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属类: 双语小说 【分类】世界名著 -[作者: 伊迪丝.华顿] 阅读:[34999]
对于富人和时尚人士来说,19世纪70年代的纽约社交界充斥着各种规矩:何时应该打黑领带,或者何时适宜进行下午拜访;可以邀请谁参加晚上的聚会,或者听歌剧时可以挨着谁坐;哪些人受欢迎,哪些人不受欢迎。 埃伦·奥兰斯卡伯爵夫人是一位波兰伯爵的妻子,曾在欧洲生活多年,现在孤身一人回到了她在纽约的家。她希望摆脱自己不幸婚姻带来的痛苦,但她不了解纽约社交界的各种规矩。而纽兰·阿彻则深谙于此;他的未婚妻——年轻的梅·韦兰——也按照这些规矩生活着,因为她无法想象还有其他的生活方式。
纽兰、梅和埃伦陷入了一场爱情、名誉和责任的战斗之中。在这场战斗中,礼貌的微笑背后隐藏着强烈的情感,一切尽在不言中,而那穿过拥挤房间的意味深长的一瞥,更是胜过千言万语。
For the rich and the fashionable, New York society in the 1870s was a world full of rules: rules about when to wear a black tie, or the correct time to pay an afternoon visit; rules about who you could invite to your evening parties or sit next to at the opera; rules about who was an acceptable person, and who was not.
Countess Ellen Olenska, who has lived for many years in Europe as the wife of a Polish Count, returns alone to her family in New York. She hopes to leave the pain of her unhappy marriage behind her, but she does not understand the rules of New York society. Newland Archer, however, understands them only too well, and the girl he is engaged to marry, young May Welland, lives her life by the rules, because she cannot imagine any other way of living.
Newland, May, and Ellen are caught in a battle between love, honour, and duty – a battle where strong feelings hide behind polite smiles, where much is left unsaid, and where a single expressive look across a crowded room can carry more meaning than a hundred words.
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The next day he persuaded May to escape for a walk in the Park after luncheon. As was the custom in old-fashioned Episcopalian New York, she usually accompanied her parents to church on Sunday afternoons; but Mrs. Welland condoned her truancy, having that very morning won her over to the necessity of a long engagement, with time to prepare a hand-embroidered trousseau containing the proper number of dozens.

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The day was delectable. The bare vaulting of trees along the Mall was ceiled with lapis lazuli, and arched above snow that shone like splintered crystals. It was the weather to call out May's radiance, and she burned like a young maple in the frost. Archer was proud of the glances turned on her, and the simple joy of possessorship cleared away his underlying perplexities.

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"It's so delicious--waking every morning to smell lilies-of-the-valley in one's room!" she said.

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"Yesterday they came late. I hadn't time in the morning--"

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"But your remembering each day to send them makes me love them so much more than if you'd given a standing order, and they came every morning on the minute, like one's music-teacher--as I know Gertrude Lefferts's did, for instance, when she and Lawrence were engaged."

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"Ah--they would!" laughed Archer, amused at her keenness. He looked sideways at her fruit-like cheek and felt rich and secure enough to add: "When I sent your lilies yesterday afternoon I saw some rather gorgeous yellow roses and packed them off to Madame Olenska. Was that right?"

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"How dear of you! Anything of that kind delights her. It's odd she didn't mention it: she lunched with us today, and spoke of Mr. Beaufort's having sent her wonderful orchids, and cousin Henry van der Luyden a whole hamper of carnations from Skuytercliff. She seems so surprised to receive flowers. Don't people send them in Europe? She thinks it such a pretty custom."

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"Oh, well, no wonder mine were overshadowed by Beaufort's," said Archer irritably. Then he remembered that he had not put a card with the roses, and was vexed at having spoken of them. He wanted to say: "I called on your cousin yesterday," but hesitated. If Madame Olenska had not spoken of his visit it might seem awkward that he should. Yet not to do so gave the affair an air of mystery that he disliked. To shake off the question he began to talk of their own plans, their future, and Mrs. Welland's insistence on a long engagement.

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"If you call it long! Isabel Chivers and Reggie were engaged for two years: Grace and Thorley for nearly a year and a half. Why aren't we very well off as we are?"

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It was the traditional maidenly interrogation, and he felt ashamed of himself for finding it singularly childish. No doubt she simply echoed what was said for her; but she was nearing her twenty-second birthday, and he wondered at what age "nice" women began to speak for themselves.

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"Never, if we won't let them, I suppose," he mused, and recalled his mad outburst to Mr. Sillerton Jackson: "Women ought to be as free as we are--"

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It would presently be his task to take the bandage from this young woman's eyes, and bid her look forth on the world. But how many generations of the women who had gone to her making had descended bandaged to the family vault? He shivered a little, remembering some of the new ideas in his scientific books, and the much-cited instance of the Kentucky cave-fish, which had ceased to develop eyes because they had no use for them. What if, when he had bidden May Welland to open hers, they could only look out blankly at blankness?

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"We might be much better off. We might be altogether together--we might travel."

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Her face lit up. "That would be lovely," she owned: she would love to travel. But her mother would not understand their wanting to do things so differently.

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"As if the mere `differently' didn't account for it!" the wooer insisted.

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"Newland! You're so original!" she exulted.

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His heart sank, for he saw that he was saying all the things that young men in the same situation were expected to say, and that she was making the answers that instinct and tradition taught her to make--even to the point of calling him original.

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"Original! We're all as like each other as those dolls cut out of the same folded paper. We're like patterns stencilled on a wall. Can't you and I strike out for ourselves, May?"

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He had stopped and faced her in the excitement of their discussion, and her eyes rested on him with a bright unclouded admiration.

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"Mercy--shall we elope?" she laughed.

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"If you would--"

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"You DO love me, Newland! I'm so happy."

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"But then--why not be happier?"

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"We can't behave like people in novels, though, can we?"

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"Why not--why not--why not?"

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She looked a little bored by his insistence. She knew very well that they couldn't, but it was troublesome to have to produce a reason. "I'm not clever enough to argue with you. But that kind of thing is rather--vulgar, isn't it?" she suggested, relieved to have hit on a word that would assuredly extinguish the whole subject.

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"Are you so much afraid, then, of being vulgar?"

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She was evidently staggered by this. "Of course I should hate it--so would you," she rejoined, a trifle irritably.

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He stood silent, beating his stick nervously against his boot-top; and feeling that she had indeed found the right way of closing the discussion, she went on light- heartedly: "Oh, did I tell you that I showed Ellen my ring? She thinks it the most beautiful setting she ever saw. There's nothing like it in the rue de la Paix, she said. I do love you, Newland, for being so artistic!"

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The next afternoon, as Archer, before dinner, sat smoking sullenly in his study, Janey wandered in on him. He had failed to stop at his club on the way up from the office where he exercised the profession of the law in the leisurely manner common to well-to-do New Yorkers of his class. He was out of spirits and slightly out of temper, and a haunting horror of doing the same thing every day at the same hour besieged his brain.

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"sameness--sameness!" he muttered, the word running through his head like a persecuting tune as he saw the familiar tall-hatted figures lounging behind the plate- glass; and because he usually dropped in at the club at that hour he had gone home instead. He knew not only what they were likely to be talking about, but the part each one would take in the discussion. The Duke of course would be their principal theme; though the appearance in Fifth Avenue of a golden-haired lady in a small canary-coloured brougham with a pair of black cobs (for which Beaufort was generally thought responsible) would also doubtless be thoroughly gone into. Such "women" (as they were called) were few in New York, those driving their own carriages still fewer, and the appearance of Miss Fanny Ring in Fifth Avenue at the fashionable hour had profoundly agitated society. Only the day before, her carriage had passed Mrs. Lovell Mingott's, and the latter had instantly rung the little bell at her elbow and ordered the coachman to drive her home. "What if it had happened to Mrs. van der Luyden?" people asked each other with a shudder. Archer could hear Lawrence Lefferts, at that very hour, holding forth on the disintegration of society.

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He raised his head irritably when his sister Janey entered, and then quickly bent over his book (Swinburne's "Chastelard"--just out) as if he had not seen her. She glanced at the writing-table heaped with books, opened a volume of the "Contes Drolatiques," made a wry face over the archaic French, and sighed: "What learned things you read!"

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"Well--?" he asked, as she hovered Cassandra-like before him.

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"Mother's very angry."

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"Angry? With whom? About what?"

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"Miss Sophy Jackson has just been here. She brought word that her brother would come in after dinner: she couldn't say very much, because he forbade her to: he wishes to give all the details himself. He's with cousin Louisa van der Luyden now."

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"For heaven's sake, my dear girl, try a fresh start. It would take an omniscient Deity to know what you're talking about."

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"It's not a time to be profane, Newland. . . . Mother feels badly enough about your not going to church . . ."

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With a groan he plunged back into his book.

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"NEWLAND! Do listen. Your friend Madame Olenska was at Mrs. Lemuel Struthers's party last night: she went there with the Duke and Mr. Beaufort."

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At the last clause of this announcement a senseless anger swelled the young man's breast. To smother it he laughed. "Well, what of it? I knew she meant to."

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Janey paled and her eyes began to project. "You knew she meant to--and you didn't try to stop her? To warn her?"

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"Stop her? Warn her?" He laughed again. "I'm not engaged to be married to the Countess Olenska!" The words had a fantastic sound in his own ears.

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"You're marrying into her family."

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"Oh, family--family!" he jeered.

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"Newland--don't you care about Family?"

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"Not a brass farthing."

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"Nor about what cousin Louisa van der Luyden will think?"

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"Not the half of one--if she thinks such old maid's rubbish."

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"Mother is not an old maid," said his virgin sister with pinched lips.

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He felt like shouting back: "Yes, she is, and so are the van der Luydens, and so we all are, when it comes to being so much as brushed by the wing-tip of Reality." But he saw her long gentle face puckering into tears, and felt ashamed of the useless pain he was inflicting.

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"Hang Countess Olenska! Don't be a goose, Janey-- I'm not her keeper."

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"No; but you DID ask the Wellands to announce your engagement sooner so that we might all back her up; and if it hadn't been for that cousin Louisa would never have invited her to the dinner for the Duke."

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"Well--what harm was there in inviting her? She was the best-looking woman in the room; she made the dinner a little less funereal than the usual van der Luyden banquet."

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"You know cousin Henry asked her to please you: he persuaded cousin Louisa. And now they're so upset that they're going back to Skuytercliff tomorrow. I think, Newland, you'd better come down. You don't seem to understand how mother feels."

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In the drawing-room Newland found his mother. She raised a troubled brow from her needlework to ask: "Has Janey told you?"

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"Yes." He tried to keep his tone as measured as her own. "But I can't take it very seriously."

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"Not the fact of having offended cousin Louisa and cousin Henry?"

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"The fact that they can be offended by such a trifle as Countess Olenska's going to the house of a woman they consider common."

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"Consider--!"

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