An Analysis on the Self-pursuit and Its Significance of Heroines in Lu Yin's Novel

“海滨故人”女性群体的自我追求及其现代意义

Research on Two Heroines of A Dream of Red Mansion: Baochai and Daiyu

《红楼梦》钗黛形象研究的历史考察

A Comparative Study on the Heroines ' Models in the Dream of Red Mansion and Pride and Prejudice

《红楼梦》和《傲慢与偏见》中女主人公形象塑造之比较

Different Attitudes Towards Life Deserve Various Rewards-Another Comment on 3 Heroines in The Thorn Birds

《生活态度的回报》―也评《荆棘鸟》中的三位女主人公

but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play

不过作者要写出自己的那两首情诗艳赋来,故假拟出男女二人名姓,又必旁出一小人其间拨乱,亦如剧中之小丑然.

Individuality Freedom and Women Liberation-Comparison of Heroes and Heroines in Natsume Souseki's Love Trilogy

个性自由与女性解放-夏目漱石爱情三部曲男女人物比照

In the story we are provided with conventional Heros and heroines , but also with other characters of far greater interest, who steal most of the action

故事里有传统地男女主人公,但也有更有趣的人物,形成了喧宾夺主。

Romantic heroines are often capricious.

浪漫的女主人公往往难以捉摸.

The old Major, with eager garrulity and mischievous relish, told his nephew wonderful particulars regarding the lives of these heroines , and diverted the young man with a thousand scandals

老少校絮絮叨叨、津津有味地大谈阔论,把这些女界俊杰的有趣经历,她们的无数风流韵事,讲给侄儿听。

Two Narcissuses-A Comparison of the Heroines ' Narcissism between "The Lover" and "A Sole War"

两株水仙花-《情人》和《一个人的战争》主人公自恋倾向之比较

On the tragedy of Heroines in the Water Margin

论《水浒传》中女性形象的悲剧性

Image of the Heroines in My Brilliant Career

论《我的光辉生涯》中女主人公形象

On the Tragic Fate of the Heroines in the 19th Century European Literature

论欧洲19世纪小说女性形象的悲剧命运

The heroes and heroines are of ancient and aristocratic lineage

男女主人都是家世渊源的贵族。

I thought of all those heroines of fiction who looked pretty when they cried, and what a contrast I must make with blotched and swollen face, and red rims to my eyes

我想起小说里的那些女主角,她们在啜泣的时候,照样讨人喜欢,而我呢,浮肿的垢面,加上一对哭红的眼圈,与她们相比起来,定是天上地下!

Some of the greatest operas also praise the ever-lasting love by some heroes and heroines dying for it

一些伟大的歌剧也颂扬为爱情而殉身的男女主角的永恒爱情。

These well-tried, highly-honoured "Heros and heroines " were preparing to "quaff the cup of victory"-though not, of course, without some qualms about the possible outcome

这班劳苦功高的“英雄”,手颤颤地举着“胜利之杯”,心头还不免有些怔忡不定。

At first she felt guilty, but later,she identified herself with adulterous heroines of fiction and believed that, like them, she had known true romance.

最初,她感到有罪,但后来她把自己比作小说中犯有通奸罪的女主人公,并相信,像她们那样,已经领略到富有浪漫色彩的真正的爱情。

||1:Hero-worship is out.||2:Most serious writers are more interested in “forces” and “factors” than in heroes and heroines .||3:And even biographers specialise in exposing feet of clay.||4:Lord Acton's dictum that “great men are almost always bad men” has become a commonplace.||5:Yet one group has escaped from this general cynicism: entrepreneurs.||6:Company executives may be boring Gradgrinds, bankers the spawn of the devil and politicians crooks and liars.||7:But all agree that entrepreneurs are a cut above the rest of mankind.

||1:英雄崇拜的时代已经不再。||2:大多严肃的作家对“影响力”和“影响因素”比对英雄本身更加感兴趣。||3:即使是传记作者，也开始专门曝光英雄的缺陷。||4:艾克顿公爵的格言“伟人几乎总是坏人”已经成为名句。||5:但是有一类人免受这种普遍的怀疑：企业家。||6:企业的高管们也许像令人厌的葛擂梗（Gradgrinds，译者注：狄更斯小说《艰难时世》中的人物），是万恶之源的银行家和瞒天过海的政治家。||7:但是所有人都同意企业家要高出其他人一筹。

||1:In “Zero Dark Thirty” Maya is hunting the serial-killer-in-chief whom she believes to be the author not just of September 11th, but of all the subsequent attacks—in Saudi Arabia, London, Indonesia and Afghanistan—that are shown in the film.||2:Like many such cinematic heroines , the CIA's Joan of Arc is sometimes in danger of becoming what she is hunting.||3:The question of where she goes next, asked by the pilot who is taking her home, is left unanswered in the final, rare close-up of Maya.||4:It is a shot—and a question—that lingers.

||1:这《猎杀本·拉登》这部电影里，玛雅一直在杀人狂魔头目追寻本拉登，她认为本拉登不仅是9·11事件的策划者，而且还是所有随后在沙特阿拉伯、伦敦、印度尼西亚、阿富汗的袭击制造者，这些袭击都在电影里出现了。||2:就像许多银幕女主角一样，玛雅就像CIA里的圣女贞德，有时她因追查而陷入危险。||3:带她回家的飞行员问她接下来她将要去哪里，关于这个问题，影片结尾没有给出答案，只给了玛雅很少有的的特写镜头。||4:留给大家一个一闪而过的镜头，一丝疑问。

||1: The film was “Tumsa Nahin Dekha” (“Never Seen Anyone Like You”). And India never had. Suddenly, stasis and convention were thrown out of the window. On screen at least, in packed and humid cinemas across the country, everything changed. ||2: Shammiji never came that much closer to his heroines , but he seethed with Westernised sex appeal. ||3: He was a playboy and a clown, a ceaseless ragger of the girls he loved, who would serenade them on moving trains and dangling in bathrobes from helicopters. ||4: And who in his most monstrous hit, “Junglee” (“Wild”), in 1961 slid on his front down a mountainside of snow, leapt up (leather jacket sexily torn open), sang to his heroine that people could call him wild, what could he do, swept up in love, and then roared out over the ice-bound forest, “YAHOO!” ||5: His teenage audiences yelled out with him, suddenly liberated. ||6: He had won the girl just by being his mad self, and had apparently not asked his family or hers.

||1:这部电影叫《王子家族》（英文名《无人及你》），此类风格的影片从未在印度屏幕上出现过，一经演出，循规蹈矩、常规守旧的电影圈就炸开了锅，再全国大街小巷中那些潮湿的电影院里，一切都被变了样。||2:在银幕上，山米从不会在肢体上过分与女主角亲近，但是他却用西方式的性感吸引对方，让对方着迷。||3:他扮演花花公子，也演小丑，对喜欢的姑娘会死缠烂打；在行驶的列车上位姑娘弹奏小夜曲；穿着睡衣在飞机上晃来晃去。||4:1961年拍摄的《野性》红极一时，影片中，他从雪山坡上滑下来，一跃而起，性感地敞开皮夹克，向女主角献唱，这够野性了吧？可他还不干休，沉醉于爱情甜蜜，禁不住朝着冰天雪地的原野上放声大喊：“呀…唬！”||5:看到这个场景的年轻人也都竞相模仿，纷纷感受到一种解脱。||6:他用痴狂赢得了姑娘的芳心，当然，这一切并没有征得双方父母的同意。

From dress-up dolls to bedding to silverware, the heroines are everywhere, and kids love them.

从洋娃娃玩具到床上用品，银质餐具，迪斯尼公主无处不在，孩子都爱不释手。

The then prime minister, Mujibur Rahman, tried to counter this by calling them heroines who needed protection and reintegration.

当时的首相穆吉布·拉赫曼试图扭转这一现象，他把受害者称为需要保护，需要重新融入社会的女英雄。

These are the heroines in the field of spaceflight.

就这是航天领域的巾帼英雄。

Although none of the heroines in Dubliners are represented as New Women, their images are not confined to subordinate to men.

虽然《都柏林》中的女性形象没有完全超越时代，但也并不局限于顺从依赖的男性附属品。

The heroines all had bodies like chaste pin-ups and heart-shaped faces with pointed chins and darkly-lined eyes.

所有的女英雄都像是纯情的性感女郎，有着心形脸、尖下巴，还有明眸皓齿。

We need heroes, we need heroines .

我们需要男英雄、女英雄。

Like the best American heroines , Mrs Astor had relatively modest beginnings.

像美国所有最伟大的女英雄们一样，亚士多夫人出身相对卑微。

SUPERMAN had X-ray vision, which was useful for looking through walls when rescuing heroines and collaring villains.

在好莱坞电影里，当超人拯救女主角和痛打坏人时，他的透视视觉能够让他透过墙看到里面的情形。

Heroines who build empires out of sweat and determination are rare in any culture. (As, indeed, are heroes. )

在任何一种文化中，靠汗水以及意志力建立王国的女英雄毕竟是少数（事实上她们正是英雄）。

Monument to the Nine Heroines

九女墩

impossibly proportioned heroines

身材比例异乎常人的女超人