Part 5 Book 1 Chapter 18 The Vulture Becomes Prey 19世纪30年代的法国。富人乘坐马车,用金餐具吃喝。穷人没有工作,没有食物,没有希望——他们是穷苦人,起义一触即发。法国人民还记得1789年的法国大革命。当时,民众在巴黎街头筑起街垒,死去的人数以千计。这样的时刻又要到来了吗? 这是冉阿让的故事。他坐了19年的牢,终于恢复了自由身。可是,他怎么生活,到哪里去找工作呢?像他这样一个人,还有什么希望呢?这也是沙威的故事,他是一个督察,一个残忍的人,一个冷酷的人。他的人生只有一个目标——把冉阿让再次送进大牢。这还是芳汀的故事,芳汀和她的女儿珂赛特。她们的故事是怎样改变了冉阿让的一生?这也是马吕斯的故事。他是巴黎的一名学生,做好了为起义而牺牲的准备——或是为爱情而死。最后,还有伽弗洛什——一个在巴黎街头流浪的孩子,他没有家,没有亲人,没有鞋穿……可他的脸上总是挂着笑容,心中总是有歌儿在欢唱。 不过,我们要先从冉阿让讲起…… France in the 1830s. The rich ride in carriages, and eat from gold plates. The poor have no work, no food, no hope – they are Les Misérables, and rebellion is in the air. France remembers the French Revolution in 1789, when the people built barricades in the streets of Paris, and the dead were counted in thousands. Is that time coming again? This is the story of Jean Valjean. A prisoner for nineteen years, now at last he is a free man. But how can he live, where can he find work? What hope is there for a man like him? It is also the story of Javert, a police inspector, a cruel man, a hard man. He wants one thing in life – to send Valjean back to prison. And it is Fantine’s story too, Fantine and her daughter Cosette. How does their story change Valjean’s life? And it is also Marius’s story. He is a student in Paris, ready to die for the rebellion – or for love. And last, there is Gavroche – a boy of the Paris streets, with no home, no family, no shoes... But a boy with a smile on his face and a song in his heart. But we begin with Jean Valjean...
We must insist upon one psychological fact peculiar to barricades. Nothing which is characteristic of that surprising war of the streets should be omitted.
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Whatever may have been the singular inward tranquillity which we have just mentioned, the barricade, for those who are inside it, remains, none the less, a vision.
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There is something of the apocalypse in civil war, all the mists of the unknown are commingled with fierce flashes, revolutions are sphinxes, and any one who has passed through a barricade thinks he has traversed a dream.
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The feelings to which one is subject in these places we have pointed out in the case of Marius, and we shall see the consequences; they are both more and less than life. On emerging from a barricade, one no longer knows what one has seen there. One has been terrible, but one knows it not. One has been surrounded with conflicting ideas which had human faces; one’s head has been in the light of the future. There were corpses lying prone there, and phantoms standing erect. The hours were colossal and seemed hours of eternity. One has lived in death. Shadows have passed by. What were they?
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One has beheld hands on which there was blood; there was a deafening horror; there was also a frightful silence; there were open mouths which shouted, and other open mouths which held their peace; one was in the midst of smoke, of night, perhaps. One fancied that one had touched the sinisterooze of unknown depths; one stares at something red on one’s finger nails. One no longer remembers anything.
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Let us return to the Rue de la Chanvrerie.
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All at once, between two discharges, the distant sound of a clock striking the hour became audible.
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"It is midday," said Combeferre.
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The twelve strokes had not finished striking when Enjolras sprang to his feet, and from the summit of the barricade hurled this thundering shout:
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"Carry stones up into the houses; line the windowsills and the roofs with them. Half the men to their guns, the other half to the paving-stones. There is not a minute to be lost."
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A squad of sappers and miners, axe on shoulder, had just made their appearance in battle array at the end of the street.
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This could only be the head of a column; and of what column? The attacking column, evidently; the sappers charged with the demolition of the barricade must always precede the soldiers who are to scale it.
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They were, evidently, on the brink of that moment which M. Clermont-Tonnerre, in 1822, called "the tug of war."
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Enjolras’ order was executed with the correct haste which is peculiar to ships and barricades, the only two scenes of combat where escape is impossible. In less than a minute, two thirds of the stones which Enjolras had had piled up at the door of Corinthe had been carried up to the first floor and the attic, and before a second minute had elapsed, these stones, artistically set one upon the other, walled up the sash-window on the first floor and the windows in the roof to half their height. A few loop-holes carefully planned by Feuilly, the principal architect, allowed of the passage of the gun-barrels.This armament of the windows could be effected all the more easily since the firing of grape-shot had ceased. The two cannons were now discharging ball against the centre of the barrier in order to make a hole there, and, if possible, a breach for the assault.
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When the stones destined to the final defence were in place, Enjolras had the bottles which he had set under the table where Mabeuf lay, carried to the first floor.
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"Who is to drink that?" Bossuet asked him.
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"They," replied Enjolras.
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Then they barricaded the window below, and held in readiness the iron cross-bars which served to secure the door of the wine-shop at night.
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The fortress was complete. The barricade was the rampart, the wine-shop was the dungeon. With the stones which remained they stopped up the outlet.
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As the defenders of a barricade are always obliged to be sparing of their ammunition, and as the assailants know this, the assailants combine their arrangements with a sort of irritating leisure, expose themselves to fire prematurely, though in appearance more than in reality, and take their ease. The preparations for attack are always made with a certain methodicaldeliberation; after which,the lightning strikes.
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This deliberation permitted Enjolras to take a review of everything and to perfect everything. He felt that, since such men were to die, their death ought to be a masterpiece.
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He said to Marius: "We are the two leaders. I will give the last orders inside. Do you remain outside and observe."
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Marius posted himself on the lookout upon the crest of the barricade.
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Enjolras had the door of the kitchen, which was the ambulance, as the reader will remember, nailed up.
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"No splashing of the wounded," he said.
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He issued his final orders in the tap-room in a curt, but profoundly tranquil tone; Feuilly listened and replied in the name of all.
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"On the first floor, hold your axes in readiness to cut the staircase. Have you them?"
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"Yes," said Feuilly.
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"How many?"
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"Two axes and a pole-axe."
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"That is good. There are now twenty-six combatants of us on foot. How many guns are there?"
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"Thirty-four."
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"Eight too many. Keep those eight guns loaded like the rest and at hand. Swords and pistols in your belts. Twenty men to the barricade. Six ambushed in the attic windows, and at the window on the first floor to fire on the assailants through the loop-holes in the stones. Let not a single worker remain inactive here. Presently, when the drum beats the assault, let the twenty below stairs rush to the barricade. The first to arrive will have the best places."
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These arrangements made, he turned to Javert and said:
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"I am not forgetting you."
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And, laying a pistol on the table, he added:
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"The last man to leave this room will smash the skull of this spy."
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"Here?" inquired a voice.
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"No, let us not mix their corpses with our own. The little barricade of the Mondetour lane can be scaled. It is only four feet high. The man is well pinioned. He shall be taken thither and put to death."
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There was some one who was more impassive at that moment than Enjolras, it was Javert. Here Jean Valjean made his appearance. He had been lost among the group of insurgents. He stepped forth and said to Enjolras:
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"In the name of the Republic. The barricade has two saviors, Marius Pontmercy and yourself."