Part 4 Book 14 Chapter 6 The Agony of Death after the Agony of Life
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双语小说 【分类】世界名著 -[作者: 维克多-雨果] 阅读:[105026]
Part 4 Book 14 Chapter 6 The Agony of Death after the Agony of Life 19世纪30年代的法国。富人乘坐马车,用金餐具吃喝。穷人没有工作,没有食物,没有希望——他们是穷苦人,起义一触即发。法国人民还记得1789年的法国大革命。当时,民众在巴黎街头筑起街垒,死去的人数以千计。这样的时刻又要到来了吗? 这是冉阿让的故事。他坐了19年的牢,终于恢复了自由身。可是,他怎么生活,到哪里去找工作呢?像他这样一个人,还有什么希望呢?这也是沙威的故事,他是一个督察,一个残忍的人,一个冷酷的人。他的人生只有一个目标——把冉阿让再次送进大牢。这还是芳汀的故事,芳汀和她的女儿珂赛特。她们的故事是怎样改变了冉阿让的一生?这也是马吕斯的故事。他是巴黎的一名学生,做好了为起义而牺牲的准备——或是为爱情而死。最后,还有伽弗洛什——一个在巴黎街头流浪的孩子,他没有家,没有亲人,没有鞋穿……可他的脸上总是挂着笑容,心中总是有歌儿在欢唱。 不过,我们要先从冉阿让讲起…… France in the 1830s. The rich ride in carriages, and eat from gold plates. The poor have no work, no food, no hope – they are Les Misérables, and rebellion is in the air. France remembers the French Revolution in 1789, when the people built barricades in the streets of Paris, and the dead were counted in thousands. Is that time coming again? This is the story of Jean Valjean. A prisoner for nineteen years, now at last he is a free man. But how can he live, where can he find work? What hope is there for a man like him? It is also the story of Javert, a police inspector, a cruel man, a hard man. He wants one thing in life – to send Valjean back to prison. And it is Fantine’s story too, Fantine and her daughter Cosette. How does their story change Valjean’s life? And it is also Marius’s story. He is a student in Paris, ready to die for the rebellion – or for love. And last, there is Gavroche – a boy of the Paris streets, with no home, no family, no shoes... But a boy with a smile on his face and a song in his heart. But we begin with Jean Valjean...
A peculiarity of this species of war is, that the attack of the barricades is almost always made from the front, and that the assailants generally abstain from turning the position, either because they fear ambushes, or because they are afraid of getting entangled in the tortuous streets. The insurgents’ whole attention had been directed, therefore, to the grand barricade, which was, evidently, the spot always menaced, and there the struggle would infalliblyrecommence. But Marius thought of the little barricade, and went thither. It was deserted and guarded only by the fire-pot which trembled between the paving-stones. Moreover, the Mondetour alley, and the branches of the Rue de la Petite Truanderie and the Rue du Cygne were profoundly calm.
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As Marius was withdrawing, after concluding his inspection, he heard his name pronounced feebly in the darkness.
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"Monsieur Marius!"
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He started, for he recognized the voice which had called to him two hours before through the gate in the Rue Plumet.
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Only, the voice now seemed to be nothing more than a breath.
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He looked about him, but saw no one.
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Marius thought he had been mistaken, that it was an illusion added by his mind to the extraordinary realities which were clashing around him. He advanced a step, in order to quit the distant recess where the barricade lay.
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"Monsieur Marius!" repeated the voice.
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This time he could not doubt that he had heard it distinctly; he looked and saw nothing.
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"At your feet," said the voice.
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He bent down, and saw in the darkness a form which was dragging itself towards him.
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It was crawling along the pavement. It was this that had spoken to him.
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The fire-pot allowed him to distinguish a blouse, torn trousers of coarse velvet, bare feet, and something which resembled a pool of blood. Marius indistinctly made out a pale head which was lifted towards him and which was saying to him:--
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"You do not recognize me?"
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"No."
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"Eponine."
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Marius bent hastily down. It was, in fact, that unhappy child. She was dressed in men’s clothes.
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"How come you here? What are you doing here?"
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"I am dying," said she.
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There are words and incidents which arouse dejected beings. Marius cried out with a start:--
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"You are wounded! Wait, I will carry you into the room! They will attend to you there. Is it serious? How must I take hold of you in order not to hurt you? Where do you suffer? Help! My God! But why did you come hither?"
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And he tried to pass his arm under her, in order to raise her.
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She uttered a feeble cry.
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"Have I hurt you?" asked Marius.
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"A little."
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"But I only touched your hand."
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She raised her hand to Marius, and in the middle of that hand Marius saw a black hole.
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"What is the matter with your hand?" said he.
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"It is pierced."
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"Pierced?"
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"Yes."
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"What with?"
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"A bullet."
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"How?"
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"Did you see a gun aimed at you?"
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"Yes, and a hand stopping it."
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"It was mine."
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Marius was seized with a shudder.
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"What madness! Poor child! But so much the better, if that is all, it is nothing, let me carry you to a bed. They will dress your wound; one does not die of a pierced hand."
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She murmured:--
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She remained silent for a moment, then she turned her face with an effort, and looked at Marius.
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"Do you know what, Monsieur Marius? It puzzled me because you entered that garden; it was stupid, because it was I who showed you that house; and then, I ought to have said to myself that a young man like you--"