包含
heroine的中国译典句库查询结果如下:
属类:综合句库--
属类:综合句库--
属类:行业术语-中文论文标题-
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属类:行业术语-中文论文标题-
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属类:综合句库--
属类:综合句库--
属类:英汉句库--
属类:综合句库-典型例句-
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属类:综合句库-典型例句-
属类:综合句库--
属类:时事政治-经济学人双语版-新书出炉 祸不单行
属类:时事政治-经济学人双语版-剧作家和畅销书作者丽莲·海尔曼的一生
属类:时事政治-经济学人双语版-宝莱坞巨星山米·卡帕尔
属类:时事政治-经济学人双语版-宝莱坞巨星山米·卡帕尔
属类:时事政治-经济学人双语版-最好,最坏的城市
属类:中国大陆-wenku.baidu.com-
属类:中国大陆-wenku.baidu.com-
属类:英汉句库-article.yeeyan.org-
属类:英汉句库-article.yeeyan.org-
属类:英汉句库-article.yeeyan.org-
属类:英汉句库-article.yeeyan.org-
属类:英汉句库-www.ecocn.org-
1 | 随着画面渐渐隐去,男女主角分手走了。 | As the scene fades out, the hero and the heroine walk away from each other | |
2 | 他们在这出戏中担任男、女主角。 | They enact the role of hero and heroine in the play. | |
3 | 文本里的涓生、子君以及爱情 | On Hero Juan Sheng, Heroine Zi Jun and Their Love in Lu Xun’s Story | |
4 | 我难以相信她是这部电影的女主角。 | I cannot believe she is the heroine of the movie. | |
5 | 我与小说中的那个女主人公感同身受。 | I identified with the heroine of the novel. | |
6 | 无尽红尘烟尘里-浅析《汉官秋》女主人公悲剧命运的意义 | Going with Wind-On Analyzing the Tragedy of Heroine in Hangongqiu | |
7 | 舞台说明要求女主角从左边下场。 | The directions called for the heroine to go off left | |
8 | 舞台指示要求女主角在舞台左方下场。 | The directions called for the heroine to go off left. | |
9 | 现实治疗护理咨询商模式于改善海洛因戒治者自我功能与再入院率之成效探讨 | Effects of Nursing Counseling Based Reality Therapy Model on Improving Ego Functions and Rehospitalization of Heroine Abusers | |
10 | 许多人称她为英雄,也有人公开指责说林奇的获救就像一出舞台戏,被五角大楼官员们用作宣传演习。 | Praised as a heroine by many, others denounced her rescue as a staged event used by Pentagon officials as a propaganda exercise | |
11 | 在当时的小说里,这一难题常常由最后一页的重大发现得以圆满地解决:原先一文不名的女主人摇身一变,成了巨额财富的继承人。 | In the novels of the period the dilemma was felicitously solved by the discovery, on the last page, that the apparently penniless heroine was really a great heiress | |
12 | 詹姆斯暗示他的女主人公对于人生过于苛求。 | James hints that his heroine ’s demands on life are inordinate | |
13 | 这个故事描述了一个勇敢的女英雄。 | This story featured a plucky heroine | |
14 | 这个故事描述了一个勇敢的女英雄。 | This story featured a plucky heroine . | |
15 | 这位小说家把女主人公刻画成反复无常而又多情的人. | The novelist characterizes his heroine as capricious and passionate. | |
16 | 总之,我们认为我们都同情剧中的女主人公。 | In the final analysis I think our sympathy lies with the heroine of the play. | |
17 | 总之,我认为我们都同情剧中的女主人公. | In the final analysis I think our sympathy lies with the heroine of the play. | |
18 | 作者在几个短短的自然段中描绘了女主人公的性格特点。 | The author characterized his heroine in a few short paragraphs | |
19 | ||1:克莱尔·克拉克偶然看见刊登在文学期刊上的一篇文章(描述19世纪90年代,一位英国自由党派人士兼国会议员的妻子,过着双重生活的故事)时,脑海中就浮现出了《美丽谎言》的女主角。||2:《美丽谎言》的女主角玛丽贝尔是智裔波西米亚人,嫁给了一位激进的社会主义分子爱德华·坎贝尔·劳伍。||3:玛丽贝尔的外国口音、烟不离手的习惯、写诗天赋与摄影才华让她成为伦敦上流社会中格格不入的异类。||4:玛丽贝尔也有一段不为人知的风流韵事。||5:她的情史一旦曝光,夫妇俩的同僚一定会让他们身败名裂,像被无情砸碎的鸡蛋一样。 | ||1: CLARE CLARK found her new heroine when she unearthed an article in a literary journal about a British Liberal MP’s wife who had led a double life in the 1890s. ||2: In “Beautiful Lies” Maribel is a Chilean bohemian married to a radical socialist, Edward Campbell Lowe. ||3: Her exotic accent, chain-smoking and talent for poetry and photography mark her as a scarlet sheep among the white flock of London society. ||4: Maribel also harbours a salacious secret history. ||5: If it were ever exposed, the couple’s peers “would smash their lives as carelessly as eggs”. | |
20 | ||1:丽莲·海尔曼知道怎样才能叙述出一个好的故事,并且她喜欢编写关于自己的故事。||2:正因为这样,她废弃了旧的书信,禁止写记录性的文件,缄默朋友。||3:用充满感情的回忆录,取代了生硬刻板的文件。一个犹太人,在新奥尔良度过了自己的童年时光,成年时期经历了大萧条,并且在歇斯底里的冷战时期捍卫她的左翼思想。||4:在二十世纪五十年代,她被列入黑名单,原因是她不愿意承认自己犯了不忠罪,她觉得自己从来没有犯过。||5:虽然顽固了点,可是却很绚烂。在回忆录与轶事里,海尔曼这样呈现自己——一个有勇气且正直的女英雄,并且试图摧毁或是捣碎一切。 | ||1: Lillian Hellman knew how to tell a good story, and she liked to spin her own. ||2: So she destroyed old letters, suppressed records and hushed friends. ||3: She replaced hard documentation with soulful reminiscences of a Jewish childhood in New Orleans, of coming of age during the Depression and of defending her leftist ideals amid the hysteria of the cold war. ||4: Flinty yet glamorous, she was blacklisted in the 1950s because she would not confess to a crime of disloyalty she felt she never committed. ||5: In memoirs and anecdotes, Hellman presented herself as she wished to be remembered—the courageous and upright heroine of her own play—and tried to destroy or quash everything else. | |
21 | ||1:一只眼皮高贵的下垂;眼睛扫射全场5分钟;女主角的脸庞挂着泪滴;八字胡的男主角站在人群中分外耀眼夺目;伴着没完没了的曲子,幕布内外的演员们围成圈子慢慢地跳着舞......||2: 在Shammi Kapoor到来之前,这些都是宝莱坞的老一套。 ||3:他也能循规蹈矩,保持清高,发表悼词,语出惊人等诸如此类因为贵族的血液在他身体里流淌。||4:到1957年,已拍过19部电影的他依然是个跑龙套的,再也忍不住内心煎熬的他爆发了,不过形式标新立异:剃掉八字须,学猫王把长发修剪成鸭尾式;甩甩头发,急转身体,扭动屁股,他横空出现在印地电影屏幕上。 | ||1: THE stately descent of an eyelid; the five-minute burning glance; tears frozen on a heroine ’s cheek; the moustachioed hero standing to pained attention; the slowly circling dance of attendants in and out of curtains to some interminable tune. ||2: That was old Bollywood, before Shammi Kapoor came along. ||3: He could do old-style too, keeping chastely still and delivering his laments and what not, because it ran in the family’s famous blood. ||4: But in 1957, frustration boiling up inside him after 19 films which had made him precisely a nobody, he took a different tack; shaved off the pencil moustache; cropped his long hair into a Presley duck-tail, tossed his head sideways, spun round, shook his hips, and exploded on to the Hindi film scene. | |
22 | ||1:这部电影叫《王子家族》(英文名《无人及你》),此类风格的影片从未在印度屏幕上出现过,一经演出,循规蹈矩、常规守旧的电影圈就炸开了锅,再全国大街小巷中那些潮湿的电影院里,一切都被变了样。||2:在银幕上,山米从不会在肢体上过分与女主角亲近,但是他却用西方式的性感吸引对方,让对方着迷。||3:他扮演花花公子,也演小丑,对喜欢的姑娘会死缠烂打;在行驶的列车上位姑娘弹奏小夜曲;穿着睡衣在飞机上晃来晃去。||4:1961年拍摄的《野性》红极一时,影片中,他从雪山坡上滑下来,一跃而起,性感地敞开皮夹克,向女主角献唱,这够野性了吧?可他还不干休,沉醉于爱情甜蜜,禁不住朝着冰天雪地的原野上放声大喊:“呀…唬!”||5:看到这个场景的年轻人也都竞相模仿,纷纷感受到一种解脱。||6:他用痴狂赢得了姑娘的芳心,当然,这一切并没有征得双方父母的同意。 | ||1: The film was “Tumsa Nahin Dekha” (“Never Seen Anyone Like You”). And India never had. Suddenly, stasis and convention were thrown out of the window. On screen at least, in packed and humid cinemas across the country, everything changed. ||2: Shammiji never came that much closer to his heroines, but he seethed with Westernised sex appeal. ||3: He was a playboy and a clown, a ceaseless ragger of the girls he loved, who would serenade them on moving trains and dangling in bathrobes from helicopters. ||4: And who in his most monstrous hit, “Junglee” (“Wild”), in 1961 slid on his front down a mountainside of snow, leapt up (leather jacket sexily torn open), sang to his heroine that people could call him wild, what could he do, swept up in love, and then roared out over the ice-bound forest, “YAHOO!” ||5: His teenage audiences yelled out with him, suddenly liberated. ||6: He had won the girl just by being his mad self, and had apparently not asked his family or hers. | |
23 | ||莫妮卡·阿里的《砖巷》(2003)则触动着孟加拉裔群体的心弦。著名的东区大街上,女主人公落在丈夫后面一步,单这一幕便已奠定了这本小说的基调。||一年后,阿兰·霍灵赫斯特的《美丽线条》赋予了伦敦的同志群体新的声音,荣获曼布克奖。 | ||Monica Ali’s “Brick Lane” (2003) brilliantly evokes the Bangladeshi community. When her heroine walks down the famous East End street one step behind her husband, she sets the novel’s tone in a single scene.|| A year later London’s gay community was given a new voice with Alan Hollinghurst’s “The Line of Beauty”, which won the Man Booker prize. | |
24 | 《爱玛》女主人公性格分析 | An Character Analysis of the Heroine of Emma | |
25 | 《爱玛》女主人公性格分析.《爱玛》女主人公性格分析 | A Character Analysis of the Heroine of Emma | |
26 | 《花花公子》:你是如何塑造影片中女主角的形象的? | PLAYBOY: How much did you get into calibrating your movie heroine ’s hotness? | |
27 | 《纽约时报》一则简短的评论称小说女主人公“很令人讨厌”。 | A brief review in The New York Times called the heroine "unsavory. " | |
28 | 贝松表示,昂山素季是一个“比圣女贞德还要伟大的女英雄”,他希望这部电影能让昂山素季的不懈斗争变得更广为人知。 | Besson said Aung San Suu Kyi was "more of a heroine than Joan of Arc" and he hoped the film would get her ongoing fight better known. | |
29 | 不仅仅是梅尔的女主角发现了沃尔泰拉的令人生畏。 | It is not only Meyer’s heroine who found Volterra daunting. | |
30 | 当日本于1941年袭击美国时,她已被人们看作抗敌多年的女英雄。1943年,她前往美国庆祝大战告捷。 | When Japan attacked the United States in 1941, she was already known as the heroine who for years had been fighting the enemy. |