ANTINOMIES ON A RAILWAY STATION

As I stand waiting in the rain

For the foggy hoot of the London train,

Gazing at silent wall and lamp

And post and rail and platform damp,

What is this power that comes to my sight

That I see a night without the night,

That I see them clear, yet look them through,

The silvery things and the darkly blue,

That the solid wall seems soft as death,

A wavering and unanchored wraith,

And rails that shine and stones that stream

Unsubstantial as a dream?

What sudden door has opened so,

What hand has passed, that I should know

This moving vision not of trance

That melts the globe of circumstance,

This sight that marks not least or most

And makes a stone a passing ghost?

Is it that a year ago

I stood upon this self-same spot;

Is it that since a year ago

The place and I have altered not;

Is it that I half forgot,

A year ago, and all despised

For a space the things that I had prized:

The race of life, the glittering show?

Is it that now a year has passed

Of vain pursuit of glittering things,

Of fruitless searching, shouting, running,

And greedy lies and candour cunning,

Here as I stand the year above

Sudden the heats and the strivings fail

And fall away, a fluctuant veil,

And the fixed familiar stones restore

The old appearance-buried core,

The moveless and essential me,

The eternal personality

Alone enduring first and last?

No, this I have known in other ways,

In other places, other days.

Not only here, on this one peak,

Do fixity and beauty speak

Of the delusiveness of change,

Of the transparency of form,

The bootless stress of minds that range,

The awful calm behind the storm.

In many places, many days,

The invaded soul receives the rays

Of countries she was nurtured in,

Speaks in her silent language strange

To that beyond which is her kin.

Even in peopled streets at times

A metaphysic arm is thrust

Through the partitioning fabric thin,

And tears away the darkening pall

Cast by the bright phenomenal,

And clears the obscured spirit's mirror

From shadows of deceptive error,

And shows the bells and all their ringing,

And all the crowds and all their singing,

Carillons that are nothing's chimes

And dust that is not even dust....

But rarely hold I converse thus

Where shapes are bright and clamorous,

More often comes the word divine

In places motionless and far;

Beneath the white peculiar shine

Of sunless summer afternoons;

At eventide on pale lagoons

Where hangs reflected one pale star;

Or deep in the green solitudes

Of still erect entrancèd woods.

O, in the woods alone lying,

Scarce a bough in the wind sighing,

Gaze I long with fervid power

At leaf and branch and grass and flower,

Breathe I breaths of trembling sight

Shed from great urns of green delight,

Take I draughts and drink them up

Poured from many a stalk and cup.

Now do I burn for nothing more

Than thus to gaze, thus to adore

This exquisiteness of nature ever

In silence....

But with instant light

Rends the film; with joy I quiver

To see with new celestial sight

Flower and leaf and grass and tree,

Doomed barks on an eternal sea,

Flit phantom-like as transient smoke.

Beauty herself her spell has broke,

Beauty, the herald and the lure,

Her message told, may not endure;

Her portal opened, she has died,

Supreme immortal suicide.

Yes, sleepless nature soundless flings

Invisible grapples round the soul,

Drawing her through the web of things

To the primal end of her journeyings,

Her ultimate and constant pole.

For Beauty with her hands that beckon

Is but the Prophet of a Higher,

A flaming and ephemeral beacon,

A Phoenix perishing by fire.

Herself from us herself estranges,

Herself her mighty tale doth kill,

That all things change yet nothing changes,

That all things move yet all are still.

I cannot sink, I cannot climb,

Now that I see my ancient dwelling,

The central orb untouched of time,

And taste a peace all bliss excelling.

Now I have broken Beauty's wall,

Now that my kindred world I hold,

I care not though the cities fall

And the green earth go cold.

THE THREE HILLS

There were three hills that stood alone

With woods about their feet.

They dreamed quiet when the sun shone

And whispered when the rain beat.

They wore all three their coronals

Till men with houses came

And scored their heads with pits and walls

And thought the hills were tame.

Red and white when day shines bright

They hide the green for miles,

Where are the old hills gone? At night

The moon looks down and smiles.

She sees the captors small and weak,

She knows the prisoners strong,

She hears the patient hills that speak:

"Brothers, it is not long;

"Brothers, we stood when they were not

Ten thousand summers past.

Brothers, when they are clean forgot

We shall outlive the last;

"One shall die and one shall flee

With terror in his train,

And earth shall eat the stones, and we

Shall be alone again."

A CHANT

Gently the petals fall as the tree gently sways

That has known many springs and many petals fall

Year after year to strew the green deserted ways

And the statue and the pond and the low, broken wall.

Faded is the memory of old things done,

Peace floats on the ruins of ancient festival;

They lie and forget in the warmth of the sun,

And a sky silver-blue arches over all.

O softly, O tenderly, the heart now stirs

With desires faint and formless; and, seeking not, I find

Quiet thoughts that flash like azure king-fishers

Across the luminous tranquil mirror of the mind.

ARTEMIS ALTERA

O full of candour and compassion,

Whom love and worship both would praise,

Love cannot frame nor worship fashion

The image of your fearless ways!

How show your noble brow's dark pallor,

Your chivalrous casque of ebon hair,

Your eyes' bright strength, your lips' soft valour,

Your supple shoulders and hands that dare?

Our souls when naïvely you examine,

Your sword of innocence, flaming, huge,

Sweeps over us, and there is famine

Within the ports of subterfuge.

You hate contempt and love not laughter;

With your sharp spear of virgin will

You harry the wicked strong; but after,

O huntress who could never kill,

Should they be trodden down or pierced,

Swift, swift, you fly with burning cheek

To place your beauty's shield reversed

Above the vile defenceless weak!

STARLIGHT

Last night I lay in an open field

And looked at the stars with lips sealed;

No noise moved the windless air,

And I looked at the stars with steady stare.

There were some that glittered and some that shone

With a soft and equal glow, and one

That queened it over the sprinkled round,

Swaying the host with silent sound.

"Calm things," I thought, "in your cavern blue,

I will learn and hold and master you;

I will yoke and scorn you as I can,

For the pride of my heart is the pride of a man."

Grass to my cheek in the dewy field

I lay quite still with lips sealed,

And the pride of a man and his rigid gaze

Stalked like swords on heaven's ways.

But through a sudden gate there stole

The Universe and spread in my soul;

Quick went my breath and quick my heart,

And I looked at the stars with lips apart.

FLORIAN'S SONG

My soul, it shall not take us,

O we will escape

This world that strives to break us

And cast us to its shape;

Its chisel shall not enter,

Its fire shall not touch,

Hard from rim to centre,

We will not crack or smutch.

'Gainst words sweet and flowered

We have an amulet,

We will not play the coward

For any black threat;

If we but give endurance

To what is now within—

The single assurance

That it is good to win.

Slaves think it better

To be weak than strong,

Whose hate is a fetter

And their love a thong.

But we will view those others

With eyes like stone,

And if we have no brothers

We will walk alone.

DIALOGUE

THE ONE

The dead man's gone, the live man's

sad, the dying leaf shakes on the tree,

The wind constrains the window panes and

moans like moaning of the sea,

And sour's the taste now culled in haste of

lovely things I won too late,

And loud and loud above the crowd the

Voice of One more strong than we.

THE OTHER

This Voice you hear, this call you fear, is

it unprophesied or new?

Were you so insolent to think its rope would

never circle you?

Did you then beastlike live and walk with

ears and eyes that would not turn?

Who bade you hope your service 'scape in

that eternal retinue?

THE ONE

No; for I swear now bare's the tree and loud

the moaning of the wind,

I walked no rut with eyelids shut, my ears

and eyes were never blind,

Only my eager thoughts I bent on many

things that I desired

To make my greedy heart content ere flesh

and blood I left behind.

THE OTHER

Ignorance, then, was all your fault and

filmèd eyes that could not know,

That half discerned and never learned the

temporal way that men must go;

You set the image of the world high for

your heart's idolatry,

Though with your lips you called the world

a toy, a ghost, a passing show.

THE ONE

No, no; this is not true; my lips spoke

only what my heart believed.

Called I the world a toy; I spoke not echo-like

or self-deceived.

But that I thought the toy was mine to play

with, and the passing show

Would sate at least my passing lusts, and did

not, therefore am I grieved.

What did I do that I must bear this lifelong

tyranny of my fate,

That I must writhe in bonds unsought of

accidental love and hate?

Had chance but joinèd different dice, but

once or twice, but once or twice,

All lovely things that I desired I should have

held before too late.

Surely I knew that flesh was grass nor valued

overmuch the prize,

But all the powers of chance conspired to

cheat a man both just and wise.

Happy I'd been had I but had my due

reward, and not a sword

Flaming in diabolic hand between me and

my Paradise.

THE OTHER

No hooded band of fates did stand your

heart's ambitions to gainsay,

No flaming brand in evil hand was ever

thrust across your way,

Only the things all men must meet, the

common attributes of men,

That men may flinch to see or, seeing, deny,

but avoid them no man may.

Fall the dice, not once or twice but always, to

make the self-same sum;

Chance what may, a life's a life and to a

single goal must come;

Though a man search far and wide, never

is hunger satisfied;

Nature brings her natural fetters, man is

meshed and the wise are dumb.

O vain all art to assuage a heart with accents

of a mortal tongue,

All earthly words are incomplete and only

sweet are the songs unsung,

Never yet was cause for regret, yet regret

must afflict us all,

Better it were to grasp the world 'thwart

which this world is a curtain flung.

CREPUSCULAR

No creature stirs in the wide fields.

The rifted western heaven yields

The dying sun's illumination.

This is the hour of tribulation

When, with clear sight of eve engendered,

Day's homage to delusion rendered,

Mute at her window sits the soul.

Clouds and skies and lakes and seas,

Valleys and hills and grass and trees,

Sun, moon, and stars, all stand to her

Limbs of one lordless challenger,

Who, without deigning taunt or frown,

Throws a perennial gauntlet down:

"Come conquer me and take thy toll."

No cowardice or fear she knows,

But, as once more she girds, there grows

An unresignèd hopelessness

From memory of former stress.

Head bent, she muses whilst he waits:

How with such weapons dint his plates?

How quell this vast and sleepless giant

Calmly, immortally defiant,

How fell him, bind him, and control

With a silver cord and a golden bowl?

AT NIGHT

Dark firtops foot the moony sky,

Blue moonlight bars the drive;

Here at the open window I

Sit smoking and alive.

Wind in the branches swells and breaks

Like ocean on a beach;

Deep in the sky and my heart there wakes

A thought I cannot reach.

FOR MUSIC

Death in the cold grey morning

Came to the man where he lay;

And the wind shivered, and the tree shuddered

And the dawn was grey.

And the face of the man was grey in the dawn,

And the watchers by the bed

Knew, as they heard the shaking of the leaves,

That the man was dead.

THE ROOF

I

When the clouds hide the sun away

The tall slate roof is dull and grey,

And when the rain adown it streams

'Tis polished lead with pale-blue gleams.

When the clouds vanish and the rain

Stops, and the sun comes out again,

It shimmers golden in the sun

Almost too bright to look upon.

But soon beneath the steady rays

The roof is dried and reft of blaze,

'Tis dusty yellow traversed through

By long thin lines of deepest blue.

Then at the last, as night draws near,

The lines grow faint and disappear,

The roof becomes a purple mist

A great square darkening amethyst

Which sinks into the gathering shade

Till separate form and colour fade,

And it is but a patch which mars

The beauty of a field of stars.

II

It stands so lonely in the sky

The sparrows never come anigh,

The glossy starlings seldom stop

To preen and chatter on the top.

For a whole week sometimes up there

No wing-wave stirs the quiet air,

The roof lies silent and serene

As though no life had ever been;

Till some bright afternoon, athwart

The edge two sudden shadows dart,

And two white pigeons with pink feet

Flutter above and pitch on it.

Jerking their necks out as they walk

They talk awhile their pigeon-talk,

A low continuous murmur blent

Of mock reproaches and content.

Then cease, and sit there warm and white

An hour, till in the fading light

They wake, and know the close of day,

Flutter above, and fly away,

Leaving the roof whereon they sat

As 'twas before, a peaceful flat

Expanse, as silent and serene

As though no life had ever been.

TREETOPS

There beyond my window ledge,

Heaped against the sky a hedge

Of huge and wavering treetops stands

With multitudes of fluttering hands.

Wave they, beat they to and fro,

Never stillness may they know,

Plunged by the wind and hurled and torn

Anguished, purposeless, forlorn.

"O ferocious, O despairing,

In huddled isolation faring

Through a scattered universe,

Lost coins from the Almighty's purse!"

"No, below you do not see

The firm foundations of the tree;

Anchored to a rock beneath

We laugh in the hammering tempest's teeth."

"Boughs like men but burgeons are

On an adamantine star;

Men are myriad blossoms on

A staunch and cosmic skeleton."

IN THE PARK

This dense hard ground I tread

These iron bars that ripple past,

Will they unshaken stand when I am dead

And my deep thoughts outlast?

Is it my spirit slips,

Falls, like this leaf I kick aside;

This firmness that I feel about my lips,

Is it but empty pride?

Mute knowledge conquers me;

I contemplate them as they are,

Faint earth and shadowy bars that shake and flee,

Less hard, more transient far

Than those unbodied hues

The sunset flings on the calm river;

And, as I look, a swiftness thrills my shoes

And my hands with empire quiver.

Now light the ground I tread,

I walk not now but rather float;

Clear but unreal is the scene outspread,

Pitiful, thin, remote.

Poor vapour is the grass,

So frail the trees and railings seem,

That, did I sweep my hand around, 'twould pass

Through them, as in a dream.

Godlike I fear no changes;

Shatter the world with thunders loud,

Still would I ray-like flit about the ranges

Of dark and ruddy cloud.

SONG

There is a wood where the fairies dance

All night long in a ring of mushrooms daintily,

By each tree bole sits a squirrel or a mole,

And the moon through the branches darts.

Light on the grass their slim limbs glance,

Their shadows in the moonlight swing in quiet unison,

And the moon discovers that they all have lovers,

But they never break their hearts.

They never grieve at all for sands that run,

They never know regret for a deed that's done,

And they never think of going to a shed with a gun

At the rising of the sun.

TOWN

Mostly in a dull rotation

We bear our loads and eat and drink and sleep,

Feeling no tears, knowing no meditation—

Too tired to think, too clogged with earth to weep.

Dimly convinced, poor groping wretches,

Like eyeless insects in a murky pond

That out and out this city stretches,

Away, away, and there is no beyond.

No larger earth, no loftier heaven,

No cleaner, gentler airs to breathe. And yet,

Even to us sometimes is given

Visions of things we otherwhiles forget.

Some day is done, its labour ended,

And as we brood at windows high,

A steady wind from far descended,

Blows off the filth that hid the deeper sky;

There are the empty waiting spaces,

We watch, we watch, unwinking, pale and dumb,

Till gliding up with noiseless paces

Night sweeps o'er all the wide arch: Night has come.

Not that sick false night of the city,

Lurid and low and yellow and obscene,

But mother Night, pure, full of pity,

The star-strewn Night, blue, potent and serene.

O, as we gaze the clamour ceases,

The turbid world around grows dim and small,

The soft-shed influence releases

Our shrouded spirits from their dusty pall.

No more we hear the turbulent traffic,

Not scorned but unremembered is the day;

The Night, all luminous and seraphic,

Has brushed its heavy memories away.

The great blue Night so clear and kindly,

The little stars so wide-eyed and so still,

Open a door for souls that blindly

Had wandered, tunnelling the endless hill;

They draw the long-untraversed portal,

Our souls slip out and tremble and expand,

The immortal feels for the immortal,

The eternal holds the eternal by the hand.

Impalpably we are led and lifted,

Softly we shake into the gulf of blue,

The last environing veil is rifted

And lost horizons float into our view.

Lost lands, lone seas, lands that afar gleam

With a miraculous beauty, faint yet clear,

Forgotten lands of night and star-gleam,

Seas that are somewhere but that are not here.

Borne without effort or endeavour,

Swifter and more ethereal than the wind,

In level track we stream, whilst ever

The fair pale panorama rolls behind.

Now fleets below a trancèd moorland,

A sweep of glimmering immobility;

Now craggy cliff and dented foreland

Pass back and there beyond unfolds the sea.

Now wastes of water heaving, drawing,

Great darkling tracts of patterned restlessness,

With whitened waves round rough rocks mawing

And licking islands in their fierce caress.

Now coasts with capes and ribboned beaches

Set silent 'neath the canopy sapphirine,

And estuaries and river reaches

Phantasmal silver in the night's soft shine.

Ah, these fair woods the spirit crosses,

These quiet lakes, these stretched dreaming fields,

These undulate downs with piny bosses

Pointing the ridges of their sloping shields.

These valleys and these heights that screen them,

These tawnier sands where grass and tree are not,

Ah, we have known them, we have seen them

Long, long ago or ever we forgot;

We know them all, these placid countries,

And what the pathway is and what the goal;

These are the gates and these the sentries

That guard the ancient fortress of the soul.

And onward speed we flying, flying,

Over the sundering worlds of hill and plain

To where they rear their heads undying

The unnamed mountains of old days again.

The snows upon their calm still summits,

The chasms, the lines of trees that foot the snow,

Curving like inky frozen comets,

Into the forest-ocean spread below.

The glisten where the peaks are hoarest,

The soundless darkness of the sunken vales,

The folding leagues of shadowy forest,

Wave beyond wave till all distinctness fails.

So invulnerable it is, so deathless,

So floods the air the loveliness of it,

That we stay dazzled, rapt and breathless,

Our beings ebbing to the infinite.

There as we pause, there as we hover,

Moveless in ecstasy, a sudden light

Breaks in our eyes, and we discover

We sit at windows gazing to the night.

Wistful and tired, with eyes a-tingle

Where still the sting of Beauty faintly smarts,

But with our mute regrets there mingle

Thanks for the resurrection of our hearts.

O night so great that will not mock us!

O stars so wise that understand the weak!

O vast consoling hands that rock us!

O strong and perfect tongues that speak!

O night enrobed in azure splendour!

O whispering stars whose radiance falls like dew!

O mighty presences and tender,

You have given us back the dreams our childhood knew!

Lulled by your visions without number,

We seek our beds content and void of pain,

And dreaming drowse and dreaming slumber

And dreaming wake to see the day again.

A MEMORIAL

(F.T.)

The cord broke, and the tent

Slipped, and the silken roof

Lay prone beneath the viewless hoof

Of the deliberate firmament.

Yet cared we not; how should we care?

Knowing that labourless now he breathes

A golden paradisal air

Where with more certain craft he wreathes

Bright braids of words more wise and fair

Than ever his earthly fabrics were,

That his unwavering eyes made fresh,

Purged and regarbed in fadeless flesh,

What he then darkly guessed behold,

And watch with an abiding joy

The eternal mysteries unfold

Which do his now transfigured songs evermore employ.

Brother, yet great thy power;

Thou stood'st as on a tower

Small 'neath the stars yet high above the fields;

In thy alembic song

Imagination strong

Distilled what essences the quest to mortals yields.

This thy reward well-won,

For every morning's sun

Found thy heart's firm allegiance still unshaken;

No temporal ache or smart

Drave Beauty from thy heart,

And by thy mighty mistress never wast forsaken.

Yes; for though stringent was the test,

When that thy trial was bitterest,

Steadfast thou did'st remain; unshod

The harrows of Pain thy feet once trod,

Humiliate as thy sad song tells

Before the vault's white sentinels.

Friendless and faint thou sojourned'st there,

A bowed, brave, timid wanderer,

A lonely nomad of the spirit,

Who did a triple curse inherit,

Hunger, regret and memory.

Yet never did they vanquish thee;

When nighest broken, most alone,

Thy unassuagèd thoughts could clamber

To beauty on her ageless throne;

Thou wert as one in torture chamber

Who sees the blue through an open casement

And hammers his soul to endure the time

Of his corporeal abasement;

Nor writhed'st at thine or others' fault,

But with grim tenderness did salt

Thy cicatrices with a rhyme.

Not the most sable flame of gloom

Could penetrate thy inmost room;

But through the walls thy spirit sucked

Into that cloistral hermitage

Stray lovely things, moonbeams and snows

The far sky shed into thy cage,

And, from the very gutter plucked,

A lost and mired campestral rose.

Ended that purgatorial period,

Filled was thy wallet and thy feet were shod,

The leaden weights were moved, the rack withdrawn,

Thou didst traverse the dewy fields of dawn,

Watch sunsets blazoning over upland turf,

Pull poppies from the frontiers of the surf,

Dwelled'st with love and human eyes

Vigilant, calm and wise.

But still as when thy bark did ride

Derelict on the city's tide,

As then for penury now for pride

Thy bodily senses were denied;

Though they cried out and would not sleep,

Ascetic thou didst armour them

Lest acid pleasure should eat thine art's pure gem.

Hourly the tempter's ambuscades

But thou didst guard the gates and keep

Thy senses' hungry colonnades

Accessible but to Beauty's ministers,

Unlit by any ruby flame but hers.

Immuring so thy spirit eager

Within a body frail and meagre,

Far from the meads of earthly milk and honey,

Yet franchised of more wondrous territories,

Like those poor Bedouin of Arabia the Stony

Who roam spare-fed and hollow-eyed but free

By day to wander and by night to camp

In vast serenity,

Compassed by God's great silent glories

The sun's gold splendour and the moon's white lamp,

Folded and safe from harm

Beneath the mighty sky's protecting arm.

Ha! but the Titan's ardour

Wherewith thou scour'dst the vast,

To spoil the starry larder

Of fruits of heavenly taste!

Urania's fiercest servant,

With thirst as furnace fervent

And serene burning brow,

Worthy of thy great lineage, thou

Drankest without a shudder

In proud humility

Milk from that vast primæval udder

That swells for such as thee,

Milk from the fountains of the Universe

That cowards deem infected with a curse,

That flushes him who drinks

Nor shrinks

The exalted anguish of diurnal draughts

To a clear vision, more intolerable

In its blissful pain, than love's most ardent shafts,

Of the seats where she doth dwell,

She, whom thou didst confess

Enticed

Thee hot to her throne to press

For the greater glory of Christ

To uplift the curtains of her closed eyes.

Not all was for thy learning

Nor any mortal's else;

Only for thy discerning

Sporadic syllables

Of those supernal glances

Coffer of which her marble countenance is,

Yet vain was not the adventure,

Reluctant though the prize,

Thou gainedst a debenture

On the fringe of Beauty's eyes;

Such fragmentary trophy

As some cross-tunic'd knight

From Saladin or Sophy

May have won in sword's despite,

Not the dear polar shrines

Held captive by the Paynim

But still as fruit of wars

Some stone from Sion's lines,

Some relic that might sain him

Of life's uncounted scars.

Self-dedicated anchorite,

Never disdainful of the dust,

But conscious of the overcoming night

That must engulph the blooms and berries of lust,

And unforgetful of the enveloping day beyond;

Though a sweet show was spread for thy delight

Resolved not to be so fond

As, in ephemeral gauds caparisoned,

To station feet upon a world of vapour

Soft as a dream and fleeting as a taper;

Thou thoughtest nevertheless that thou shouldst occupy

Thyself, as it seemed to thee, most worthily

Until the rapid hour when thou shouldst die;

So, in a world of seemings,

Of shadows and of dreamings,

Busied thyself to fashion and record

Unto the greater glory of thy Lord,

For thy proud lady Beauty His

Most excellent and humble handmaid is.

Says one thy service was too ceremonial,

Thy vestments irised overmuch, thy ritual

Too elaborate and thy rubric too obscure,

Therefore thy gift of chant and orison

Beneath the perfect service men have done.

O but thy notes were pure,

And in a day like this we now endure

No fault it was in thee to set thy camp

Remote, aloof, aloof,

In a far fastness proof

'Gainst the mephitic odours of the swamp.

Which being so, no gain

'Twere to explain

An exquisiteness too meticulous;

Let us but say it pleased thee thus,

Dowered with imagination heavy-fruited,

To raise a column garlanded and fluted

For Him thy heavenly abacus.

This was thine offering thou didst make

In founded hope that He

The craftsman's best would take

Well knowing its unobscure sincerity.

The cord broke and the tent

Slipped and the silken roof

Lay prone beneath the viewless hoof

Of the deliberate firmament.

We still in this terrene abode

Forlorn must tread the difficult road,

And all meek thanks and all belief

Hardly suffice to rampart grief.

For gone is Beauty's votary apostolic

And are her temples now delivered over

To blindworms and libidinous goats that frolic

In places hallowed by that celestial lover.

Save only two or three

With undivided minds like thee,

None now remains that girds

The peregrinal loin,

None reverent of Beauty's holy tongue,

But counterfeiters of her imaged coin,

Iconoclasts, breakers of carven words,

Seekers of worthless treasure in the dung,

Mock mages and cacophonous charlatans,

And pismire artisans

Labouring to make

Such mirrored replicas of Nature's face

As might the surface of a stagnant lake.

Yet we should anger not,

Nor let that be forgot,

The testament of stateliest worth

He left us when he fled the earth.

The mausoleum made of rhyme,

Fair in its unfrequented field,

Which shall invulnerably shield

His memory to the end of Time;

The house with curtain-flaming halls

And roof of gold and jewelled walls

For which the fisher sank his net

Into the deepest pools of speech,

Scooping rich conchs and ribbons wet

That a less venturous could not reach,

The hunter tracked the metaphor

On many a foamy silver coast

A hundred leagues beyond the most

Fabulous Tellurian shore.

Magnificent he was and mild,

Glad to be still and glad to speak,

Daring yet delicate as a child,

Faithful, compassionate and holy,

And, being human, strong and weak,

And full of hope and melancholy.

No more than we, able to shed

Man's nature he inherited,

Neither sin's garrison to kill,

Yet at the last with constancy so great

As the world's vanities to abnegate,

Sternly to will the sacrifice of will

Upon the altars of the Uncreate,

So that he lived before he died

As one who hourly to himself denied

All joys save those that cannot pall,

Who having nothing yet had all.

FRIENDSHIP'S GARLAND

I

When I was a boy there was a friend of mine,

We thought ourselves warriors and grown folk swine,

Stupid old animals who never understood

And never had an impulse and said "you must be good."

We slank like stoats and fled like foxes,

We put cigarettes in the pillar-boxes,

Lighted cigarettes and letters all aflame—

O the surprise when the postman came!

We stole eggs and apples and made fine hay

In people's houses when people were away,

We broke street lamps and away we ran,

Then I was a boy but now I am a man.

Now I am a man and don't have any fun,

I hardly ever shout and I never never run,

And I don't care if he's dead that friend of mine,

For then I was a boy and now I am a swine.

II

We met again the other night

With people; you were quite polite,

Shook my hand and spoke awhile

Of common things with cautious smile;

Paid the usual debt men owe

To fellows whom they used to know.

But, when our eyes met full, yours dropped,

And sudden, resolute, you stopped,

Moving with hurried syllables

To make remarks to some one else.

I caught them not, to me they said:

"Let the dead past bury its dead,

Things were very different then,

Boys are fools and men are men."

Several times the other night

You did your best to be polite;

When in the conversation's round

You heard my tongue's familiar sound

You bent in eager pose my way

To hear what I had got to say;

Trying, you thought with some success,

To hide the chasm's nakedness.

But on your eyes hard films there lay;

No mock-interest, no pretence

Could veil your blank indifference;

And if thoughts came recalling things

Far-off, far-off, from those old springs

When underneath the moon and sun

Our separate pulses beat as one,

Vagrant tender thoughts that asked

Admittance found the portal masked;

You spurned them; when I'd said my say,

With laugh and nod you turned away

To toss your friends some easy jest

That smote my brow and stabbed my breast.

Foolish though it be and vain

I am not master of my pain,

And when I said good-night to you

I hoped we should not meet again,

And wondered how the soul I knew

Could change so much; have I changed too?

III

There was a man whom I knew well

Whose choice it was to live in hell;

Reason there was why that was so

But what it was I do not know.

He had a room high in a tower,

And sat there drinking hour by hour,

Drinking, drinking all alone

With candles and a wall of stone.

Now and then he sobered down,

And stayed a night with me in town.

If he found me with a crowd,

He shrank and did not speak aloud.

He sat in a corner silently,

And others of the company

Would note his curious face and eye,

His twitching face and timid eye.

When they saw the eye he had

They thought perhaps that he was mad.

I knew he was clear and sane

But had a horror in his brain.

He had much money and one friend

And drank quite grimly to the end.

Why he chose to die in hell

I did not ask, he did not tell.

LINES

When London was a little town

Lean by the river's marge,

The poet paced it with a frown,

He thought it very large.

He loved bright ship and pointing steeple

And bridge with houses loaded

And priests and many-coloured people ...

But ah, they were not woaded!

Not all the walls could shed the spell

Of meres and marshes green,

Nor any chaffering merchant tell

The beauty that had been:

The crying birds at fall of night,

The fisher in his coracle,

And grim on Ludgate's windy height,

An oak-tree and an oracle.

Sick for the past his hair he rent

And dropt a tear in season;

If he had cause for his lament

We have much better reason.

For now the fields and paths he knew

Are coffined all with bricks,

The lucid silver stream he knew

Runs slimy as the Styx;

North and south and east and west,

Far as the eye can travel,

Earth with a sombre web is drest

That nothing can unravel.

And we must wear as black a frown,

Wail with as keen a woe

That London was a little town

Five hundred years ago.

Yet even this place of steamy stir,

This pit of belch and swallow,

With chrism of gold and gossamer

The elements can hallow.

I have a room in Chancery Lane,

High in a world of wires,

Whence fall the roofs a ragged plain

Wooded with many spires.

There in the dawns of summer days

I stand in adoration,

While London's robed in rainbow haze

And gold illumination.

The wizard breezes waft the rays

Shot by the waking sun,

A myriad chimneys softly blaze,

A myriad shadows run.

Round the wide rim in radiant mist

The gentle suburbs quiver,

And nearer lies the shining twist

Of Thames, a holy river

Left and right my vision drifts,

By yonder towers I linger,

Where Westminster's cathedral lifts

Its belled Byzantine finger,

And here against my perchèd home

Where hold wise converse daily

The loftier and the lesser dome,

St. Paul's and the Old Bailey.

ECHOES

There is a far unfading city

Where bright immortal people are;

Remote from hollow shame and pity,

Their portals frame no guiding star

But blightless pleasure's moteless rays

That follow their footsteps as they dance

Long lutanied measures through a maze

Of flower-like song and dalliance.

There always glows the vernal sun,

There happy birds for ever sing,

There faint perfumèd breezes run

Through branches of eternal spring;

There faces browned and fruit and milk

And blue-winged words and rose-bloomed kisses

In galleys gowned with gold and silk

Shake on a lake of dainty blisses.

Coyness is not, nor bear they thought

Save of a shining gracious flow,

All natural joys are temperate sought,

For calm desire there they know,

A fire promiscuous, languorous, kind;

They scorn all fiercer lusts and quarrels,

Nor blow about on anger's wind,

Nor burn with love, nor rust with morals.

Folk in the far unfading city,

Burning with lusts my senses are,

I am torn with love and shame and pity,

Be to my heart a guiding star

Wise youths and maidens in the sun,

With eyes that charm and lips that sing,

And gentle arms that rippling run,

Shed on my heart your endless spring!

THE FUGITIVE

Flying his hair and his eyes averse,

Fleet are his feet and his heart apart.

How could we clear his charms rehearse?

Fleet are his feet and his heart apart.

High on a down we found him last,

Shy as a hare, he fled as fast;

How could we clasp him or ever he passed?

Fleet are his feet and his heart apart.

How could we cling to his limbs that shone,

Ravish his cheeks' red gonfalon,

Or the wild-skin cloak that he had on?

Fleet are his feet and his heart apart.

For the wind of his feet still straightly shaping,

He loosed at our breasts from his eyes escaping

One crooked swift glance like a javelin leaping.

Fleet are his feet and his heart apart.

And his feet passed over the sunset land

From the place forlorn where a forlorn band

Watching him flying we still did stand.

Fleet are his feet and his heart apart.

Vanishing now who would not stay

To the blue hills on the verge of day.

O soft! soft! Music play,

Fading away,

(Fleet are his feet

And his heart apart)

Fading away.

IN AN ORCHARD

Airy and quick and wise

In the shed light of the sun,

You clasp with friendly eyes

The thoughts from mine that run.

But something breaks the link;

I solitary stand

By a giant gully's brink

In some vast gloomy land.

Sole central watcher, I

With steadfast sadness now

In that waste place descry

'Neath the awful heavens how

Your life doth dizzy drop

A little foam of flame

From a peak without a top

To a pit without a name.

IN A CHAIR

He room is full of the peace of night,

The small flames murmur and flicker and sway,

Within me is neither shadow, nor light,

Nor night, nor twilight, nor dawn, nor day.

For the brain strives not to the goal of thought,

And the limbs lie wearied, and all desire

Sleeps for a while, and I am naught

But a pair of eyes that gaze at a fire.

A DAY

I. MORNING

The village fades away

Where I last night came

Where they housed me and fed me

And never asked my name.

The sun shines bright, my step is light,

I, who have no abode,

Jeer at the stuck, monotonous

Black posts along the road.

II. MIDDAY

The wood is still,

As here I sit

My heart drinks in

The peace of it.

A something stirs

I know not where

Some quiet spirit

In the air.

O tall straight stems!

O cool deep green!

O hand unfelt!

O face unseen!

III. EVENING

The evening closes in,

As down this last long lane

I plod; there patter round

First heavy drops of rain.

Feet ache, legs ache, but now

Step quickens as I think

Of mounds of bread and cheese

And something hot to drink.

IV. NIGHT

Ah! sleep is sweet, but yet

I will not sleep awhile

Nor for a space forget

The toil of that last mile;

But lie awake and feel

The cool sheets' tremulous kisses

O'er all my body steal ...

Is sleep as sweet as this is?

THE MIND OF MAN

I

Beneath my skull-bone and my hair,

Covered like a poisonous well,

There is a land: if you looked there

What you saw you'd quail to tell.

You that sit there smiling, you

Know that what I say is true.

My head is very small to touch,

I feel it all from front to back,

An eared round that weighs not much,

Eyes, nose-holes, and a pulpy crack:

Oh, how small, how small it is!

How could countries be in this?

Yet, when I watch with eyelids shut,

It glimmers forth, now dark, now clear,

The city of Cis-Occiput,

The marshes and the writhing mere,

The land that every man I see

Knows in himself but not in me.

II

Upon the borders of the weald

(I walk there first when I step in)

Set in green wood and smiling field,

The city stands, unstained of sin;

White thoughts and wishes pure

Walk the streets with steps demure.

In its clean groves and spacious halls

The quiet-eyed inhabitants

Hold innocent sunny festivals

And mingle in decorous dance;

Things that destroy, distort, deface,

Come never to that lovely place.

Never could evil enter thither,

It could not live in that sweet air,

The shadow of an ill deed must wither

And fall away to nothing there.

You would say as there you stand

That all was beauty in the land.

But go you out beyond the gateway,

Cleave you the woods and pass the plain,

Cross you the frontier down, and straightway

The trees will end, the grass will wane,

And you will come to a wilderness

Of sticks and parchèd barrenness.

The middle of the land is this,

A tawny desert midmost set,

Barren of living things it is,

Saving at night some vampires flit

That nest them in the farther marish

Where all save vilest things must perish.

Here in this reedy marsh of green

And oily pools, swarm insects fat

And birds of prey and beasts obscene,

Things that the traveller shudders at,

All cunning things that creep and fly

To suck men's blood until they die.

Rarely from hence does aught escape

Into the world of outer light,

But now and then some sable shape

Outward will dash in sudden flight;

And men stand stonied or distraught

To know the loathly deed or thought.

But, ah! beyond the marsh you reach

A purulent place more vile than all,

A festering lake too foul for speech,

Rotten and black, with coils acrawl,

Where writhe with lecherous squeakings shrill

Horrors that make the heart stand still.

There, 'neath a heaven diseased, it lies,

The mere alive with slimy worms,

With perverse terrible infamies,

And murders and repulsive forms

That have no name, but slide here deep

Whilst I, their holder, silence keep.

A REASONABLE PROTESTATION

[To F., who complained of his vagueness and lack of

dogmatic statement]

Not, I suppose, since I deny

Appearance is reality,

And doubt the substance of the earth

Does your remonstrance come to birth;

Not that at once I both affirm

'Tis not the skin that makes the worm

And every tactile thing with mass

Must find its symbol in the grass

And with a cool conviction say

Even a critic's more than clay

And every dog outlives his day.

This kind of vagueness suits your view,

You would not carp at it; for you

Did never stand with those who take

Their pleasures in a world opaque.

For you a tree would never be

Lovely were it but a tree,

And earthly splendours never splendid

If by transience unattended.

Your eyes are on a farther shore

Than any of earth; you not adore

As godhead God's dead hieroglyph,

Nor would you be perturbed if

Some prophet with a voice of thunder

And avalanche arm should blast and founder

The logical pillars that maintain

This visible world which loads the brain,

Loads the brain and withers the heart

And holds man from his God apart.

But still with you remains the craving

For some more solid substance, having

Surface to touch, colour to see,

And form compact in symmetry.

You are not satisfied with these

Vague throbbings, utterless ecstasies,

Void finds your spirit of delight

This great indefinite white light,

Not with such sickles can you reap;

If a dense earth you cannot keep

You want a dense heaven as substitute

With trees of plump celestial fruit,

Red apples, golden pomegranates,

And a river flowing by tall gates

Of topaz and of chrysolite

And walls of twenty cubits height.

Frank, you cry out against the age!

Nor you nor I can disengage

Ourselves from that in which we live

Nor seize on things God does not give.

Thirsty as you, perhaps, I long

For courtyards of eternal song,

Even as yours my feet would stray

In a city where 'tis always day

And a green spontaneous leafy garden

With God in the middle for a warden;

But though I trust with strengthening faith

I'll taste when I have traversed death

The unimaginable sweetness

Of certitude of such concreteness,

How should I draw the hue and scope

Of substances I only hope

Or blaze upon a mortal screen

The evidence of things not seen?

This art of ours but grows and stirs

Experience when it registers,

And you know well as I know well

This autumn of time in which we dwell

Is not an age of revelations

Solid as once, but intimations

That touch us with warm misty fingers

Leaving a nameless sense that lingers

That sight is blind and Time's a snare

And earth less solid than the air

And deep below all seeming things

There sits a steady king of kings

A radiant ageless permanence,

A quenchless fount of virtue whence

We draw our life; a sense that makes

A staunch conviction nothing shakes

Of our own immortality.

And though, being man, with certain glee

I eat and drink, though I suffer pain,

And love and hate and love again

Well or in mode contemptible,

Thus shackled by the body's spell

I see through pupils of the beast

Though it be faint and blurred with mist

A Star that travels in the East.

I see what I can, not what I will

In things that move, things that are still,

Thin motion, even cloudier rest,

I see the symbols God hath drest

The moveless trees, the trees that wave

The clouds that heavenly highways have,

Horses that run, rocks that are fixt,

Streams that have rest and motion mixt,

The main with its abiding flux,

The wind that up my chimney sucks

A mounting waterfall of flame,

Sticks, straws, dust, beetles and that same

Old blazing sun the Psalmist saw

A testifier to the law.

Divinely to the heart they speak

Saying how they are but weak

Wan will o' the wisps o'er the crystal sea;

But stays that sea still dark to me.

Did I now glibly insolent

Chart the ulterior firmament,

Would you not know my words were lies,

Where not my testimonial eyes

Mortal or spiritual lodge,

Mere uncorroborated fudge?

Praise me, though praise I do not want,

Rather, that I have cast much cant,

That what I see and feel I write

Read what I can in this dim light

Granted to me in nether night.

And though I am vague and shrink to guess

God's everlasting purposes,

And never save in perplext dream

Have caught the least authentic gleam

Of the great kingdom and the throne

In the world that lies behind our own,

I have not lacked my certainties,

I have not haggard moaned the skies,

Now waged unnecessary strife

Nor scorned nor overvalued life.

And though you say my attitude

Is questioning, concede my mood

Does never bring to tongue or pen

Accents of gloomy modern men

Who wail or hail the death of God

And weigh and measure man the clod,

Or say they draw reluctant breath

And musically mourn that Death

Is a queen omnipotent of woe

And Life her lean cicisbeo,

Abject and pale, whom vampire-like

She playeth with ere she shall strike,

And pose sad riddles to the Sphinx

With raven quills in purple inks,...

Then send the boy to fetch more drinks.

EPILOGUE

Than farthest stars more distant,

A mile more,

A mile more,

A voice cries on insistent:

"You may smile more if you will;

"You may sing too and spring too;

But numb at last

And dumb at last,

Whatever port you cling to,

You must come at last to a hill.

"And never a man you'll find there

To take your hand

And shake your hand;

But when you go behind there

You must make your hand a sword

"To fence with a foeman swarthy,

And swink there

Nor shrink there,

Though cowardly and worthy

Must drink there one reward."

TWELVE TRANSLATIONS

FROM

CHARLES BAUDELAIRE

TOUT ENTIÈRE

This morning in my attic high

The Demon came to visit me,

And seeking faults in my reply,

He said: "I would inquire of thee,

"Of all the beauties which compose

Her charming body's potent spell,

Of all the objects black and rose

Which make the thing you love so well,

"Which is the sweetest?" O my soul!

Thou didst rejoin: "How tell of parts,

When all I know is that the whole

Works magic in my heart of hearts?

"Where all is fair, how should I say

What single grace is my delight?

She shines on me like break of day

And she consoles me as the night.

"There flows through all her perfect frame

A harmony too exquisite

That weak analysis should name

The numberless accords of it.

"O mystic metamorphosis!

My separate senses all are blent;

Within her breath soft music is,

And in her voice a subtle scent!"

THE ALCHEMY OF GRIEF

One, Nature! burns and makes thee bright,

One gives thee weeds to mourn withal;

And what to one is burial

Is to the other life and light.

The unknown Hermes who assists

And alway fills my heart with fear

Makes me the mighty Midas' peer

The saddest of the alchemists.

Through him I make gold changeable

To dross, and paradise to hell;

Clouds for its corpse-cloths I descry.

A stark dead body I love well,

And in the gleaming fields on high

I build immense sarcophagi.

SPLEEN

When the low heavy sky weighs like a lid

Upon the spirit aching for the light

And all the wide horizon's line is hid

By a black day sadder than any night;

When the changed earth is but a dungeon dank

Where batlike Hope goes blindly fluttering

And, striking wall and roof and mouldered plank,

Bruises his tender head and timid wing;

When like grim prison-bars stretch down the thin,

Straight, rigid pillars of the endless rain,

And the dumb throngs of infamous spiders spin

Their meshes in the caverns of the brain;—

Suddenly, bells leap forth into the air,

Hurling a hideous uproar to the sky

As 'twere a band of homeless spirits who fare

Through the strange heavens, wailing stubbornly.

And hearses, without drum or instrument,

File slowly through my soul; crushed, sorrowful,

Weeps Hope, and Grief, fierce and omnipotent,

Plants his black banner on my drooping skull.

A VOYAGE TO CYTHERA

My heart was like a bird and took to flight,

Around the rigging circling joyously;

The ship rolled on beneath a cloudless sky

Like a great angel drunken with the light.

"What is yon isle, sad and funereal?"

"Cythera famed in deathless song," said they,

"The gay old bachelors' Eldorado-Nay,

Look! 'tis a poor bare country after all!"

Isle of sweet secrets and heart banquetings!

The queenly shade of antique Venus thrills

Scentlike above thy level seas and fills

Our souls with languor and all amorous things.

Fair isle and of green myrtles and blown flowers

Held holy by all men for evermore,

Where the faint sighs of spirits that adore

Float like rose-incense through the quiet hours,

And dovelike sounds each murmured orison:—

Cythera lay there barren 'neath bright skies,

A rocky waste rent by discordant cries:

Natheless I saw a curious thing thereon.

No shady temple was it, close enshrined

I' the trees; no flower-crowned priestess hither came

With her young body burnt by secret flame,

Baring her breast to the caressing wind;

But when so close to the land's edge we drew

Our canvas scared the sea-fowl—gradually

We knew it for a three-branched gallows tree

Like a black cypress stark against the blue.

A rotten carcase hung, whereon did sit

A swarm of foul black birds; with writhe and shriek

Each sought to pierce and plunge his knife-like beak

Deep in the bleeding trunk and limbs of it.

The eyes were holes; the belly opened wide

Streaming its heavy entrails on the thighs;

The grim birds, gorged with dreadful delicacies,

Had dug and furrowed it on every side.

Beneath the blackened feet there strove and pressed

A herd of jealous beasts with upward snout,

And in the midst of these there turned about

One, the chief hangman, larger than the rest....

Lone Cytherean! now all silently

Thou sufferest these insults to atone

For those old infamous sins that thou hast known,

The sins that locked the gate o' the grave to thee.

Mine are thy sorrows, ludicrous corse; yea, all

Are mine! I stood thy swaying limbs beneath,

And, like a bitter vomit, to my teeth

There rose old shadows in a stream of gall.

O thou unhappy devil, I felt afresh,

Gazing at thee, the beaks and jaws of those

Black savage panthers and those ruthless crows,

Who loved of old to macerate my flesh.

The sea was calm, the sky without a cloud;

Henceforth for me all things that came to pass

Were blood and darkness,—round my heart, alas!

There clung that allegory, like a shroud.

Naught save mine image on a gibbet thrust

Found I on Venus island desolate....

Ah, God! the courage and strength to contemplate

My body and my heart without disgust.

THE CRACKED BELL

'Tis bitter-sweet, when winter nights are long,

To watch, beside the flames which smoke and twist,

The distant memories which slowly throng,

Brought by the chime soft-singing through the mist.

Happy the sturdy, vigorous-throated bell

Who, spite of age alert and confident,

Cries hourly, like some strong old sentinel

Flinging the ready challenge from his tent.

For me, my soul is cracked; when sick with care,

She strives with songs to people the cold air

It happens often that her feeble cries

Mock the harsh rattle of a man who lies

Wounded, forgotten, 'neath a mound of slain

And dies, pinned fast, writhing his limbs in pain.

THE OFFENDED MOON

O moon, O lamp of hill and secret dale!

Thou whom our fathers, ages out of mind,

Worshipped in thy blue heaven, whilst behind

Thy stars streamed after thee a glittering trail,

Dost see the poet, weary-eyed and pale,

Or lovers on their happy beds reclined,

Showing white teeth in sleep, or vipers twined,

'Neath the dry sward; or in a golden veil

Stealest thou with faint footfall o'er the grass

As of old, to kiss from twilight unto dawn

The faded charms of thine Endymion?...

"O child of this sick century, I see

Thy grey-haired mother leering in her glass

And plastering the breast that suckled thee!"

TO THEODORE DE BANVILLE,

1842

So proud your port, your arm so powerful,

With such a grip you grip the goddess' hair,

That one might take you, from your casual air,

For a young ruffian flinging down his trull.

Your clear eye flashing with precocity,

You have displayed yourself proud architect

Of fabrics so audaciously correct

That we may guess what your ripe prime will be.

Poet, our blood ebbs out through every pore;

Is it, perchance, the robe the Centaur bore,

Which made a sullen streamlet of each vein,

Was three times dipped within the venom fell

Of those old reptiles fierce and terrible

Whom, in his cradle, Hercules had slain?

MUSIC

Oft Music, as it were some moving mighty sea,

Bears me towards my pale

Star: in clear space, or 'neath a vaporous canopy

On-floating, I set sail.

With heaving chest which strains forward, and lungs outblown,

I climb the ridgèd steeps

Of those high-pilèd clouds which 'thwart the night are thrown,

Veiling its starry deeps.

I suffer all the throes, within my quivering form,

Of a great ship in pain,

Now a soft wind, and now the writhings of a storm

Upon the vasty main

Rock me: at other times a death-like calm, the bare

Mirror of my despair.

THE CATS

The lover and the stern philosopher

Both love, in their ripe time, the confident

Soft cats, the house's chiefest ornament,

Who like themselves are cold and seldom stir.

Of knowledge and of pleasure amorous,

Silence they seek and Darkness' fell domain;

Had not their proud souls scorned to brook his rein,

They would have made grim steeds for Erebus.

Pensive they rest in noble attitudes

Like great stretched sphinxes in vast solitudes

Which seem to sleep wrapt in an endless dream;

Their fruitful loins are full of sparks divine,

And gleams of gold within their pupils shine

As 'twere within the shadow of a stream.

THE SADNESS OF THE MOON

This evening the Moon dreams more languidly,

Like a beauty who on mounded cushions rests,

And with her light hand fondles lingeringly,

Before she sleeps, the slope of her sweet breasts.

On her soft satined avalanches' height

Dying, she laps herself for hours and hours

In long, long swoons, and gazes at the white

Visions which rise athwart the blue like flowers.

When sometimes in her perfect indolence

She lets a furtive tear steal gently thence,

Some pious poet, a lone, sleepless one,

Takes in his hollowed hand this gem, shot through,

Like an opal stone, with gleams of every hue,

And in his heart's depths hides it from the sun.

MOESTA ET ERRABUNDA

Agatha, tell me, does thy heart not ache,

Plunged in this squalid city's filthy sea,

For another ocean where the splendours break

Blue, clear, and deep as is virginity.

Agatha, tell me, does thy heart not ache?

The sea, the sea unending, comforts us!

What demon gave the hoarse old sea who sings

To her mumbling hurricanes' organ thunderous

The god-like power to cradle sorrowful things?

The sea, the sea unending, comforts us.

Carry me, wagon, bear me, barque, away!

Far! Far! For here the mud is made of tears!

Does Agatha's sad heart not sometimes say:

"O far from shudderings and crimes and fears,

Carry me, wagon; bear me barque, away?"

How far thou art, O scented paradise,

O paradise where all is love and joy,

Where all is worthy love 'neath the azure skies,

And the heart drowns in bliss without alloy!

How far thou art, O scented paradise!

But the green paradise of childish loves,

The games, the songs, the kisses and the flowers,

The laughing draughts of wine in hidden groves,

The violins throbbing through the twilight hours,

—But the green paradise of childish loves,

The artless paradise of stealthy joys,

Is that already leagues beyond Cathay?

And can one, with a little plaintive noise,

Bring it again that is so far away—

The artless paradise of stealthy joys?

THE OWLS

'Neath their black yews in solemn state

The owls are sitting in a row

Like foreign gods; and even so

Blink their red eyes; they meditate.

Quite motionless they hold them thus

Until at last the day is done,

And driving down the slanting sun,

The sad night is victorious.

They teach the wise who gives them ear

That in this world he most should fear

All things which loud or restless be.

Who, dazzled by a passing shade,

Follows it, never will be free

Till the dread penalty be paid.

FINIS

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