Bascom's and give her a bouquet of my white lilacs. She loves 'em and I'm not going to wait till she's dead to send her flowers."

"She's very ill just now, isn't she?"

"She's got the Bascom consumption. That means she may die in a month, like her brother, or linger on for twenty years, like her father. But long or short, white lilac in spring is sweet, and I'm sending her a fresh bunch every day while it lasts. It's a rare night, master. I envy you your walk home in the moonlight along that shore."

"Better come part of the way with me," I suggested.

"No." Abel glanced at the house. "Tamzine never likes to be alone o' nights. So I take my moonlight walks in the garden. The moon's a great friend of mine, master. I've loved her ever since I can remember. When I was a little lad of eight I fell asleep in the garden one evening and wasn't missed. I woke up alone in the night and I was most scared to death, master. Lord, what shadows and queer noises there were! I darsn't move. I just sat there quaking, poor small mite. Then all at once I saw the moon looking down at me through the pine boughs, just like an old friend. I was comforted right off. Got up and walked to the house as brave as a lion, looking at her. Goodnight, master. Tell Mary the lilacs'll last another week yet."

From that night Abel and I were cronies. We walked and talked and kept silence and fished cod together. Stillwater people thought it very strange that I should prefer his society to that of the young fellows of my own age. Mrs. Campbell was quite worried over it, and opined that there had always been something queer about me. "Birds of a feather."

I loved that old garden by the harbour shore. Even Abel himself, I think, could hardly have felt a deeper affection for it. When its gate closed behind me it shut out the world and my corroding memories and discontents. In its peace my soul emptied itself of the bitterness which had been filling and spoiling it, and grew normal and healthy again, aided thereto by Abel's wise words. He never preached, but he radiated courage and endurance and a frank acceptance of the hard things of life, as well as a cordial welcome of its pleasant things. He was the sanest soul I ever met. He neither minimized ill nor exaggerated good, but he held that we should never be controlled by either. Pain should not depress us unduly, nor pleasure lure us into forgetfulness and sloth. All unknowingly he made me realize that I had been a bit of a coward and a shirker. I began to understand that my personal woes were not the most important things in the universe, even to myself. In short, Abel taught me to laugh again; and when a man can laugh wholesomely things are not going too badly with him.

That old garden was always such a cheery place. Even when the east wind sang in minor and the waves on the gray shore were sad, hints of sunshine seemed to be lurking all about it. Perhaps this was because there were so many yellow flowers in it. Tamzine liked yellow flowers. Captain Kidd, too, always paraded it in panoply of gold. He was so large and effulgent that one hardly missed the sun. Considering his presence I wondered that the garden was always so full of singing birds. But the Captain never meddled with them. Probably he understood that his master would not have tolerated it for a moment. So there was always a song or a chirp somewhere. Overhead flew the gulls and the cranes. The wind in the pines always made a glad salutation. Abel and I paced the walks, in high converse on matters beyond the ken of cat or king.

"I liked to ponder on all problems, though I can never solve them," Abel used to say. "My father held that we should never talk of things we couldn't understand. But, lord, master, if we didn't the subjects for conversation would be mighty few. I reckon the gods laugh many a time to hear us, but what matter? So long as we remember that we're only men, and don't take to fancying ourselves gods, really knowing good and evil, I reckon our discussions won't do us or anyone much harm. So we'll have another whack at the origin of evil this evening, master."

Tamzine forgot to be shy with me at last, and gave me a broad smile of welcome every time I came. But she rarely spoke to me. She spent all her spare time weeding the garden, which she loved as well as Abel did. She was addicted to bright colours and always wore wrappers of very gorgeous print. She worshipped Abel and his word was a law unto her.

"I am very thankful Tamzine is so well," said Abel one evening as we watched the sunset. The day had begun sombrely in gray cloud and mist, but it ended in a pomp of scarlet and gold. "There was a time when she wasn't, master—you've heard? But for years now she has been quite able to look after herself. And so, if I fare forth on the last great adventure some of these days Tamzine will not be left helpless."

"She is ten years older than you. It is likely she will go before you," I said.

Abel shook his head and stroked his smart beard. I always suspected that beard of being Abel's last surviving vanity. It was always so carefully groomed, while I had no evidence that he ever combed his grizzled mop of hair.

"No, Tamzine will outlive me. She's got the Armstrong heart. I have the Marwood heart—my mother was a Marwood. We don't live to be old, and we go quick and easy. I'm glad of it. I don't think I'm a coward, master, but the thought of a lingering death gives me a queer sick feeling of horror. There, I'm not going to say any more about it. I just mentioned it so that some day when you hear that old Abel Armstrong has been found dead, you won't feel sorry. You'll remember I wanted it that way. Not that I'm tired of life either. It's very pleasant, what with my garden and Captain Kidd and the harbour out there. But it's a trifle monotonous at times and death will be something of a change, master. I'm real curious about it."

"I hate the thought of death," I said gloomily.

"Oh, you're young. The young always do. Death grows friendlier as we grow older. Not that one of us really wants to die, though, master. Tennyson spoke truth when he said that. There's old Mrs. Warner at the Channel Head. She's had heaps of trouble all her life, poor soul, and she's lost almost everyone she cared about. She's always saying that she'll be glad when her time comes, and she doesn't want to live any longer in this vale of tears. But when she takes a sick spell, lord, what a fuss she makes, master! Doctors from town and a trained nurse and enough medicine to kill a dog! Life may be a vale of tears, all right, master, but there are some folks who enjoy weeping, I reckon."

Summer passed through the garden with her procession of roses and lilies and hollyhocks and golden glow. The golden glow was particularly fine that year. There was a great bank of it at the lower end of the garden, like a huge billow of sunshine. Tamzine revelled in it, but Abel liked more subtly-tinted flowers. There was a certain dark wine-hued hollyhock which was a favourite with him. He would sit for hours looking steadfastly into one of its shallow satin cups. I found him so one afternoon in the hop-vine arbour.

"This colour always has a soothing effect on me," he explained. "Yellow excites me too much—makes me restless—makes me want to sail 'beyond the bourne of sunset'. I looked at that surge of golden glow down there today till I got all worked up and thought my life had been an awful failure. I found a dead butterfly and had a little funeral—buried it in the fern corner. And I thought I hadn't been any more use in the world than that poor little butterfly. Oh, I was woeful, master. Then I got me this hollyhock and sat down here to look at it alone. When a man's alone, master, he's most with God—or with the devil. The devil rampaged around me all the time I was looking at that golden glow; but God spoke to me through the hollyhock. And it seemed to me that a man who's as happy as I am and has got such a garden has made a real success of living."

"I hope I'll be able to make as much of a success," I said sincerely.

"I want you to make a different kind of success, though, master," said Abel, shaking his head. "I want you to do things—the things I'd have tried to do if I'd had the chance. It's in you to do them—if you set your teeth and go ahead."

"I believe I can set my teeth and go ahead now, thanks to you, Mr. Armstrong," I said. "I was heading straight for failure when I came here last spring; but you've changed my course."

"Given you a sort of compass to steer by, haven't I?" queried Abel with a smile. "I ain't too modest to take some credit for it. I saw I could do you some good. But my garden has done more than I did, if you'll believe it. It's wonderful what a garden can do for a man when he lets it have its way. Come, sit down here and bask, master. The sunshine may be gone to-morrow. Let's just sit and think."

We sat and thought for a long while. Presently Abel said abruptly:

"You don't see the folks I see in this garden, master. You don't see anybody but me and old Tamzine and Captain Kidd. I see all who used to be here long ago. It was a lively place then. There were plenty of us and we were as gay a set of youngsters as you'd find anywhere. We tossed laughter backwards and forwards here like a ball. And now old Tamzine and older Abel are all that are left."

He was silent a moment, looking at the phantoms of memory that paced invisibly to me the dappled walks and peeped merrily through the swinging boughs. Then he went on:

"Of all the folks I see here there are two that are more vivid and real than all the rest, master. One is my sister Alice. She died thirty years ago. She was very beautiful. You'd hardly believe that to look at Tamzine and me, would you? But it is true. We always called her Queen Alice—she was so stately and handsome. She had brown eyes and red gold hair, just the colour of that nasturtium there. She was father's favourite. The night she was born they didn't think my mother would live. Father walked this garden all night. And just under that old apple-tree he knelt at sunrise and thanked God when they came to tell him that all was well.

"Alice was always a creature of joy. This old garden rang with her laughter in those years. She seldom walked—she ran or danced. She only lived twenty years, but nineteen of them were so happy I've never pitied her over much. She had everything that makes life worth living—laughter and love, and at the last sorrow. James Milburn was her lover. It's thirty-one years since his ship sailed out of that harbour and Alice waved him good-bye from this garden. He never came back. His ship was never heard of again.

"When Alice gave up hope that it would be, she died of a broken heart. They say there's no such thing; but nothing else ailed Alice. She stood at yonder gate day after day and watched the harbour; and when at last she gave up hope life went with it. I remember the day: she had watched until sunset. Then she turned away from the gate. All the unrest and despair had gone out of her eyes. There was a terrible peace in them—the peace of the dead. 'He will never come back now, Abel,' she said to me.

"In less than a week she was dead. The others mourned her, but I didn't, master. She had sounded the deeps of living and there was nothing else to linger through the years for. My grief had spent itself earlier, when I walked this garden in agony because I could not help her. But often, on these long warm summer afternoons, I seem to hear Alice's laughter all over this garden; though she's been dead so long."

He lapsed into a reverie which I did not disturb, and it was not until another day that I learned of the other memory that he cherished. He reverted to it suddenly as we sat again in the hop-vine arbour, looking at the glimmering radiance of the September sea.

"Master, how many of us are sitting here?"

"Two in the flesh. How many in the spirit I know not," I answered, humouring his mood.

"There is one—the other of the two I spoke of the day I told you about Alice. It's harder for me to speak of this one."

"Don't speak of it if it hurts you," I said.

"But I want to. It's a whim of mine. Do you know why I told you of Alice and why I'm going to tell you of Mercedes? It's because I want someone to remember them and think of them sometimes after I'm gone. I can't bear that their names should be utterly forgotten by all living souls.

"My older brother, Alec, was a sailor, and on his last voyage to the West Indies he married and brought home a Spanish girl. My father and mother didn't like the match. Mercedes was a foreigner and a Catholic, and differed from us in every way. But I never blamed Alec after I saw her. It wasn't that she was so very pretty. She was slight and dark and ivory-coloured. But she was very graceful, and there was a charm about her, master—a mighty and potent charm. The women couldn't understand it. They wondered at Alec's infatuation for her. I never did. I—I loved her, too, master, before I had known her a day. Nobody ever knew it. Mercedes never dreamed of it. But it's lasted me all my life. I never wanted to think of any other woman. She spoiled a man for any other kind of woman—that little pale, dark-eyed Spanish girl. To love her was like drinking some rare sparkling wine. You'd never again have any taste for a commoner draught.

"I think she was very happy the year she spent here. Our thrifty women-folk in Stillwater jeered at her because she wasn't what they called capable. They said she couldn't do anything. But she could do one thing well—she could love. She worshipped Alec. I used to hate him for it. Oh, my heart has been very full of black thoughts in its time, master. But neither Alec nor Mercedes ever knew. And I'm thankful now that they were so happy. Alec made this arbour for Mercedes—at least he made the trellis, and she planted the vines.

"She used to sit here most of the time in summer. I suppose that's why I like to sit here. Her eyes would be dreamy and far-away until Alec would flash his welcome. How that used to torture me! But now I like to remember it. And her pretty soft foreign voice and little white hands. She died after she had lived here a year. They buried her and her baby in the graveyard of that little chapel over the harbour where the bell rings every evening. She used to like sitting here and listening to it. Alec lived a long while after, but he never married again. He's gone now, and nobody remembers Mercedes but me."

Abel lapsed into a reverie—a tryst with the past which I would not disturb. I thought he did not notice my departure, but as I opened the gate he stood up and waved his hand.

Three days later I went again to the old garden by the harbour shore. There was a red light on a distant sail. In the far west a sunset city was built around a great deep harbour of twilight. Palaces were there and bannered towers of crimson and gold. The air was full of music; there was one music of the wind and another of the waves, and still another of the distant bell from the chapel near which Mercedes slept. The garden was full of ripe odours and warm colours. The Lombardies around it were tall and sombre like the priestly forms of some mystic band. Abel was sitting in the hop-vine arbour; beside him Captain Kidd slept. I thought Abel was asleep, too; his head leaned against the trellis and his eyes were shut.

But when I reached the arbour I saw that he was not asleep. There was a strange, wise little smile on his lips as if he had attained to the ultimate wisdom and were laughing in no unkindly fashion at our old blind suppositions and perplexities.

Abel had gone on his Great Adventure.

Akin To Love

David Hartley had dropped in to pay a neighbourly call on Josephine Elliott. It was well along in the afternoon, and outside, in the clear crispness of a Canadian winter, the long blue shadows from the tall firs behind the house were falling over the snow.

It was a frosty day, and all the windows of every room where there was no fire were covered with silver palms. But the big, bright kitchen was warm and cosy, and somehow seemed to David more tempting than ever before, and that is saying a good deal. He had an uneasy feeling that he had stayed long enough and ought to go. Josephine was knitting at a long gray sock with doubly aggressive energy, and that was a sign that she was talked out. As long as Josephine had plenty to say, her plump white fingers, where her mother's wedding ring was lost in dimples, moved slowly among her needles. When conversation flagged she fell to her work as furiously as if a husband and half a dozen sons were waiting for its completion. David often wondered in his secret soul what Josephine did with all the interminable gray socks she knitted. Sometimes he concluded that she put them in the home missionary barrels; again, that she sold them to her hired man. At any rate, they were very warm and comfortable looking, and David sighed as he thought of the deplorable state his own socks were generally in.

When David sighed Josephine took alarm. She was afraid David was going to have one of his attacks of foolishness. She must head him off someway, so she rolled up the gray sock, stabbed the big pudgy ball with her needles, and said she guessed she'd get the tea.

David got up.

"Now, you're not going before tea?" said Josephine hospitably. "I'll have it all ready in no time."

"I ought to go home, I s'pose," said David, with the air and tone of a man dallying with a great temptation. "Zillah'll be waiting tea for me; and there's the stock to tend to."

"I guess Zillah won't wait long," said Josephine. She did not intend it at all, but there was a certain scornful ring in her voice. "You must stay. I've a fancy for company to tea."

David sat down again. He looked so pleased that Josephine went down on her knees behind the stove, ostensibly to get a stick of firewood, but really to hide her smile.

"I suppose he's tickled to death to think of getting a good square meal, after the starvation rations Zillah puts him on," she thought.

But Josephine misjudged David just as much as he misjudged her. She had really asked him to stay to tea out of pity, but David thought it was because she was lonesome, and he hailed that as an encouraging sign. And he was not thinking about getting a good meal either, although his dinner had been such a one as only Zillah Hartley could get up. As he leaned back in his cushioned chair and watched Josephine bustling about the kitchen, he was glorying in the fact that he could spend another hour with her, and sit opposite to her at the table while she poured his tea for him and passed him the biscuits, just as if—just as if—

Here Josephine looked straight at him with such intent and stern brown eyes that David felt she must have read his thoughts, and he colored guiltily. But Josephine did not even notice that he was blushing. She had only paused to wonder whether she would bring out cherry or strawberry preserve; and, having decided on the cherry, took her piercing gaze from David without having seen him at all. But he allowed his thoughts no more vagaries.

Josephine set the table with her mother's wedding china. She used it because it was the anniversary of her mother's wedding day, but David thought it was out of compliment to him. And, as he knew quite well that Josephine prized that china beyond all her other earthly possessions, he stroked his smooth-shaven, dimpled chin with the air of a man to whom is offered a very subtly sweet homage.

Josephine whisked in and out of the pantry, and up and down cellar, and with every whisk a new dainty was added to the table. Josephine, as everybody in Meadowby admitted, was past mistress in the noble art of cookery. Once upon a time rash matrons and ambitious young wives had aspired to rival her, but they had long ago realised the vanity of such efforts and dropped comfortably back to second place.

Josephine felt an artist's pride in her table when she set the teapot on its stand and invited David to sit in. There were pink slices of cold tongue, and crisp green pickles and spiced gooseberry, the recipe for which Josephine had invented herself, and which had taken first prize at the Provincial Exhibition for six successive years; there was a lemon pie which was a symphony in gold and silver, biscuits as light and white as snow, and moist, plummy cubes of fruit cake. There was the ruby-tinted cherry preserve, a mound of amber jelly, and, to crown all, steaming cups of tea, in flavour and fragrance unequalled.

And Josephine, too, sitting at the head of the table, with her smooth, glossy crimps of black hair and cheeks as rosy clear as they had been twenty years ago, when she had been a slender slip of girlhood and bashful young David Hartley had looked at her over his hymn-book in prayer-meeting and tramped all the way home a few feet behind her, because he was too shy to go boldly up and ask if he might see her home.

All taken together, what wonder if David lost his head over that tea-table and determined to ask Josephine the same old question once more? It was eighteen years since he had asked it for the first time, and two years since the last. He would try his luck again; Josephine was certainly more gracious than he remembered her to ever have been before.

When the meal was over Josephine cleared the table and washed the dishes. When she had taken a dry towel and sat down by the window to polish her china David understood that his opportunity had come. He moved over and sat down beside her on the sofa by the window.

Outside the sun was setting in a magnificent arch of light and colour over the snow-clad hills and deep blue St. Lawrence gulf. David grasped at the sunset as an introductory factor.

"Isn't that fine, Josephine?" he said admiringly. "It makes me think of that piece of poetry that used to be in the old Fifth Reader when we went to school. D'ye mind how the teacher used to drill us up in it on Friday afternoons? It begun

'Slow sinks more lovely ere his race is run

Along Morea's hills the setting sun.'"

Then David declaimed the whole passage in a sing-song tone, accompanied by a few crude gestures recalled from long-ago school-boy elocution. Josephine knew what was coming. Every time David proposed to her he had begun by reciting poetry. She twirled her towel around the last plate resignedly. If it had to come, the sooner it was over the better. Josephine knew by experience that there was no heading David off, despite his shyness, when he had once got along as far as the poetry.

"But it's going to be for the last time," she said determinedly. "I'm going to settle this question so decidedly to-night that there'll never be a repetition."

When David had finished his quotation he laid his hand on Josephine's plump arm.

"Josephine," he said huskily, "I s'pose you couldn't—could you now?—make up your mind to have me. I wish you would, Josephine—I wish you would. Don't you think you could, Josephine?"

Josephine folded up her towel, crossed her hands on it, and looked her wooer squarely in the eyes.

"David Hartley," she said deliberately, "what makes you go on asking me to marry you every once in a while when I've told you times out of mind that I can't and won't?"

"Because I can't help hoping that you'll change your mind through time," David replied meekly.

"Well, you just listen to me. I will not marry you. That is in the first place. And in the second, this is to be final. It has to be. You are never to ask me this again under any circumstances. If you do I will not answer you—I will not let on I hear you at all; but (and Josephine spoke very slowly and impressively) I will never speak to you again—never. We are good friends now, and I like you real well, and like to have you drop in for a neighbourly chat as often as you wish to, but there'll be an end, short and sudden, to that, if you don't mind what I say."

"Oh, Josephine, ain't that rather hard?" protested David feebly. It seemed terrible to be cut off from all hope with such finality as this.

"I mean every word of it," returned Josephine calmly. "You'd better go home now, David. I always feel as if I'd like to be alone for a spell after a disagreeable experience."

David obeyed sadly and put on his cap and overcoat. Josephine kindly warned him not to slip and break his legs on the porch, because the floor was as icy as anything; and she even lighted a candle and held it up at the kitchen door to guide him safely out. David, as he trudged sorrowfully homeward across the fields, carried with him the mental picture of a plump, sonsy woman, in a trim dress of plum-coloured homespun and ruffled blue-check apron, haloed by candlelight. It was not a very romantic vision, perhaps, but to David it was more beautiful than anything else in the world.

When David was gone Josephine shut the door with a little shiver. She blew out the candle, for it was not yet dark enough to justify artificial light to her thrifty mind. She thought the big, empty house, in which she was the only living thing, was very lonely. It was so still, except for the slow tick of the "grandfather's clock" and the soft purr and crackle of the wood in the stove. Josephine sat down by the window.

"I wish some of the Sentners would run down," she said aloud. "If David hadn't been so ridiculous I'd have got him to stay the evening. He can be good company when he likes—he's real well-read and intelligent. And he must have dismal times at home there with nobody but Zillah."

She looked across the yard to the little house at the other side of it, where her French-Canadian hired man lived, and watched the purple spiral of smoke from its chimney curling up against the crocus sky. Would she run over and see Mrs. Leon Poirier and her little black-eyed, brown-skinned baby? No, they never knew what to say to each other.

"If 'twasn't so cold I'd go up and see Ida," she said. "As it is, I guess I'd better fall back on my knitting, for I saw Jimmy Sentner's toes sticking through his socks the other day. How setback poor David did look, to be sure! But I think I've settled that marrying notion of his once for all and I'm glad of it."

She said the same thing next day to Mrs. Tom Sentner, who had come down to help her pick her geese. They were at work in the kitchen with a big tubful of feathers between them, and on the table a row of dead birds, which Leon had killed and brought in. Josephine was enveloped in a shapeless print wrapper, and had an apron tied tightly around her head to keep the down out of her beautiful hair, of which she was rather proud.

"What do you think, Ida?" she said, with a hearty laugh at the recollection. "David Hartley was here to tea last night, and asked me to marry him again. There's a persistent man for you. I can't brag of ever having had many beaux, but I've certainly had my fair share of proposals."

Mrs. Tom did not laugh. Her thin little face, with its faded prettiness, looked as if she never laughed.

"Why won't you marry him?" she said fretfully.

"Why should I?" retorted Josephine. "Tell me that, Ida Sentner."

"Because it is high time you were married," said Mrs. Tom decisively. "I don't believe in women living single. And I don't see what better you can do than take David Hartley."

Josephine looked at her sister with the interested expression of a person who is trying to understand some mental attitude in another which is a standing puzzle to her. Ida's evident wish to see her married always amused Josephine. Ida had married very young and for fifteen years her life had been one of drudgery and ill-health. Tom Sentner was a lazy, shiftless fellow. He neglected his family and was drunk half his time. Meadowby people said that he beat his wife when "on the spree," but Josephine did not believe that, because she did not think that Ida could keep from telling her if it were so. Ida Sentner was not given to bearing her trials in silence.

Had it not been for Josephine's assistance, Tom Sentner's family would have stood an excellent chance of starvation. Josephine practically kept them, and her generosity never failed or stinted. She fed and clothed her nephews and nieces, and all the gray socks whose destination puzzled David so much went to the Sentners.

As for Josephine herself, she had a good farm, a comfortable house, a plump bank account, and was an independent, unworried woman. And yet, in the face of all this, Mrs. Tom Sentner could bewail the fact that Josephine had no husband to look out for her. Josephine shrugged her shoulders and gave up the conundrum, merely saying ironically, in reply to her sister's remark:

"And go to live with Zillah Hartley?"

"You know very well you wouldn't have to do that. Ever since John Hartley's wife at the Creek died he's been wanting Zillah to go and keep house for him, and if David got married Zillah'd go quick. Catch her staying there if you were mistress! And David has such a beautiful house! It's ten times finer than yours, though I don't deny yours is comfortable. And his farm is the best in Meadowby and joins yours. Think what a beautiful property they'd make together. You're all right now, Josephine, but what will you do when you get old and have nobody to take care of you? I declare the thought worries me at night till I can't sleep."

"I should have thought you had enough worries of your own to keep you awake at nights without taking over any of mine," said Josephine drily. "As for old age, it's a good ways off for me yet. When your Jack gets old enough to have some sense he can come here and live with me. But I'm not going to marry David Hartley, you can depend on that, Ida, my dear. I wish you could have heard him rhyming off that poetry last night. It doesn't seem to matter much what piece he recites—first thing that comes into his head, I reckon. I remember one time he went clean through that hymn beginning, 'Hark from the tombs a doleful sound,' and two years ago it was 'To Mary in Heaven,' as lackadaisical as you please. I never had such a time to keep from laughing, but I managed it, for I wouldn't hurt his feelings for the world. No, I haven't any intention of marrying anybody, but if I had it wouldn't be dear old sentimental, easy-going David."

Mrs. Tom thumped a plucked goose down on the bench with an expression which said that she, for one, wasn't going to waste any more words on an idiot. Easy-going, indeed! Did Josephine consider that a drawback? Mrs. Tom sighed. If Josephine, she thought, had put up with Tom Sentner's tempers for fifteen years she would know how to appreciate a good-natured man at his real value.

The cold snap which had set in on the day of David's call lasted and deepened for a week. On Saturday evening, when Mrs. Tom came down for a jug of cream, the mercury of the little thermometer thumping against Josephine's porch was below zero. The gulf was no longer blue, but white with ice. Everything outdoors was crackling and snapping. Inside Josephine had kept roaring fires all through the house but the only place really warm was the kitchen.

"Wrap your head up well, Ida," she said anxiously, when Mrs. Tom rose to go. "You've got a bad cold."

"There's a cold going," said Mrs. Tom. "Everyone has it. David Hartley was up at our place to-day barking terrible—a real churchyard cough, as I told him. He never takes any care of himself. He said Zillah had a bad cold, too. Won't she be cranky while it lasts?"

Josephine sat up late that night to keep fires on. She finally went to bed in the little room opposite the big hall stove, and she slept at once, and dreamed that the thumps of the thermometer flapping in the wind against the wall outside grew louder and more insistent until they woke her up. Some one was pounding on the porch door.

Josephine sprang out of bed and hurried on her wrapper and felt shoes. She had no doubt that some of the Sentners were sick. They had a habit of getting sick about that time of night. She hurried out and opened the door, expecting to see hulking Tom Sentner, or perhaps Ida herself, big-eyed and hysterical.

But David Hartley stood there, panting for breath. The clear moonlight showed that he had no overcoat on, and he was coughing hard. Josephine, before she spoke a word, clutched him by the arm and pulled him in out of the wind.

"For pity's sake, David Hartley, what is the matter?"

"Zillah's awful sick," he gasped. "I came here because 'twas nearest. Oh, won't you come over, Josephine? I've got to go for the doctor and I can't leave her alone. She's suffering dreadful. I know you and her ain't on good terms, but you'll come, won't you?"

"Of course I will," said Josephine sharply. "I'm not a barbarian, I hope, to refuse to go to the help of a sick person, if 'twas my worst enemy. I'll go in and get ready and you go straight to the hall stove and warm yourself. There's a good fire in it yet. What on earth do you mean, starting out on a bitter night like this without an overcoat or even mittens, and you with a cold like that?"

"I never thought of them, I was so frightened," said David apologetically. "I just lit up a fire in the kitchen stove as quick's I could and run. It rattled me to hear Zillah moaning so's you could hear her all over the house."

"You need someone to look after you as bad as Zillah does," said Josephine severely.

In a very few minutes she was ready, with a basket packed full of homely remedies, "for like as not there'll be no putting one's hand on anything there," she muttered. She insisted on wrapping her big plaid shawl around David's head and neck, and made him put on a pair of mittens she had knitted for Jack Sentner. Then she locked the door and they started across the gleaming, crusted field. It was so slippery that Josephine had to cling to David's arm to keep her feet. In the rapture of supporting her David almost forgot everything else.

In a few minutes they had passed under the bare, glistening boughs of the poplars on David's lawn, and for the first time Josephine crossed the threshold of David Hartley's house.

Years ago, in her girlhood, when the Hartley's lived in the old house and there were half a dozen girls at home, Josephine had frequently visited there. All the Hartley girls liked her except Zillah. She and Zillah never "got on" together. When the other girls had married and gone, Josephine gave up visiting there. She had never been inside the new house, and she and Zillah had not spoken to each other for years.

Zillah was a sick woman—too sick to be anything but civil to Josephine. David started at once for the doctor at the Creek, and Josephine saw that he was well wrapped up before she let him go. Then she mixed up a mustard plaster for Zillah and sat down by the bedside to wait.

When Mrs. Tom Sentner came down the next day she found Josephine busy making flaxseed poultices, with her lips set in a line that betokened she had made up her mind to some disagreeable course of duty.

"Zillah has got pneumonia bad," she said, in reply to Mrs. Tom's inquiries. "The Doctor is here and Mary Bell from the Creek. She'll wait on Zillah, but there'll have to be another woman here to see to the work. I reckon I'll stay. I suppose it's my duty and I don't see who else could be got. You can send Mamie and Jack down to stay at my house until I can go back. I'll run over every day and keep an eye on things."

At the end of a week Zillah was out of danger. Saturday afternoon Josephine went over home to see how Mamie and Jack were getting on. She found Mrs. Tom there, and the latter promptly despatched Jack and Mamie to the post-office that she might have an opportunity to hear Josephine's news.

"I've had an awful week of it, Ida," said Josephine solemnly, as she sat down by the stove and put her feet up on the glowing hearth.

"I suppose Zillah is pretty cranky to wait on," said Mrs. Tom sympathetically.

"Oh, it isn't Zillah. Mary Bell looks after her. No, it's the house. I never lived in such a place of dust and disorder in my born days. I'm sorrier for David Hartley than I ever was for anyone before."

"I suppose he's used to it," said Mrs. Tom with a shrug.

"I don't see how anyone could ever get used to it," groaned Josephine. "And David used to be so particular when he was a boy. The minute I went there the other night I took in that kitchen with a look. I don't believe the paint has even been washed since the house was built. I honestly don't. And I wouldn't like to be called upon to swear when the floor was scrubbed either. The corners were just full of rolls of dust—you could have shovelled it out. I swept it out next day and I thought I'd be choked. As for the pantry—well, the less said about that the better. And it's the same all through the house. You could write your name on everything. I couldn't so much as clean up. Zillah was so sick there couldn't be a bit of noise made. I did manage to sweep and dust, and I cleaned out the pantry. And, of course, I saw that the meals were nice and well cooked. You should have seen David's face. He looked as if he couldn't get used to having things clean and tasty. I darned his socks—he hadn't a whole pair to his name—and I've done everything I could to give him a little comfort. Not that I could do much. If Zillah heard me moving round she'd send Mary Bell out to ask what the matter was. When I wanted to go upstairs I'd have to take off my shoes and tiptoe up on my stocking feet, so's she wouldn't know it. And I'll have to stay there another fortnight yet. Zillah won't be able to sit up till then. I don't really know if I can stand it without falling to and scrubbing the house from garret to cellar in spite of her."

Mrs. Tom Sentner did not say much to Josephine. To herself she said complacently:

"She's sorry for David. Well, I've always heard that pity was akin to love. We'll see what comes of this."

Josephine did manage to live through that fortnight. One morning she remarked to David at the breakfast table:

"Well, I think that Mary Bell will be able to attend to the work after today, David. I guess I'll go home tonight."

David's face clouded over.

"Well, I s'pose we oughtn't to keep you any longer, Josephine. I'm sure it's been awful good of you to stay this long. I don't know what we'd have done without you."

"You're welcome," said Josephine shortly.

"Don't go for to walk home," said David; "the snow is too deep. I'll drive you over when you want to go."

"I'll not go before the evening," said Josephine slowly.

David went out to his work gloomily. For three weeks he had been living in comfort. His wants were carefully attended to; his meals were well cooked and served, and everything was bright and clean. And more than all, Josephine had been there, with her cheerful smile and companionable ways. Well, it was all ended now.

Josephine sat at the breakfast table long after David had gone out. She scowled at the sugar-bowl and shook her head savagely at the tea-pot.

"I'll have to do it," she said at last.

"I'm so sorry for him that I can't do anything else."

She got up and went to the window, looking across the snowy field to her own home, nestled between the grove of firs and the orchard.

"It's awful snug and comfortable," she said regretfully, "and I've always felt set on being free and independent. But it's no use. I'd never have a minute's peace of mind again, thinking of David living here in dirt and disorder, and him so particular and tidy by nature. No, it's my duty, plain and clear, to come here and make things pleasant for him—the pointing of Providence, as you might say. The worst of it is, I'll have to tell him so myself. He'll never dare to mention the subject again, after what I said to him that night he proposed last. I wish I hadn't been so dreadful emphatic. Now I've got to say it myself if it is ever said. But I'll not begin by quoting poetry, that's one thing sure!"

Josephine threw back her head, crowned with its shining braids of jet-black hair, and laughed heartily. She bustled back to the stove and poked up the fire.

"I'll have a bit of corned beef and cabbage for dinner," she said, "and I'll make David that pudding he's so fond of. After all, it's kind of nice to have someone to plan and think for. It always did seem like a waste of energy to fuss over cooking things when there was nobody but myself to eat them."

Josephine sang over her work all day, and David went about his with the face of a man who is going to the gallows without benefit of clergy. When he came in to supper at sunset his expression was so woe-begone that Josephine had to dodge into the pantry to keep from laughing outright. She relieved her feelings by pounding the dresser with the potato masher, and then went primly out and took her place at the table.

The meal was not a success from a social point of view. Josephine was nervous and David glum. Mary Bell gobbled down her food with her usual haste, and then went away to carry Zillah hers. Then David said reluctantly:

"If you want to go home now, Josephine, I'll hitch up Red Rob and drive you over."

Josephine began to plait the tablecloth. She wished again that she had not been so emphatic on the occasion of his last proposal. Without replying to David's suggestion she said crossly (Josephine always spoke crossly when she was especially in earnest):

"I want to tell you what I think about Zillah. She's getting better, but she's had a terrible shaking up, and it's my opinion that she won't be good for much all winter. She won't be able to do any hard work, that's certain. If you want my advice, I tell you fair and square that I think she'd better go off for a visit as soon as she's fit. She thinks so herself. Clementine wants her to go and stay a spell with her in town. 'Twould be just the thing for her."

"She can go if she wants to, of course," said David dully. "I can get along by myself for a spell."

"There's no need of your getting along by yourself," said Josephine, more crossly than ever. "I'll—I'll come here and keep house for you if you like."

David looked at her uncomprehendingly.

"Wouldn't people kind of gossip?" he asked hesitatingly. "Not but what—"

"I don't see what they'd have to gossip about," broke in Josephine, "if we were—married."

David sprang to his feet with such haste that he almost upset the table.

"Josephine, do you mean that?" he exclaimed.

"Of course I mean it," she said, in a perfectly savage tone. "Now, for pity's sake, don't say another word about it just now. I can't discuss it for a spell. Go out to your work. I want to be alone for awhile."

For the first and last time David disobeyed her. Instead of going out, he strode around the table, caught Josephine masterfully in his arms, and kissed her. And Josephine, after a second's hesitation, kissed him in return.

Aunt Philippa and the Men

I knew quite well why Father sent me to Prince Edward Island to visit Aunt Philippa that summer. He told me he was sending me there "to learn some sense"; and my stepmother, of whom I was very fond, told me she was sure the sea air would do me a world of good. I did not want to learn sense or be done a world of good; I wanted to stay in Montreal and go on being foolish—and make up my quarrel with Mark Fenwick. Father and Mother did not know anything about this quarrel; they thought I was still on good terms with him—and that is why they sent me to Prince Edward Island.

I was very miserable. I did not want to go to Aunt Philippa's. It was not because I feared it would be dull—for without Mark, Montreal was just as much of a howling wilderness as any other place. But it was so horribly far away. When the time came for Mark to want to make up—as come I knew it would—how could he do it if I were seven hundred miles away?

Nevertheless, I went to Prince Edward Island. In all my eighteen years I had never once disobeyed Father. He is a very hard man to disobey. I knew I should have to make a beginning some time if I wanted to marry Mark, so I saved all my little courage up for that and didn't waste any of it opposing the visit to Aunt Philippa.

I couldn't understand Father's point of view. Of course, he hated old John Fenwick, who had once sued him for libel and won the case. Father had written an indiscreet editorial in the excitement of a red-hot political contest—and was made to understand that there are some things you can't say of another man even at election time. But then, he need not have hated Mark because of that; Mark was not even born when it happened.

Old John Fenwick was not much better pleased about Mark and me than Father was, though he didn't go to the length of forbidding it; he just acted grumpily and disagreeably. Things were unpleasant enough all round without a quarrel between Mark and me; yet quarrel we did—and over next to nothing, too, you understand. And now I had to set out for Prince Edward Island without even seeing him, for he was away in Toronto on business.

When my train reached Copely the next afternoon, Aunt Philippa was waiting for me. There was nobody else in sight, but I would have known her had there been a thousand. Nobody but Aunt Philippa could have that determined mouth, those piercing grey eyes, and that pronounced, unmistakable Goodwin nose. And certainly nobody but Aunt Philippa would have come to meet me arrayed in a wrapper of chocolate print with huge yellow roses scattered over it, and a striped blue-and-white apron!

She welcomed me kindly but absent-mindedly, her thoughts evidently being concentrated on the problem of getting my trunk home. I had only the one, and in Montreal it had seemed to be of moderate size; but on the platform of Copely station, sized up by Aunt Philippa's merciless eye, it certainly looked huge.

"I thought we could a-took it along tied on the back of the buggy," she said disapprovingly, "but I guess we'll have to leave it, and I'll send the hired boy over for it tonight. You can get along without it till then, I s'pose?"

There was a fine irony in her tone. I hastened to assure her meekly that I could, and that it did not matter if my trunk could not be taken up till next day.

"Oh, Jerry can come for it tonight as well as not," said Aunt Philippa, as we climbed into her buggy. "I'd a good notion to send him to meet you, for he isn't doing much today, and I wanted to go to Mrs. Roderick MacAllister's funeral. But my head was aching me so bad I thought I wouldn't enjoy the funeral if I did go. My head is better now, so I kind of wish I had gone. She was a hundred and four years old and I'd always promised myself that I'd go to her funeral."

Aunt Philippa's tone was melancholy. She did not recover her good spirits until we were out on the pretty, grassy, elm-shaded country road, garlanded with its ribbon of buttercups. Then she suddenly turned around and looked me over scrutinizingly.

"You're not as good-looking as I expected from your picture, but them photographs always flatter. That's the reason I never had any took. You're rather thin and brown. But you've good eyes and you look clever. Your father writ me you hadn't much sense, though. He wants me to teach you some, but it's a thankless business. People would rather be fools."

Aunt Philippa struck her steed smartly with the whip and controlled his resultant friskiness with admirable skill.

"Well, you know it's pleasanter," I said, wickedly. "Just think what a doleful world it would be if everybody were sensible."

Aunt Philippa looked at me out of the corner of her eye and disdained any skirmish of flippant epigram.

"So you want to get married?" she said. "You'd better wait till you're grown up."

"How old must a person be before she is grown up?" I asked gravely.

"Humph! That depends. Some are grown up when they're born, and others ain't grown up when they're eighty. That same Mrs. Roderick I was speaking of never grew up. She was as foolish when she was a hundred as when she was ten."

"Perhaps that's why she lived so long," I suggested. All thought of seeking sympathy in Aunt Philippa had vanished. I resolved I would not even mention Mark's name.

"Mebbe 'twas," admitted Aunt Philippa with a grim smile. "I'd rather live fifty sensible years than a hundred foolish ones."

Much to my relief, she made no further reference to my affairs. As we rounded a curve in the road where two great over-arching elms met, a buggy wheeled by us, occupied by a young man in clerical costume. He had a pleasant boyish face, and he touched his hat courteously. Aunt Philippa nodded very frostily and gave her horse a quite undeserved cut.

"There's a man you don't want to have much to do with," she said portentously. "He's a Methodist minister."

"Why, Auntie, the Methodists are a very nice denomination," I protested. "My stepmother is a Methodist, you know."

"No, I didn't know, but I'd believe anything of a stepmother. I've no use for Methodists or their ministers. This fellow just came last spring, and it's my opinion he smokes. And he thinks every girl who looks at him falls in love with him—as if a Methodist minister was any prize! Don't you take much notice of him, Ursula."

"I'll not be likely to have the chance," I said, with an amused smile.

"Oh, you'll see enough of him. He boards at Mrs. John Callman's, just across the road from us, and he's always out sunning himself on her verandah. Never studies, of course. Last Sunday they say he preached on the iron that floated. If he'd confine himself to the Bible and leave sensational subjects alone it would be better for him and his poor congregation, and so I told Mrs. John Callman to her face. I should think she would have had enough of his sex by this time. She married John Callman against her father's will, and he had delirious trembles for years. That's the men for you."

"They're not all like that, Aunt Philippa," I protested.

"Most of 'em are. See that house over there? Mrs. Jane Harrison lives there. Her husband took tantrums every few days or so and wouldn't get out of bed. She had to do all the barn work till he'd got over his spell. That's men for you. When he died, people writ her letters of condolence but I just sot down and writ her one of congratulation. There's the Presbyterian manse in the hollow. Mr. Bentwell's our minister. He's a good man and he'd be a rather nice one if he didn't think it was his duty to be a little miserable all the time. He won't let his wife wear a fashionable hat, and his daughter can't fix her hair the way she wants to. Even being a minister can't prevent a man from being a crank. Here's Ebenezer Milgrave coming. You take a good look at him. He used to be insane for years. He believed he was dead and used to rage at his wife because she wouldn't bury him. I'd a-done it."

Aunt Philippa looked so determinedly grim that I could almost see her with a spade in her hand. I laughed aloud at the picture summoned up.

"Yes, it's funny, but I guess his poor wife didn't find it very humorsome. He's been pretty sane for some years now, but you never can tell when he'll break out again. He's got a brother, Albert Milgrave, who's been married twice. They say he was courting his second wife while his first was dying. Let that be as it may, he used his first wife's wedding ring to marry the second. That's the men for you."

"Don't you know any good husbands, Aunt Philippa?" I asked desperately.

"Oh, yes, lots of 'em—over there," said Aunt Philippa sardonically, waving her whip in the direction of a little country graveyard on a distant hill.

"Yes, but living—walking about in the flesh?"

"Precious few. Now and again you'll come across a man whose wife won't put up with any nonsense and he has to be respectable. But the most of 'em are poor bargains—poor bargains."

"And are all the wives saints?" I persisted.

"Laws, no, but they're too good for the men," retorted Aunt Philippa, as she turned in at her own gate. Her house was close to the road and was painted such a vivid green that the landscape looked faded by contrast. Across the gable end of it was the legend, "Philippa's Farm," emblazoned in huge black letters two feet long. All its surroundings were very neat. On the kitchen doorstep a patchwork cat was making a grave toilet. The groundwork of the cat was white, and its spots were black, yellow, grey, and brown.

"There's Joseph," said Aunt Philippa. "I call him that because his coat is of many colours. But I ain't no lover of cats. They're too much like the men to suit me."

"Cats have always been supposed to be peculiarly feminine," I said, descending.

"'Twas a man that supposed it, then," retorted Aunt Philippa, beckoning to her hired boy. "Here, Jerry, put Prince away. Jerry's a good sort of boy," she confided to me as we went into the house. "I had Jim Spencer last summer and the only good thing about him was his appetite. I put up with him till harvest was in, and then one day my patience give out. He upsot a churnful of cream in the back yard—and was just as cool as a cowcumber over it—laughed and said it was good for the land. I told him I wasn't in the habit of fertilizing my back yard with cream. But that's the men for you. Come in. I'll have tea ready in no time. I sot the table before I left. There's lemon pie. Mrs. John Cantwell sent it over. I never make lemon pie myself. Ten years ago I took the prize for lemon pies at the county fair, and I've never made any since for fear I'd lose my reputation for them."

The first month of my stay passed not unpleasantly. The summer weather was delightful, and the sea air was certainly splendid. Aunt Philippa's little farm ran right down to the shore, and I spent much of my time there. There were also several families of cousins to be visited in the farmhouses that dotted the pretty, seaward-sloping valley, and they came back to see me at "Philippa's Farm." I picked spruce gum and berries and ferns, and Aunt Philippa taught me to make butter. It was all very idyllic—or would have been if Mark had written. But Mark did not write. I supposed he must be very angry because I had run off to Prince Edward Island without so much as a note of goodbye. But I had been so sure he would understand!

Aunt Philippa never made any further reference to the reason Father had sent me to her, but she allowed no day to pass without holding up to me some horrible example of matrimonial infelicity. The number of unhappy wives who walked or drove past "Philippa's Farm" every afternoon, as we sat on the verandah, was truly pitiable.

We always sat on the verandah in the afternoon, when we were not visiting or being visited. I made a pretence of fancy work, and Aunt Philippa spun diligently on a little old-fashioned spinning-wheel that had been her grandmother's. She always sat before the wood stand which held her flowers, and the gorgeous blots of geranium blossom and big green leaves furnished a pretty background. She always wore her shapeless but clean print wrappers, and her iron-grey hair was always combed neatly down over her ears. Joseph sat between us, sleeping or purring. She spun so expertly that she could keep a close watch on the road as well, and I got the biography of every individual who went by. As for the poor young Methodist minister, who liked to read or walk on the verandah of our neighbour's house, Aunt Philippa never had a good word for him. I had met him once or twice socially and had liked him. I wanted to ask him to call but dared not—Aunt Philippa had vowed he should never enter her house.

"If I was dead and he came to my funeral I'd rise up and order him out," she said.

"I thought he made a very nice prayer at Mrs. Seaman's funeral the other day," I said.

"Oh, I've no doubt he can pray. I never heard anyone make more beautiful prayers than old Simon Kennedy down at the harbour, who was always drunk or hoping to be—and the drunker he was the better he prayed. It ain't no matter how well a man prays if his preaching isn't right. That Methodist man preaches a lot of things that ain't true, and what's worse they ain't sound doctrine. At least, that's what I've heard. I never was in a Methodist church, thank goodness."

"Don't you think Methodists go to heaven as well as Presbyterians, Aunt Philippa?" I asked gravely.

"That ain't for us to decide," said Aunt Philippa solemnly. "It's in higher hands than ours. But I ain't going to associate with them on earth, whatever I may have to do in heaven. The folks round here mostly don't make much difference and go to the Methodist church quite often. But I say if you are a Presbyterian, be a Presbyterian. Of course, if you ain't, it don't matter much what you do. As for that minister man, he has a grand-uncle who was sent to the penitentiary for embezzlement. I found out that much."

And evidently Aunt Philippa had taken an unholy joy in finding it out.

"I dare say some of our own ancestors deserved to go to the penitentiary, even if they never did," I remarked. "Who is that woman driving past, Aunt Philippa? She must have been very pretty once."

"She was—and that was all the good it did her. 'Favour is deceitful and beauty is vain,' Ursula. She was Sarah Pyatt and she married Fred Proctor. He was one of your wicked, fascinating men. After she married him he give up being fascinating but he kept on being wicked. That's the men for you. Her sister Flora weren't much luckier. Her man was that domineering she couldn't call her soul her own. Finally he couldn't get his own way over something and he just suicided by jumping into the well. A good riddance—but of course the well was spoiled. Flora could never abide the thought of using it again, poor thing. That's men for you.

"And there's that old Enoch Allan on his way to the station. He's ninety if he's a day. You can't kill some folks with a meat axe. His wife died twenty years ago. He'd been married when he was twenty so they'd lived together for fifty years. She was a faithful, hard-working creature and kept him out of the poorhouse, for he was a shiftless soul, not lazy, exactly, but just too fond of sitting. But he weren't grateful. She had a kind of bitter tongue and they did use to fight scandalous. O' course it was all his fault. Well, she died, and old Enoch and my father drove together to the graveyard. Old Enoch was awful quiet all the way there and back, but just afore they got home, he says solemnly to Father: 'You mayn't believe it, Henry, but this is the happiest day of my life.' That's men for you. His brother, Scotty Allan, was the meanest man ever lived in these parts. When his wife died she was buried with a little gold brooch in her collar unbeknownst to him. When he found it out he went one night to the graveyard and opened up the grave and the casket to get that brooch."

"Oh, Aunt Philippa, that is a horrible story," I cried, recoiling with a shiver over the gruesomeness of it.

"'Course it is, but what would you expect of a man?" retorted Aunt Philippa.

Somehow, her stories began to affect me in spite of myself. There were times when I felt very dreary. Perhaps Aunt Philippa was right. Perhaps men possessed neither truth nor constancy. Certainly Mark had forgotten me. I was ashamed of myself because this hurt me so much, but I could not help it. I grew pale and listless. Aunt Philippa sometimes peered at me sharply, but she held her peace. I was grateful for this.

But one day a letter did come from Mark. I dared not read it until I was safely in my own room. Then I opened it with trembling fingers.

The letter was a little stiff. Evidently Mark was feeling sore enough over things. He made no reference to our quarrel or to my sojourn in Prince Edward Island. He wrote that his firm was sending him to South Africa to take charge of their interests there. He would leave in three weeks' time and could not return for five years. If I still cared anything for him, would I meet him in Halifax, marry him, and go to South Africa with him? If I would not, he would understand that I had ceased to love him and that all was over between us.

That, boiled down, was the gist of Mark's letter. When I had read it I cast myself on the bed and wept out all the tears I had refused to let myself shed during my weeks of exile.

For I could not do what Mark asked—I could not. I couldn't run away to be married in that desolate, unbefriended fashion. It would be a disgrace. I would feel ashamed of it all my life and be unhappy over it. I thought that Mark was rather unreasonable. He knew what my feelings about run-away marriages were. And was it absolutely necessary for him to go to South Africa? Of course his father was behind it somewhere, but surely he could have got out of it if he had really tried.

Well, if he went to South Africa he must go alone. But my heart would break.

I cried the whole afternoon, cowering among my pillows. I never wanted to go out of that room again. I never wanted to see anybody again. I hated the thought of facing Aunt Philippa with her cold eyes and her miserable stories that seemed to strip life of all beauty and love of all reality. I could hear her scornful, "That's the men for you," if she heard what was in Mark's letter.

"What is the matter, Ursula?"

Aunt Philippa was standing by my bed. I was too abject to resent her coming in without knocking.

"Nothing," I said spiritlessly.

"If you've been crying for three mortal hours over nothing you want a good spanking and you'll get it," observed Aunt Philippa placidly, sitting down on my trunk. "Get right up off that bed this minute and tell me what the trouble is. I'm bound to know, for I'm in your father's place at present."

"There, then!" I flung her Mark's letter. There wasn't anything in it that it was sacrilege to let another person see. That was one reason why I had been crying.

Aunt Philippa read it over twice. Then she folded it up deliberately and put it back in the envelope.

"What are you going to do?" she asked in a matter-of-fact tone.

"I'm not going to run away to be married," I answered sullenly.

"Well, no, I wouldn't advise you to," said Aunt Philippa reflectively. "It's a kind of low-down thing to do, though there's been a terrible lot of romantic nonsense talked and writ about eloping. It may be a painful necessity sometimes, but it ain't in this case. You write to your young man and tell him to come here and be married respectable under my roof, same as a Goodwin ought to."

I sat up and stared at Aunt Philippa. I was so amazed that it is useless to try to express my amazement.

"Aunt—Philippa," I gasped. "I thought—I thought—"

"You thought I was a hard old customer, and so I am," said Aunt Philippa. "But I don't take my opinions from your father nor anybody else. It didn't prejudice me any against your young man that your father didn't like him. I knew your father of old. I have some other friends in Montreal and I writ to them and asked them what he was like. From what they said I judged he was decent enough as men go. You're too young to be married, but if you let him go off to South Africa he'll slip through your fingers for sure, and I s'pose you're like some of the rest of us—nobody'll do you but the one. So tell him to come here and be married."

"I don't see how I can," I gasped. "I can't get ready to be married in three weeks. I can't—"

"I should think you have enough clothes in that trunk to do you for a spell," said Aunt Philippa sarcastically. "You've more than my mother ever had in all her life. We'll get you a wedding dress of some kind. You can get it made in Charlottetown, if country dressmakers aren't good enough for you, and I'll bake you a wedding cake that'll taste as good as anything you could get in Montreal, even if it won't look so stylish."

"What will Father say?" I questioned.

"Lots o' things," conceded Aunt Philippa grimly. "But I don't see as it matters when neither you nor me'll be there to have our feelings hurt. I'll write a few things to your father. He hasn't got much sense. He ought to be thankful to get a decent young man for his son-in-law in a world where most every man is a wolf in sheep's clothing. But that's the men for you."

And that was Aunt Philippa for you. For the next three weeks she was a blissfully excited, busy woman. I was allowed to choose the material and fashion of my wedding suit and hat myself, but almost everything else was settled by Aunt Philippa. I didn't mind; it was a relief to be rid of all responsibility; I did protest when she declared her intention of having a big wedding and asking all the cousins and semi-cousins on the island, but Aunt Philippa swept my objections lightly aside.

"I'm bound to have one good wedding in this house," she said. "Not likely I'll ever have another chance."

She found time amid all the baking and concocting to warn me frequently not to take it too much to heart if Mark failed to come after all.

"I know a man who jilted a girl on her wedding day. That's the men for you. It's best to be prepared."

But Mark did come, getting there the evening before our wedding day. And then a severe blow fell on Aunt Philippa. Word came from the manse that Mr. Bentwell had been suddenly summoned to Nova Scotia to his mother's deathbed; he had started that night.

"That's the men for you," said Aunt Philippa bitterly. "Never can depend on one of them, not even on a minister. What's to be done now?"

"Get another minister," said Mark easily.

"Where'll you get him?" demanded Aunt Philippa. "The minister at Cliftonville is away on his vacation, and Mercer is vacant, and that leaves none nearer than town. It won't do to depend on a town minister being able to come. No, there's no help for it. You'll have to have that Methodist man."

Aunt Philippa's tone was tragic. Plainly she thought the ceremony would scarcely be legal if that Methodist man married us. But neither Mark nor I cared. We were too happy to be disturbed by any such trifles.

The young Methodist minister married us the next day in the presence of many beaming guests. Aunt Philippa, splendid in black silk and point-lace collar, neither of which lost a whit of dignity or lustre by being made ten years before, was composure itself while the ceremony was going on. But no sooner had the minister pronounced us man and wife than she spoke up.

"Now that's over I want someone to go right out and put out the fire on the kitchen roof. It's been on fire for the last ten minutes."

Minister and bridegroom headed the emergency brigade, and Aunt Philippa pumped the water for them. In a short time the fire was out, all was safe, and we were receiving our deferred congratulations.

"Now, young man," said Aunt Philippa solemnly as she shook hands with Mark, "don't you ever try to get out of this, even if a Methodist minister did marry you."

She insisted on driving us to the train and said goodbye to us as we stood on the car steps. She had caught more of the shower of rice than I had, and as the day was hot and sunny she had tied over her head, atop of that festal silk dress, a huge, home-made, untrimmed straw hat. But she did not look ridiculous. There was a certain dignity about Aunt Philippa in any costume and under any circumstance.

"Aunt Philippa," I said, "tell me this: why have you helped me to be married?"

The train began to move.

"I refused once to run away myself, and I've repented it ever since." Then, as the train gathered speed and the distance between us widened, she shouted after us, "But I s'pose if I had run away I'd have repented of that too."

Bessie's Doll

Tommy Puffer, sauntering up the street, stopped to look at Miss Octavia's geraniums. Tommy never could help stopping to look at Miss Octavia's flowers, much as he hated Miss Octavia. Today they were certainly worth looking at. Miss Octavia had set them all out on her verandah—rows upon rows of them, overflowing down the steps in waves of blossom and colour. Miss Octavia's geraniums were famous in Arundel, and she was very proud of them. But it was her garden which was really the delight of her heart. Miss Octavia always had the prettiest garden in Arundel, especially as far as annuals were concerned. Just now it was like faith—the substance of things hoped for. The poppies and nasturtiums and balsams and morning glories and sweet peas had been sown in the brown beds on the lawn, but they had not yet begun to come up.

Tommy was still feasting his eyes on the geraniums when Miss Octavia herself came around the corner of the house. Her face darkened the minute she saw Tommy. Most people's did. Tommy had the reputation of being a very bad, mischievous boy; he was certainly very poor and ragged, and Miss Octavia disapproved of poverty and rags on principle. Nobody, she argued, not even a boy of twelve, need be poor and ragged if he is willing to work.

"Here, you, get away out of this," she said sharply. "I'm not going to have you hanging over my palings."

"I ain't hurting your old palings," retorted Tommy sullenly. "I was jist a-looking at the flowers."

"Yes, and picking out the next one to throw a stone at," said Miss Octavia sarcastically. "It was you who threw that stone and broke my big scarlet geranium clear off the other day."

"It wasn't—I never chucked a stone at your flowers," said Tommy.

"Don't tell me any falsehoods, Tommy Puffer. It was you. Didn't I catch you firing stones at my cat a dozen times?"

"I might have fired 'em at an old cat, but I wouldn't tech a flower," avowed Tommy boldly—brazenly, Miss Octavia thought.

"You clear out of this or I'll make you," she said warningly.

Tommy had had his ears boxed by Miss Octavia more than once. He had no desire to have the performance repeated, so he stuck his tongue out at Miss Octavia and then marched up the street with his hands in his pockets, whistling jauntily.

"He's the most impudent brat I ever saw in my life," muttered Miss Octavia wrathfully. There was a standing feud between her and all the Arundel small boys, but Tommy was her special object of dislike.

Tommy's heart was full of wrath and bitterness as he marched away. He hated Miss Octavia; he wished something would happen to every one of her flowers; he knew it was Ned Williams who had thrown that stone, and he hoped Ned would throw some more and smash all the flowers. So Tommy raged along the street until he came to Mr. Blacklock's store, and in the window of it he saw something that put Miss Octavia and her disagreeable remarks quite out of his tow-coloured head.

This was nothing more or less than a doll. Now, Tommy was not a judge of dolls and did not take much interest in them, but he felt quite sure that this was a very fine one. It was so big; it was beautifully dressed in blue silk, with a ruffled blue silk hat; it had lovely long golden hair and big brown eyes and pink cheeks; and it stood right up in the showcase and held out its hands winningly.

"Gee, ain't it a beauty!" said Tommy admiringly. "It looks 'sif it was alive, and it's as big as a baby. I must go an' bring Bessie to see it."

Tommy at once hurried away to the shabby little street where what he called "home" was. Tommy's home was a very homeless-looking sort of place. It was the smallest, dingiest, most slatternly house on a street noted for its dingy and slatternly houses. It was occupied by a slatternly mother and a drunken father, as well as by Tommy; and neither the father nor the mother took much notice of Tommy except to scold or nag him. So it is hardly to be wondered at if Tommy was the sort of boy who was frowned upon by respectable citizens.

But one little white blossom of pure affection bloomed in the arid desert of Tommy's existence for all that. In the preceding fall a new family had come to Arundel and moved into the tiny house next to the Puffers'. It was a small, dingy house, just like the others, but before long a great change took place in it. The new family were thrifty, industrious folks, although they were very poor. The little house was white-washed, the paling neatly mended, the bit of a yard cleaned of all its rubbish. Muslin curtains appeared in the windows, and rows of cans, with blossoming plants, adorned the sills.

There were just three people in the Knox family—a thin little mother, who went out scrubbing and took in washing, a boy of ten, who sold newspapers and ran errands—and Bessie.

Bessie was eight years old and walked with a crutch, but she was a smart little lassie and kept the house wonderfully neat and tidy while her mother was away. The very first time she had seen Tommy she had smiled at him sweetly and said, "Good morning." From that moment Tommy was her devoted slave. Nobody had ever spoken like that to him before; nobody had ever smiled so at him. Tommy would have given his useless little life for Bessie, and thenceforth the time he was not devising mischief he spent in bringing little pleasures into her life. It was Tommy's delight to bring that smile to her pale little face and a look of pleasure into her big, patient blue eyes. The other boys on the street tried to tease Bessie at first and shouted "Cripple!" after her when she limped out. But they soon stopped it. Tommy thrashed them all one after another for it, and Bessie was left in peace. She would have had a very lonely life if it had not been for Tommy, for she could not play with the other children. But Tommy was as good as a dozen playmates, and Bessie thought him the best boy in the world. Tommy, whatever he might be with others, was very careful to be good when he was with Bessie. He never said a rude word in her hearing, and he treated her as if she were a little princess. Miss Octavia would have been amazed beyond measure if she had seen how tender and thoughtful and kind and chivalrous that neglected urchin of a Tommy could be when he tried.

Tommy found Bessie sitting by the kitchen window, looking dreamily out of it. For just a moment Tommy thought uneasily that Bessie was looking very pale and thin this spring.

"Bessie, come for a walk up to Mr. Blacklock's store," he said eagerly. "There is something there I want to show you."

"What is it?" Bessie wanted to know. But Tommy only winked mysteriously.

"Ah, I ain't going to tell you. But it's something awful pretty. Just you wait."

Bessie reached for her crutch and the two went up to the store, Tommy carefully suiting his steps to Bessie's slow ones. Just before they reached the store he made her shut her eyes and led her to the window.

"Now—look!" he commanded dramatically.

Bessie looked and Tommy was rewarded. She flushed pinkly with delight and clasped her hands in ecstasy.

"Oh, Tommy, isn't she perfectly beautiful?" she breathed. "Oh, she's the very loveliest dolly I ever saw. Oh, Tommy!"

"I thought you'd like her," said Tommy exultantly. "Don't you wish you had a doll like that of your very own, Bessie?"

Bessie looked almost rebuking, as if Tommy had asked her if she wouldn't like a golden crown or a queen's palace.

"Of course I could never have a dolly like that," she said. "She must cost an awful lot. But it's enough just to look at her. Tommy, will you bring me up here every day just to look at her?"

"'Course," said Tommy.

Bessie talked about the blue-silk doll all the way home and dreamed of her every night. "I'm going to call her Roselle Geraldine," she said. After that she went up to see Roselle Geraldine every day, gazing at her for long moments in silent rapture. Tommy almost grew jealous of her; he thought Bessie liked the doll better than she did him.

"But it don't matter a bit if she does," he thought loyally, crushing down the jealousy. "If she likes to like it better than me, it's all right."

Sometimes, though, Tommy felt uneasy. It was plain to be seen that Bessie had set her heart on that doll. And what would she do when the doll was sold, as would probably happen soon? Tommy thought Bessie would feel awful sad, and he would be responsible for it.

What Tommy feared came to pass. One afternoon, when they went up to Mr. Blacklock's store, the doll was not in the window.

"Oh," cried Bessie, bursting into tears, "she's gone—Roselle Geraldine is gone."

"Perhaps she isn't sold," said Tommy comfortingly. "Maybe they only took her out of the window 'cause the blue silk would fade. I'll go in and ask."

A minute later Tommy came out looking sober.

"Yes, she's sold, Bessie," he said. "Mr. Blacklock sold her to a lady yesterday. Don't cry, Bessie—maybe they'll put another in the window 'fore long."

"It won't be mine," sobbed Bessie. "It won't be Roselle Geraldine. It won't have a blue silk hat and such cunning brown eyes."

Bessie cried quietly all the way home, and Tommy could not comfort her. He wished he had never shown her the doll in the window.

From that day Bessie drooped, and Tommy watched her in agony. She grew paler and thinner. She was too tired to go out walking, and too tired to do the little household tasks she had delighted in. She never spoke about Roselle Geraldine, but Tommy knew she was fretting about her. Mrs. Knox could not think what ailed the child.

"She don't take a bit of interest in nothing," she complained to Mrs. Puffer. "She don't eat enough for a bird. The doctor, he says there ain't nothing the matter with her as he can find out, but she's just pining away."

Tommy heard this, and a queer, big lump came up in his throat. He had a horrible fear that he, Tommy Puffer, was going to cry. To prevent it he began to whistle loudly. But the whistle was a failure, very unlike the real Tommy-whistle. Bessie was sick—and it was all his fault, Tommy believed. If he had never taken her to see that hateful, blue-silk doll, she would never have got so fond of it as to be breaking her heart because it was sold.

"If I was only rich," said Tommy miserably, "I'd buy her a cartload of dolls, all dressed in blue silk and all with brown eyes. But I can't do nothing."

By this time Tommy had reached the paling in front of Miss Octavia's lawn, and from force of habit he stopped to look over it. But there was not much to see this time, only the little green rows and circles in the brown, well-weeded beds, and the long curves of dahlia plants, which Miss Octavia had set out a few days before. All the geraniums were carried in, and the blinds were down. Tommy knew Miss Octavia was away. He had seen her depart on the train that morning, and heard her tell a friend that she was going down to Chelton to visit her brother's folks and wouldn't be back until the next day.

Tommy was still leaning moodily against the paling when Mrs. Jenkins and Mrs. Reid came by, and they too paused to look at the garden.

"Dear me, how cold it is!" shivered Mrs. Reid. "There's going to be a hard frost tonight. Octavia's flowers will be nipped as sure as anything. It's a wonder she'd stay away from them overnight when her heart's so set on them."

"Her brother's wife is sick," said Mrs. Jenkins. "We haven't had any frost this spring, and I suppose Octavia never thought of such a thing. She'll feel awful bad if her flowers get frosted, especially them dahlias. Octavia sets such store by her dahlias."

Mrs. Jenkins and Mrs. Reid moved away, leaving Tommy by the paling. It was cold—there was going to be a hard frost—and Miss Octavia's plants and flowers would certainly be spoiled. Tommy thought he ought to be glad, but he wasn't. He was sorry—not for Miss Octavia, but for her flowers. Tommy had a queer, passionate love for flowers in his twisted little soul. It was a shame that they should be nipped—that all the glory of crimson and purple and gold hidden away in those little green rows and circles should never have a chance to blossom out royally. Tommy could never have put this thought into words, but it was there in his heart. He wished he could save the flowers. And couldn't he? Newspapers spread over the beds and tied around the dahlias would save them, Tommy knew. He had seen Miss Octavia doing it other springs. And he knew there was a big box of newspapers in a little shed in her backyard. Ned Williams had told him there was, and that the shed was never locked.

Tommy hurried home as quickly as he could and got a ball of twine out of his few treasures. Then he went back to Miss Octavia's garden.

The next forenoon Miss Octavia got off the train at the Arundel station with a very grim face. There had been an unusually severe frost for the time of year. All along the road Miss Octavia had seen gardens frosted and spoiled. She knew what she should see when she got to her own—the dahlia stalks drooping and black and limp, the nasturtiums and balsams and poppies and pansies all withered and ruined.

But she didn't. Instead she saw every dahlia carefully tied up in a newspaper, and over all the beds newspapers spread out and held neatly in place with pebbles. Miss Octavia flew into her garden with a radiant face. Everything was safe—nothing was spoiled.

But who could have done it? Miss Octavia was puzzled. On one side of her lived Mrs. Kennedy, who had just moved in and, being a total stranger, would not be likely to think of Miss Octavia's flowers. On the other lived Miss Matheson, who was a "shut-in" and spent all her time on the sofa. But to Miss Matheson Miss Octavia went.

"Rachel, do you know who covered my plants up last night?"

Miss Matheson nodded. "Yes, it was Tommy Puffer. I saw him working away there with papers and twine. I thought you'd told him to do it."

"For the land's sake!" ejaculated Miss Octavia. "Tommy Puffer! Well, wonders will never cease."

Miss Octavia went back to her house feeling rather ashamed of herself when she remembered how she had always treated Tommy Puffer.

"But there must be some good in the child, or he wouldn't have done this," she said to herself. "I've been real mean, but I'll make it up to him."

Miss Octavia did not see Tommy that day, but when he passed the next morning she ran to the door and called him.

"Tommy, Tommy Puffer, come in here!"

Tommy came reluctantly. He didn't like Miss Octavia any better than he had, and he didn't know what she wanted of him. But Miss Octavia soon informed him without loss of words.

"Tommy, Miss Matheson tells me that it was you who saved my flowers from the frost the other night. I'm very much obliged to you indeed. Whatever made you think of doing it?"

"I hated to see the flowers spoiled," muttered Tommy, who was feeling more uncomfortable than he had ever felt in his life.

"Well, it was real thoughtful of you. I'm sorry I've been so hard on you, Tommy, and I believe now you didn't break my scarlet geranium. Is there anything I can do for you—anything you'd like to have? If it's in reason I'll get it for you, just to pay my debt."

Tommy stared at Miss Octavia with a sudden hopeful inspiration. "Oh, Miss Octavia," he cried eagerly, "will you buy a doll and give it to me?"

"Well, for the land's sake!" ejaculated Miss Octavia, unable to believe her ears. "A doll! What on earth do you want of a doll?"

"It's for Bessie," said Tommy eagerly. "You see, it's this way."

Then Tommy told Miss Octavia the whole story. Miss Octavia listened silently, sometimes nodding her head. When he had finished she went out of the room and soon returned, bringing with her the very identical doll that had been in Mr. Blacklock's window.

"I guess this is the doll," she said. "I bought it to give to a small niece of mine, but I can get another for her. You may take this to Bessie."

It would be of no use to try to describe Bessie's joy when Tommy rushed in and put Roselle Geraldine in her arms with a breathless account of the wonderful story. But from that moment Bessie began to pick up again, and soon she was better than she had ever been and the happiest little lassie in Arundel.

When a week had passed, Miss Octavia again called Tommy in; Tommy went more willingly this time. He had begun to like Miss Octavia.

That lady looked him over sharply and somewhat dubiously. He was certainly very ragged and unkempt. But Miss Octavia saw what she had never noticed before—that Tommy's eyes were bright and frank, that Tommy's chin was a good chin, and that Tommy's smile had something very pleasant about it.

"You're fond of flowers, aren't you, Tommy?" she asked.

"You bet," was Tommy's inelegant but heartfelt answer.

"Well," said Miss Octavia slowly, "I have a brother down at Chelton who is a florist. He wants a boy of your age to do handy jobs and run errands about his establishment, and he wants one who is fond of flowers and would like to learn the business. He asked me to recommend him one, and I promised to look out for a suitable boy. Would you like the place, Tommy? And will you promise to be a very good boy and learn to be respectable if I ask my brother to give you a trial and a chance to make something of yourself?"

"Oh, Miss Octavia!" gasped Tommy. He wondered if he were simply having a beautiful dream.

But it was no dream. And it was all arranged later on. No one rejoiced more heartily in Tommy's success than Bessie.

"But I'll miss you dreadfully, Tommy," she said wistfully.

"Oh, I'll be home every Saturday night, and we'll have Sunday together, except when I've got to go to Sunday school. 'Cause Miss Octavia says I must," said Tommy comfortingly. "And the rest of the time you'll have Roselle Geraldine."

"Yes, I know," said Bessie, giving the blue-silk doll a fond kiss, "and she's just lovely. But she ain't as nice as you, Tommy, for all."

Then was Tommy's cup of happiness full.

Charlotte's Ladies

Just as soon as dinner was over at the asylum, Charlotte sped away to the gap in the fence—the northwest corner gap. There was a gap in the southeast corner, too—the asylum fence was in a rather poor condition—but the southeast gap was interesting only after tea, and it was never at any time quite as interesting as the northwest gap.

Charlotte ran as fast as her legs could carry her, for she did not want any of the other orphans to see her. As a rule, Charlotte liked the company of the other orphans and was a favourite with them. But, somehow, she did not want them to know about the gaps. She was sure they would not understand.

Charlotte had discovered the gaps only a week before. They had not been there in the autumn, but the snowdrifts had lain heavily against the fence all winter, and one spring day when Charlotte was creeping through the shrubbery in the northwest corner in search of the little yellow daffodils that always grew there in spring, she found a delightful space where a board had fallen off, whence she could look out on a bit of woodsy road with a little footpath winding along by the fence under the widespreading boughs of the asylum trees. Charlotte felt a wild impulse to slip out and run fast and far down that lovely, sunny, tempting, fenceless road. But that would have been wrong, for it was against the asylum rules, and Charlotte, though she hated most of the asylum rules with all her heart, never disobeyed or broke them. So she subdued the vagrant longing with a sigh and sat down among the daffodils to peer wistfully out of the gap and feast her eyes on this glimpse of a world where there were no brick walls and prim walks and never-varying rules.

Then, as Charlotte watched, the Pretty Lady with the Blue Eyes came along the footpath. Charlotte had never seen her before and hadn't the slightest idea in the world who she was, but that was what she called her as soon as she saw her. The lady was so pretty, with lovely blue eyes that were very sad, although somehow as you looked at them you felt that they ought to be laughing, merry eyes instead. At least Charlotte thought so and wished at once that she knew how to make them laugh. Besides, the Lady had lovely golden hair and the most beautiful pink cheeks, and Charlotte, who had mouse-coloured hair and any number of freckles, had an unbounded admiration for golden locks and roseleaf complexions. The Lady was dressed in black, which Charlotte didn't like, principally because the matron of the asylum wore black and Charlotte didn't—exactly—like the matron.

When the Pretty Lady with the Blue Eyes had gone by, Charlotte drew a long breath.

"If I could pick out a mother I'd pick out one that looked just like her," she said.

Nice things sometimes happen close together, even in an orphan asylum, and that very evening Charlotte discovered the southeast gap and found herself peering into the most beautiful garden you could imagine, a garden where daffodils and tulips grew in great ribbon-like beds, and there were hedges of white and purple lilacs, and winding paths under blossoming trees. It was such a garden as Charlotte had pictured in happy dreams and never expected to see in real life. And yet here it had been all the time, divided from her only by a high board fence.

"I wouldn't have s'posed there could be such a lovely place so near an orphan asylum," mused Charlotte. "It's the very loveliest place I ever saw. Oh, I do wish I could go and walk in it. Well, I do declare! If there isn't a lady in it, too!"

Sure enough, there was a lady, helping an unruly young vine to run in the way it should go over a little arbour. Charlotte instantly named her the Tall Lady with the Black Eyes. She was not nearly so young or so pretty as the Lady with the Blue Eyes, but she looked very kind and jolly.

I'd like her for an aunt, reflected Charlotte. Not for a mother—oh, no, not for a mother, but for an aunt. I know she'd make a splendid aunt. And, oh, just look at her cat!

Charlotte looked at the cat with all her might and main. She loved cats, but cats were not allowed in an orphan asylum, although Charlotte sometimes wondered if there were no orphan kittens in the world which would be appropriate for such an institution.

The Tall Lady's cat was so big and furry, with a splendid tail and elegant stripes. A Very Handsome Cat, Charlotte called him mentally, seeing the capitals as plainly as if they had been printed out. Charlotte's fingers tingled to stroke his glossy coat, but she folded them sternly together.