The idiom of the French impressionists ;the punk rock idiom.

法国印像主义风格;疯狂摇滚乐风格

Following the French Impressionists and postimpressionists, watercolours have been established in Europe and america as an expressive picture medium in its own right.

紧接着法国印象画派和后期印象画派,水彩画在欧洲和美国最终成为一种独立的富有表现力的画种。

The Impressionists were greatly influenced by his work, and it was this association with the impressionist school that finally brought about recognition of his talent

他的作品对印象派画家产生巨大影响,也正是因为他与印象派之间的关系才最终使他的才华为世人所公认。

I thought things out I believe I'm through with the impressionists

我反反复复考虑过,决定和印象派分道扬镳。

The student for the first time had the opportunity to examine at his ease the works of the impressionists

学生们第一次有机会随心所欲地仔细观看印象派的作品。

The impressionists strike me as particularly interesting.

印象派画家让我最感兴趣。

The Impressionists used a very light palette and as a result of their influence, Manet's work lightened considerably

印象派画家用色浅淡,因而在他们的影响下,马奈的作品在色彩上显著变淡。

||1: When he was 52, with a hand that still trembled, Vann Nath produced a painting of a young man lying under a blossoming tree. He was playing a pipe while, in the background, cattle grazed by green palms in some bucolic corner of Cambodia. ||2: It was meant to be a self-portrait, he said, a beautiful memory from his childhood. ||3: He wanted only to paint idyllic landscapes now, in the style of temple murals or the French Impressionists who had first inspired him to take up art.

||1: 52岁的时候，用还在颤抖的手，凡纳（Vann Nath）画了一幅画：一位少年躺在开满花的树下吹着牧笛，牛儿在吃草，背后是柬埔寨某些村落里可见的绿棕榈。 ||2:他说这原本是幅自画像，是童年的美好回忆。||3:现在的他只想画田园风光，像寺院壁画或法国印象派那样，是他们把自己领上了艺术之路。

||1: The critics shredded Manet. They mocked his inconsistent style; his refusal to respect conventions. ||2: Their vicious words were like “lashes of a whip”, Manet once wrote. ||3: Yet he had contemporary champions, including Baudelaire, Stephane Mallarme, a symbolist poet, and Emile Zola, a novelist. ||4: Younger artists, such as the nascent Impressionists , also admired him. ||5: Pierre-Auguste Renoir observed that Manet was as important to them “as Cimabue or Giotto were to the Italians of the Quattrocento.” ||6: His influence continues. Rineke Dijkstra, a photographer, credits Manet with helping inspire contemporary large-format portraits.

||1:那时，评论人士将马内批得体无完肤。他们讥讽马内的画风前后矛盾，笑话他不尊重传统。||2:他们的毒舌就像“鞭子的抽打”，马内曾写道。||3:但也有一些同时代的人拥护马内，包括波德莱尔、象征主义诗人斯忒法·马拉美及小说家埃米尔·左拉。||4:年轻一代的画家也很崇拜他，如早期的印象派画家。||5:皮埃尔-奥古斯特·雷阿诺说，马内之于其拥护者，就如契马布埃或乔托之于十五世纪的意大利那样重要。||6:时至今日，马内的影响力依然未减。摄影师日尼科·迪克斯特拉认为，马内是现代大幅肖像画发展的功臣。

But taste in art was already moving fast towards the French Impressionists , whose work Burne-Jones disdained.

但当时的艺术审美需求快速地转向法国印象派[注释4]----伯恩-琼斯向来十分鄙夷此派的作品。

Japanese ceramics sit, a little uneasily, alongside French post-impressionists , and the building shows no signs of corporate flashiness.

日式陶器略显突兀地与法国后印象派作品共处一室。整座大楼里，找不到任何大公司的浮华迹象。

So if black was to be banished from their palettes, what did the Impressionists use for shadows?

若黑色被印象派画家的调色盘驱逐，那么，他们又是如何画阴影的呢？

Taking data based on auction sales of Impressionists from 1995 to 2004, he created an average price index and a repeat sales index.

他以1995年至2004年印象派画家作品的拍卖数据为基础，建立了一个平均价格指数和一个重复出售指数。

The Impressionists had a sense of freedom, which, through loose brushwork and a bold palette, introduced spontaneity and subjectivity.

印象派画家无拘无束，他们用随性的笔法与调色板上鲜艳的颜色，将自发性与主观性引入绘画中。

Among the painters who broke away from the traditional style of painting were the Impressionists , _who lived and worked in Paris.

在那些突破传统画法的画家中有生活和工作在法国巴黎的印象派画家。

Modern Impressionists Association

现代印象派画会